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The fiction and poetry of Queer Little Nightmares reimagines monsters old and new through a queer lens, subverting the horror gaze to celebrate ideas and identities canonically feared in monster lit. Throughout history, monsters have appeared in popular culture as stand-ins for the non-conforming, the marginalized of society. Pushed into the shadows as objects of fear, revulsion, and hostility, these characters have long conjured fascination and self-identification in the LGBTQ+ community, and over time, monsters have become queer icons.

 In Queer Little Nightmares, creatures of myth and folklore seek belonging and intimate connection, cryptids challenge their outcast status, and classic movie monsters explore the experience of coming into queerness. The characters in these stories and poems—the Minotaur camouflaged in a crowd of cosplayers, a pubescent werewolf, a Hindu revenant waiting to reunite with her lover, a tender-hearted kaiju, a lagoon creature aching for the swimmers above him, a ghost of Pride past—relish their new sparkle in the spotlight. Pushing against tropes that have historically been used to demonize, the queer creators of this collection instead ask: What does it mean to be (and to love) a monster?

Contributors include Amber Dawn, David Demchuk, Hiromi Goto, jaye simpson, Eddy Boudel Tan, and Kai Cheng Thom.

A revolutionary anthology of essays and dramatic works by contemporary Disabled theatre artists

Rebellious Bodies and Radical Acts brings together some of the most innovative minds working in the realm of Disability theatre today. Through essays, poetry, interviews, and critique, these artists pull back the curtain on the creative process, revealing how they engage in the practice of performance. As Disabled people, their bodies and abilities defy the status quo, lending their exploration of this embodied artform an essential and overlooked perspective.

Each writer brings their expertise as an artist to the task of defining what is most urgent, compelling, and relevant in the ongoing evolution of their artform. The centrepiece of this book is the complete text of Alex Bulmer’s Perceptual Archaeology (or How to Travel Blind), a richly layered exploration of her experiences travelling across differing geographies and unexpected emotional terrain. Other writers share excerpts of their work, including Niall McNeil’s Beauty and the Beast: My Life, Debbie Patterson’s How It Ends, Audrey-Anne Bouchard’s Camille, and more.

These bold artists are pressing in from the margins, demanding a new era in the creation of live performance: one that engages a broader scope of lived experience, one that embraces Disability as opportunity, and one that welcomes the adventure of travelling in the unfamiliar.

Available in accessible digital formats.

By: Erin Marie Lynch (Author), 2023, Paperback

* FINALIST FOR THE 2023 CALIBA GOLDEN POPPY BOOK AWARD FOR POETRY *

Drawing its title from the 1863 Federal Act that banished the Dakota people from their homelands, this remarkable debut collection reckons with the present-day repercussions of historical violence. Through an array of brief lyrics, visual forms, chronologies, and sequences, these virtuosic poems trace a path through the labyrinth of distances and absences haunting the American colonial experiment.

Removal Acts takes its speaker’s fraught methods of accessing the past as both subject and material: family photos, the fragile artifacts of primary documents, and the digital abyss of web browsers and word processors. Alongside studies of two of her Dakota ancestors, Lynch has assembled an intimate record of recovery from bulimia, insisting that self-erasure cannot be separated from the erasures of genocide. In these rigorous, scrutinizing examinations of “removal” in its many forms―as physical displacement, archival absence, Whiteness, and vomit―Lynch has crafted a harrowing portrait of the entwined relationship between the personal and historical. The result is a powerful affirmation of resilience and resolute presence in the face of eradication.

"Whether he is writing poems about growing up gay and Southern Baptist, about playing dress up or with Barbies, about heartache or house cleaning (in this case, they are the same thing), or about what straight people think, Brookshire’s poems are clever, sharp, honest, and deeply felt. Reading his work is like having a heart-to-heart with a friend. The pleasures offered by his wry and witty poetry is nothing short of irresistible."

—Nin Andrews, author of Son of a Bird (Etruscan Press)

28 speeches and reflections from Indigenous leaders around the world

Wisdom for our times, nourishment for our collective, and a pathway forward toward sustainable, interconnected futures

Indigenous worldviews, and the knowledge they confer, are critical for human survival and the wellbeing of future generations. Wahinkpe Topa (Four Arrows) and Darcia Narvaez present and discuss 28 powerful excerpted passages from Indigenous leaders, including Mourning Dove, Robin Wall Kimmerer, Winona LaDuke, and Xiuhtezcatl Martinez. Accompanied by the authors’ own analyses, each chapter reflects the wisdom of Indigenous worldview precepts like:

* Egalitarian rule versus hierarchical governance
* A fearless trust in the universe, instead of a fear-based culture
* The life-sustaining role of ceremony
* Emphasizing generosity and the greater good instead of pursuing selfish goals and for personal gain
* The laws of nature as the highest rules for living

The authors emphasize our deep need to move away from the dominant Western paradigm--one that dictates we live without strong social purpose, fails to honor the earth as sacred, leads with the head while ignoring the heart, and places individual “rights” over collective responsibility. Restoring the Kinship Worldview is rooted in an Indigenous vision and strong social purpose that sees all life forms as sacred and sentient--that honors the wisdom of the heart, and grants equal standing to rights and responsibilities. All author proceeds from Restoring the Kinship Worldview are donated to Indigenous non-profit organizations working on behalf of Indigenous Peoples.

Inviting readers into a world-sense that expands beyond perceiving and conceiving to experiencing and being, Restoring the Kinship Worldview is a salve for our times, a nourishment for our collective, and a holistic orientation that leads us away from extinction toward an integrated, sustainable future.

By: Quinton Li (Author), 2025, Paperback

Featuring work by Solar Hoàng, Tea Campbell, Enoli Lee, Aidan Sparks, Perla Zul, C.J. Ellison, Olive J. Kelley, H.S. Wolfe, Alice Scott, Ivy L. James, Riley Daemon, Kate Duarte, Andromeda Ruins, Helen Z. Dong, Engel M. Williams, Miranda Jensen, Tien Lee, Alex Harvey-Rivas, Ares Macabre, DC Guevara, Harvey Oliver Baxter, Elise Georgeson, Shepard DiStasio, Bucky A. Wolfe, Jeanea Blair, A.R Zeitler, K.T. Angelo, Casper E. Falls, and Viktor E. Grace Lang.

A collection of stories, poetry and non-fiction dedicated to the divine.

Divinity exists in everything. Divinity exists everywhere.

In the past, present and future. In the miniscule and the grand. From fantastical realms and worlds of depth to what lives and suffers in our very own reality. From the gods above, to the girl sitting by your side. Divine.

It's all divine. And this anthology is but a capsule of what divinity means in the interpretations and eyes of these authors.

This anthology is for mature audiences due to themes and explicit content.

By: Padraig Regan (Author), 2022, Paperback

Winner of the Clarissa Luard Prize 2021 In 'Minty,' one of the typically charged and capacious poems in this eagerly-awaited debut collection, a mojito glass reflects: whatever grid of bricks & wood makes up the room we happen to be sitting in is dilated & wrapped around a single focal-point; whatever portion of the sky that happens to be visible through the window becomes a convex bowl. The weather also happens, as it always does, & passes on, & brings those other places where it falls into the orbit of the glass. 'To look up from Padraig Regan's words is to find oneself gently re-fitted into the world,' writes Vahni Capideo, praising Padraig Regan's 'awesome originality and honesty.' The poems of Some Integrity bring something new to the Irish lyric tradition. Queerness is a way of looking, a perspective, grounded in an awareness of the porous and provisional nature of our bodies. The book's social encounters and exchanges, its responses to the work of artists, its figures in a landscape, and its considerations of food and desire work as capsule narratives and as an exhilarating extension of that lyric tradition.

A Finalist for a 2025 NAACP Image Award (Outstanding Literary Work - Poetry)

The raw poems inside Song of My Softening study the ever-changing relationship with oneself, while also investigating the relationship that the world and nation has with Black queerness. Poems open wide the questioning of how we express both love and pain, and how we view our bodies in society, offering themselves wholly, with sharpness and compassion.

Discover the captivating allure of the Deep South through the haunting and powerful verses of one of today's most accomplished poets.

Southern Bred is a haunting, powerful collection of gothic poems that captivate and transport the reader into the heart and soul of the Deep South. Each poem offers a glimpse into its mystery and enchantment, drawing you in with a blend of beauty and darkness. In the style of a memoir in verse, it showcases Ghigna's southern soul and his tender, yet piercing language, and affirms his place as one of the finest poets of our time.

Southwest Reconstruction is Raquel Gutiérrez's debut poetry collection, a disquieting journey through the uncharted dreamspace of memory and loss, expulsion and shelter, family and recognition. Enacting an eclectic range of forms and echoes drawn from the relational complexities that occupy the difficult terrains of unceded land; these are critical improvisations of creation and closures of the imperceptible sense of displacement, and the interconnecting routes that map the vastness of desire to belong. Divided into three sections, the vocal registers in Southwest Reconstruction act as the noisy divining rod for both kinship and ancestral communication; a sonic brown butch vernacular strumming notes out of sorrow and mettle. Written over the course of almost ten years in the Southern Arizona landscape, these poems function as a psychic Thomas Guide diving into the wreck of settler logics looming large in the rearview mirror of mestizaje and the mythological ruptures left in their wake.

Speaking In Italics, the fifth book of Gregg Shapiro's Talking Heads-inspired pentagony, is here!

“If you’re lucky enough to have heard Gregg Shapiro read his poems aloud, then you know he’s always speaking in italics: bold, clear, emphatic. This new chapbook hones the boldness and deepens the clarity. There are “moon-bright clouds,” women drinking coffee till “their lips are blue as tar.” It’s cinematic, with cameos by Joni, Marilyn, Madonna, Cinderella, too, and don’t forget those librarians of the 1970s, my favorite! “They married the library, like a nun/ married the church.” Above all, Speaking in Italics delivers on its lyric promise to probe “what if, what not, what else.”

-Julie Marie Wade

“In this new chapbook, Gregg Shapiro alchemically blends quotidian and fraught experiences into a life-giving elixir. Like in "Librarians in the 1970s," where a close look reveals those "girdles, garter belts and bras that resembled / suits of armor. They married the library, like a nun / married the church." In "Situation," something darker encroaches: "Out of the snake pit, into the spider’s web. This must be / the way dinosaurs felt, feet heavy as planets ..." I am holding my breath as I climb his wonderfully warped stairs, following shimmering angles of light and shade.”

-Sharon Mesmer

“Gregg Shapiro's Speaking in Italics is a lively, unflinching collection where humor and heartbreak sit side by side. Moving from Boston's North End stairwells to late-night insomnia, from love affairs to cockroach-infested apartments, these poems capture the eccentricities of queer life with wit, candor, and tenderness. Shapiro has a gift for the memorable image — a lover's "blood, black as the ink on your fingertips and lips" — that makes the ordinary shimmer with strangeness and desire. This is a book that speaks in many registers - playful, aching, sharp - but always in italics, always with emphasis.”

-Aaron Smith

“Gregg Shapiro’s Speaking in Italics lights up the night with animal eyes with electrifying poems where two people find harmony in discord (“We are us”), where even the “end-of-the-world tango” is performed with defiant grace. This is a declaration of fortitude for a world where authenticity and “sanity returns for a fleeting instant.” This is a life lived without apology proving passion is the ultimate defense against the darkness.”

-Ruben Quesada

A major poet and literary critic leads an aesthetic adventure through poems about queer experience, by writers who identify as lesbian, gay, bisexual, queer, trans, nonbinary, gender fluid, and more.

A groundbreaking anthology edited by acclaimed poet, critic, and scholar Stephanie Burt, Super Gay Poems brings together fifty-one works encompassing the wide range of queer and trans verse after the Stonewall uprising of 1969. Since that galvanizing moment, poetry has served as both a vehicle for queer liberation and a witness to its sometimes fragile, sometimes ebullient flourishing, across the world.

The poems in this anthology represent the great variety of queer and trans life itself. They include near-sonnets, iambic couplets, and rhymed quatrains; skinny dimeters and shaped poems; chatty free verse and intentionally inaccurate translations; the demotic and the rococo. Arranged in chronological order, the selections trace queer culture’s recent evolutions. Frank O’Hara, Audre Lorde, Judy Grahn, James Merrill, Thom Gunn, Jackie Kay, Adrienne Rich, Chen Chen, essa ranapiri, and The Cyborg Jillian Weise―poets widely known and poets who deserve to be―share their alienation, their euphoria, and their encounters with a protean community as it discovers new solidarities and new selves.

Each piece is paired with a concise, eye-opening essay in Burt’s trademark style, with verve and an inimitable literary ear. A treasury of aesthetic experience and insight, Super Gay Poems points protestors, political organizers, poetry lovers, and LGBTQIA+ readers toward many beautiful tomorrows.

Through essays, short stories, and poems, Swagger documents the butch experience by highlighting butch stories and butch voices, which often go unheard or are misunderstood. Books can be mirrors and windows-reflecting our lives back to us or opening them up to others.

The writers featured in the pages inside have bravely shared their stories and their hearts with the intent that this anthology be both.

Lest one forget pleasure is a human right, Evelyn Berry edges the reader toward that realization—again, and again, and again—in T4T. Of course, pleasure is sexual, the way that lovers “pretend our freckles honeysuckle.” But it’s not just sexual; it’s beyond sexual. It is the pleasure of life, of embodiment, of safety, and of care and attention. (The latter of which are two descriptors I could easily also apply to Berry’s craft. Those line breaks, like a switchblade surprise!) And the title says who the pleasure is for, and with whom the pleasure is shared: trans for trans, that delectable “erotic symmetry.” But pleasure, unlike some romantic notions of it, isn’t best when it is fleeting. Pleasure is best enjoyed, transmutated and ever evolving, over long lives. In “stay here,” the chapbook’s arietta for transfemmes, Berry writes, “love you here, / love you safe, love you more than everything.” The speaker here can’t tune out the background noise of American fascism, eviction notices, egg price hikes, hashtags to memorialize yet another trans woman who has been murdered, but the knowledge of what’s at risk and the vision of what can be in a trans-utopic alternate reality, leaves Berry with a choice: What is the best proof of her “glittering / luminescent” life? It’s not the wound—“no, i won’t flaunt the wound to prove i’m alive,” she insists. It’s physical connection, feral desire: “kiss me,” she writes, “remind me i’m still here.” -Emilia Phillips, author of Nonbinary Bird of Paradise, Embouchure, & Empty Clip

For readers of Rupi Kaur (Milk and Honey) and Cheryl Strayed, a book small enough to carry with you, with messages big enough to stay with you, from one of the most quotable and influential poets of our time.

Andrea Gibson explores themes of love, gender, politics, sexuality, family, and forgiveness with stunning imagery and a fierce willingness to delve into the exploration of what it means to heal and to be different in this strange age. Take Me With You, illustrated throughout with evocative line drawings by Sarah J. Coleman, is small enough to fit in your bag, with messages that are big enough to wake even the sleepiest heart. Divided into three sections (love, the world, and becoming) of one liners, couplets, greatest hits phrases, and longer form poems, it has something for everyone, and will be placed in stockings, lockers, and the hands of anyone who could use its wisdom.