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65 of 2101 products
By: Danez Smith (Author), 2017, Paperback
Finalist for the National Book Award for Poetry
Winner of the Forward Prize for Best Collection
“[Smith's] poems are enriched to the point of volatility, but they pay out, often, in sudden joy.”―The New Yorker
Award-winning poet Danez Smith is a groundbreaking force, celebrated for deft lyrics, urgent subjects, and performative power. Don’t Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love, and longevity they deserved here on earth. Smith turns then to desire, mortality―the dangers experienced in skin and body and blood―and a diagnosis of HIV positive. “Some of us are killed / in pieces,” Smith writes, “some of us all at once.” Don’t Call Us Dead is an astonishing and ambitious collection, one that confronts, praises, and rebukes America―“Dear White America”―where every day is too often a funeral and not often enough a miracle.
In the highly-anticipated follow-up to Putting Out: Essays on Otherness, Samantha Mann turns her keen insight to Dyke Delusions: Essays & Observations. A mix of personal history and pop culture, Dyke Delusions is a mix of body politics, motherhood, and feminine sexuality that showcases some of Samantha Mann's published work and brand new essays. Told in her signature humor and pitch-perfect observations, Dyke Delusions is a collection of desire, yearning, and a search for more. This collection is an important reminder that our journeys deserve to be acknowledged even as the endpoint is ever-changing.
A national bestseller in Canada, hailed by The New York Times as an “intimate expression of self-acceptance and forgiveness, tenderly written to fellow trans women and others.”
“Required reading.”—Glennon Doyle, #1 bestselling author of Untamed
A THEM AND AUTOSTRADDLE BEST BOOK OF THE YEAR • FINALIST FOR THE PAT LOWTHER MEMORIAL AWARD
What happens when we imagine loving the people—and the parts of ourselves—that we do not believe are worthy of love?
Kai Cheng Thom grew up a Chinese Canadian transgender girl in a hostile world. As an activist, psychotherapist, conflict mediator, and spiritual healer, she’s always pursued the same deeply personal mission: to embrace the revolutionary belief that every human being, no matter how hateful or horrible, is intrinsically sacred.
But then Kai Cheng found herself in a crisis of faith, overwhelmed by the viciousness with which people treated one another, and barely clinging to the values and ideals she’d built her life around: justice, hope, love, and healing. Rather than succumb to despair and cynicism, she gathered all her rage and grief and took one last leap of faith: she wrote. Whether prayers or spells or poems—and whether there’s a difference—she wrote to affirm the outcasts and runaways she calls her kin. She wrote to flawed but nonetheless lovable men, to people with good intentions who harm their own, to racists and transphobes seemingly beyond saving. What emerged was a blueprint for falling back in love with being human.
Where the fuck did the fire go, and how do we get it back? For too long, our anger has been buried, dismissed, or punished. Find Your Fucking Fire invites you to reclaim anger as a source of healing, connection, and revolution, serving both as a practical toolkit and a rallying cry to transform rage into power.
Rooted in poetry with interwoven personal stories, reflections, and writing prompts, these verses dismantle the myth that anger is dangerous or unjustified, showing how it fuels liberation. You will discover how anger is suppressed, ways to uncover it in your body, practices for embracing its many forms, and opportunities to express it fully. You will also unearth methods for channeling anger toward meaningful social change, especially if you have lived on the margins where anger has too often been pathologized or punished.
By: Pamela Sneed (Author), 2020, Paperback
Funeral Diva is the Winner of the Lambda Award for Lesbian Poetry!
A poetic memoir about coming-of-age in the AIDS era, and its effects on life and art.
"Sneed is an acclaimed reader of her own poetry, and the book has the feeling of live performance. . . . Its strength is in its abundance, its desire for language to stir body as well as mind."―Parul Sehgal, The New York Times Book Review
"She is a writer for the future, in that she defies genre."―Hilton Als
"This notable achievement, traveling from youth to adulthood, is a harrowing account of how Sneed transforms violence and pain into an artist's life."―Claudia Rankine, author of Citizen: An American Lyric
"There's an eerie sense of timeliness to this book, which features prose and poetry by the writer and teacher Pamela Sneed and is largely ― though not entirely ― about mourning Black gay men killed too soon by a deadly virus."―Tomi Obaro, Buzzfeed
"OH MY GOODNESS, it was amazing. I was in tears by the end. What starts off as beautiful memoir evolves into incredibly moving poetry, painful and sweet and lovely."―Marie Cloutier, Greenlight Bookstore, Brooklyn, NY
"Balancing and mixing, with rhyme and reason, love and anger, good and bad, memory and the created present, all to tell the story of a life, a memoir unrestrained, devoid of artificial forms. Honest. Free."―Anjanette Delgado, New York Journal of Books
In this collection of personal essays and poetry, acclaimed poet and performer Pamela Sneed details her coming of age in New York City during the late 1980s. Funeral Diva captures the impact of AIDS on Black Queer life, and highlights the enduring bonds between the living, the dying, and the dead. Sneed’s poems not only converse with lovers past and present, but also with her literary forebears―like James Baldwin, Toni Morrison, Audre Lorde―whose aesthetic and thematic investments she renews for a contemporary American landscape.
Offering critical focus on matters from police brutality to LGBTQ+ rights, Funeral Diva confronts today's most pressing issues with acerbic wit and audacity. The collection closes with Sneed's reflections on the two pandemics of her time, AIDS and COVID-19, and the disproportionate impact of each on African American communities.
"Riveting, personal, open-hearted, risky and wise."―Sarah Schulman, author of Conflict Is Not Abuse
" . . . a tour de force about the collision between a coalescing 1980s 'Black lesbian and gay literary and poetic movement' in New York and the onslaught of AIDS."―Donna Seaman, Booklist
"Pamela Sneed's Funeral Diva is deft, defiant, and devastating."―Tommy Pico, author of Feed
"Funeral Diva is urgent and necessary reading to live by. This is writing at its finest. Keep this book close to your heart and soul."―Karen Finley, author of Shock Treatment
"Reminiscent of Audre Lorde’s Zami, Pamela Sneed’s memoir is, in itself, a healing balm, affirming in its truths and honesty. I cannot remember ever reading a book that illustrates the impact of the AIDS epidemic on our community more poignantly than Funeral Diva."―Nicole Dennis-Benn, author of Patsy
"Pamela Sneed takes enormous risks in this book. She tells the truth with fierce concentration and an abiding sense of purpose.”―Dorothy Allison, author of Bastard Out of Carolina
A collection of poetry reclaiming Catholic prayers and biblical passages to empower girls, women, and members of the LGBTQIA+ community.
The extreme level of sass in Emily Austin's Gay Girl Prayers does not mean that this collection is irreverent. On the contrary, in rewriting Bible verses to affirm and uplift queer, feminist, and trans realities, Austin invites readers into a giddy celebration of difference and a tender appreciation for the lives and perspectives of "strange women."
Packed with zingy one liners, sexual innuendo, self-respect, U-Hauling, and painfully earnest declarations of love, this is gayness at its best, harnessed to a higher purpose and ready to fight the powers that be.
Evelyn Berry's debut poetry collection, Grief Slut, is an examination of the queer lineage of pleasure, grief, and resilience in the American South.Berry offers a portrait of a girl living through boyhood and grappling with the violence of nostalgia in poems that blend high art, archival slivers, and Taco Bell. This collection invites us into a landscape home to sloppy kissers, swamp suitors, scrappy "limbwrecked boys," and drag queens drenched in glitter sweat, where "each day is trespass" and queer youth fight to "hear one another breathe just a little while longer."
Designed to appeal to the book lover, the Macmillan Collector's Library is a series of beautifully bound pocket-sized gift editions of much loved classic titles. Bound in real cloth, printed on high quality paper, and featuring ribbon markers and gilt edges, Macmillan Collector's Library are books to love and treasure. This edition is edited by Dr Simon Avery, a specialist in queer history and culture at the University of Westminster.
Hand in Hand with Love is a celebration of queer voices throughout the ages, featuring an electrifying range of poems from Walt Whitman, Emily Dickinson, Oscar Wilde, Christina Rossetti, Wilfred Owen and many more.
From Sappho and the Ancient Greeks to Edna St. Vincent Millay and the modernists, this luminous anthology champions and redefines the spectrum of queer poetry – from visionary writers whose only safe space to express their intimate thoughts was on the page, to the pioneering poets who paved the way for decades to come. Together, these dynamic voices offer a vivid archive of queer identity to be celebrated, discovered and treasured.
"Dazzling. . . . An extraordinary document in care, mutual aid, and access."―Claudia Rankine
Named a Best Debut Book of 2025 by Debutiful
An imaginative and unforgettable debut poetry collection about the joys and complexities of the disability community from 2024 Ruth Lilly fellow Rob Macaisa Colgate.
Brilliant and innovative, Rob Macaisa Colgate’s debut poetry collection, Hardly Creatures, takes the form―visually and metaphorically―of an accessible art museum. Through nine sections that act as gallery rooms, the book shepherds the reader through the radiance and mess of the disability community.
At the heart of the collection is an exploration and recognition of access intimacy. Marked with universal access symbols to guide the way, poems mimic sensory rooms, tactile replicas, benches for resting, and more; “the body of a poem” itself is reimagined through formal experimentation, as abecedarians are scrambled out of order and sestinas are pressurized into new sequences. These poems also play with pop culture allusions, social media posts, and the infinite possibilities within queer love and deep friendships. With lyrical clarity and attention to language, Hardly Creatures reaches out and offers inventive, heartfelt insights for all readers, and celebrates the disability community through the lens of a visionary new voice in poetry.
One is never sure who the monsters are in these poems, only that the narrator desperately doesn’t want to be one. In his brilliant debut collection, Hernández explores grief, loss, identity, lineage, and belonging with grace, insight, and compassion.
These pages are infused with comfort, with desire, with heartache. Never absent is love, family. Hernández—hyperaware of American society’s dismissal or hatred of people who look like him—writes with a refreshing confidence, a sure knowledge of who he is and where he comes from. Transcending any particular experience, this volume will continue to resonate with multiple readings.
Through the lens of horror—from Halloween to Hereditary—queer and trans writers consider the films that deepened, amplified, and illuminated their own experiences.
Horror movies hold a complicated space in the hearts of the queer community: historically misogynist, and often homo- and transphobic, the genre has also been inadvertently feminist and open to subversive readings. Common tropes—such as the circumspect and resilient “final girl,” body possession, costumed villains, secret identities, and things that lurk in the closet—spark moments of eerie familiarity and affective connection. Still, viewers often remain tasked with reading themselves into beloved films, seeking out characters and set pieces that speak to, mirror, and parallel the unique ways queerness encounters the world.
It Came from the Closet features twenty-five essays by writers speaking to this relationship, through connections both empowering and oppressive. From Carmen Maria Machado on Jennifer’s Body, Jude Ellison S. Doyle on In My Skin, Addie Tsai on Dead Ringers, and many more, these conversations convey the rich reciprocity between queerness and horror.
By: jay simpson (Author), 2021, Paperback
"Sovereignty, vulnerability, honesty." —Ms. Magazine
it was never going to be okay is a collection of poetry and prose exploring the intimacies of understanding intergenerational trauma, Indigeneity and queerness, while addressing urban Indigenous diaspora and breaking down the limitations of sexual understanding as a trans woman. As a way to move from the linear timeline of healing and coming to terms with how trauma does not exist in subsequent happenings, it was never going to be okay tries to break down years of silence in simpson’s debut collection of poetry:
i am five
my sisters are saying boy
i do not know what the word means but―
i am bruised into knowing it: the blunt b,
the hollowness of the o, the blade of y
Welcome to Volume two of Let's Say Gay!
We are an anti-censorship publication born from the suppression and silencing of LGBTQ+ narratives. Radical increases in book bans, discriminatory educational policies, and vitriolic waves of intolerance towards gender identity are stigmatizing queerness. But the LGBTQ+ community isn't going anywhere.
We are proud of our lives, proud of our identities, and we, this literary journal, are proud of our young artists. LSG! is devoted to creating space for queer youth to express themselves, share their art, and tell their stories - because we don't believe that anyone should have to choose between being true to themselves and being safe.
By: Patrick Bex (Author), 2025, Paperback
In his debut poetry collection, Patrick Bex explores the vast, often misunderstood, dimensions of love, identity, and belonging. Through evocative and heartfelt verses, Bex offers a window into the experiences of those who exist beyond society's traditional definitions of romance and sexuality.
From navigating friendships that transcend romantic norms to finding self-acceptance in a world that expects conformity, Limitless embraces the beauty of being aromantic and asexual. This collection is a celebration of individuality, community, and the power of defining love and connection on your own terms.
Whether you are a part of the aro/ace spectrum or an ally seeking insight, Limitless: Poetry of an Aromantic & Asexual Journey invites you to journey through the emotions, challenges, and joys of living authentically. Written and organized as a progression of his journey, Patrick Bex reflects on experiences before discovering asexuality, through stages of denial, acceptance, coming out, then repeating this process again when learning of aromanticism. It is a trial of constant growth, education, and relearning what it truly means to love.
2019 Independent Publisher Book Awards (IPPY) Gold Medal Winner
2019 Midwest Book Awards - Poetry Winner
2019 Eric Hoffer Book Awards - Poetry Winner
2019 Goodreads Choice Awards - Best Poetry Book Finalist
2018 Forewords Reviews INDIES Awards - Poetry Finalist
Andrea Gibson's latest collection is a masterful showcase from the poet whose writing and performances have captured the hearts of millions. With artful and nuanced looks at gender, romance, loss, and family, Lord of the Butterflies is a new peak in Gibson's career. Each emotion here is deft and delicate, resting inside of imagery heavy enough to sink the heart, while giving the body wings to soar.