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By Joshua Whitehead, 2022, Hardback

The novel Jonny Appleseed established Joshua Whitehead as one of the most exciting and important new literary voices on Turtle Island, winning both a Lambda Literary Award and Canada Reads 2021. In Making Love with the Land, his first nonfiction book, Whitehead explores the relationships between body, language, and land through creative essay, memoir, and confession.

In prose that is evocative and sensual, unabashedly queer and visceral, raw and autobiographical, Whitehead writes of an Indigenous body in pain, coping with trauma. Deeply rooted within, he reaches across the anguish to create a new form of storytelling he calls “biostory”—beyond genre, and entirely sovereign. Through this narrative perspective, Making Love with the Land recasts mental health struggles and our complex emotional landscapes from a nefarious parasite on his (and our) well-being to kin, even a relation, no matter what difficulties they present to us. Whitehead ruminates on loss and pain without shame or ridicule but rather highlights waypoints for personal transformation. Written in the aftermath of heartbreak, before and during the pandemic, Making Love with the Land illuminates this present moment in which both Indigenous and non-Indigenous people are rediscovering old ways and creating new ones about connection with and responsibility toward each other and the land.

Intellectually audacious and emotionally compelling, Whitehead shares his devotion to the world in which we live and brilliantly—even joyfully—maps his experience on the land that has shaped stories, histories, and bodies from time immemorial.

In her comic, scathing essay “Men Explain Things to Me,” Rebecca Solnit took on what often goes wrong in conversations between men and women. She wrote about men who wrongly assume they know things and wrongly assume women don’t, about why this arises, and how this aspect of the gender wars works, airing some of her own hilariously awful encounters.
She ends on a serious note― because the ultimate problem is the silencing of women who have something to say, including those saying things like, “He’s trying to kill me!”
This book features that now-classic essay with six perfect complements, including an examination of the great feminist writer Virginia Woolf ’s embrace of mystery, of not knowing, of doubt and ambiguity, a highly original inquiry into marriage equality, and a terrifying survey of the scope of contemporary violence against women.

Writer, historian, and activist Rebecca Solnit is the author of eighteen or so books on feminism, western and indigenous history, popular power, social change and insurrection, wandering and walking, hope and disaster, including the books Men Explain Things to Me and Hope in the Dark, both also with Haymarket; a trilogy of atlases of American cities; The Faraway Nearby; A Paradise Built in Hell: The Extraordinary Communities that Arise in Disaster; A Field Guide to Getting Lost; Wanderlust: A History of Walking; and River of Shadows, Eadweard Muybridge and the Technological Wild West (for which she received a Guggenheim, the National Book Critics Circle Award in criticism, and the Lannan Literary Award). A product of the California public education system from kindergarten to graduate school, she is a columnist at Harper's and a regular contributor to the Guardian.

By: Rebecca Solnit (Author), 2025, Paperback

In the spirit of her bestselling book Hope in the Dark, Rebecca Solnit explores how our actions can shape the future and the liberatory possibilities of embracing uncertainty.

Beginning with an essay about a three-hundred-year-old violin and what it can tell us about forests, abundance, and climate, and ending with on about a prisoner dreaming of seeing the ocean, No Straight Road Takes You There deftly bridges the political and the literary, offering unique insights, nuanced understanding, and inspiration for the challenging work ahead. In her latest essay collection, the award-winning author explores climate change, feminism, democracy, hope, and power and its abuse. Throughout she asks us to heed the stories we tell or have been told, and the ways those stories can be, or should be changed. Solnit offers a reappraisal of the value of indirect consequences, an embrace of unpredictability, slowness, and imperfection in the politics of how to change the world.

By: Willie Lee Kind III, 2023, Paperback

As a young, Black, queer person in a small town in the South where everyone knows everyone, Orders of Service is a coming-of-age exploration of the everyday fever of fleeting relationships, while capturing the romantic, psychic quotidian of the Bible Belt. This commentary on gospel traditionalism is armed with dreams of helping to reshape lived realities where being your truest self could be shunned or ostracized in deeply religious communities. It ruminates on this Deep South narrative by exploring how the age of social media has created a rich underground counterculture that offsets the surface rituals of grief and shame. The poems illuminate lineages of performance and fellowship for queer descendants of the last Black folks out of the Carolina cotton fields, and features Anansi-like speakers (Anansi is a trickster spider featured in West African and Caribbean folklore) while delving into old-school sensibilities and advice. This gospel-fugue bends language in the backwoods of faith and desire. Pulling figures from the stories of childhood―Icarus, a flying boy wanting to escape; Asterion the Minotaur―the wandering son of someone absent; Medusa, a wronged person portrayed as a mankiller; Cerberus, a beastly guardian intent on being a “good” boy― these poems are punky, preachy, prissy, and pink-collar, and all help create the fever-dream that is Orders of Service.

By: D'Lane R. Compton (Editor), Amy L. Stone (Editor), 2024, Paperback

Celebrates diverse queer experiences on society’s margins

Outskirts addresses the diverse and intricate aspects of the queer experience on the periphery of the social world. From the Korean spa to the Carnival krewe to new sexual identities, this volume asks important questions about the atypical places, spaces, and identities that are an important part of LGBTQ life in the United States. By bringing together scholars specializing in the less visible facets of queer culture, the book offers valuable insights that contribute to a deeper understanding of queer perspectives and their impact on the discipline of sociology. The volume challenges researchers to focus on diversity and complexity of the queer experience in the fringe to inform larger sociological questions and contribute to the field of sociology. Most simply put: what is it that we learn from studying at the margins?

The essays in Outskirts focus on the influence of place, both physical and virtual, within institutional settings and in situations of placelessness. This attention to non-normative spaces and identities enriches the collective knowledge of LGBTQ experiences and offers a compelling narrative that pushes the boundaries of sociological inquiry and highlights the importance of queer voices on the fringes of society.

By: Julie R. Enszer (Editor), Elena Gross (Editor), 2022, Paperback

Running from 1990 to 1999, the annual OutWrite conference played a pivotal role in shaping LGBTQ literary culture in the United States and its emerging canon. OutWrite provided a space where literary lions who had made their reputations before the gay liberation movement—like Edward Albee, John Rechy, and Samuel R. Delany—could mingle, network, and flirt with a new generation of emerging queer writers like Tony Kushner, Alison Bechdel, and Sarah Schulman. 
 
This collection gives readers a taste of this fabulous moment in LGBTQ literary history with twenty-seven of the most memorable speeches from the OutWrite conference, including both keynote addresses and panel presentations. These talks are drawn from a diverse array of contributors, including Allen Ginsberg, Judy Grahn, Essex Hemphill, Patrick Califia, Dorothy Allison, Allan Gurganus, Chrystos, John Preston, Linda Villarosa, Edmund White, and many more. 
 
OutWrite offers readers a front-row seat to the passionate debates, nascent identity politics, and provocative ideas that helped animate queer intellectual and literary culture in the 1990s. Covering everything from racial representation to sexual politics, the still-relevant topics in these talks are sure to strike a chord with today’s readers.

By: David Ly (Editor), Daniel Zomparelli (Editor), 2023, Paperback

The fiction and poetry of Queer Little Nightmares reimagines monsters old and new through a queer lens, subverting the horror gaze to celebrate ideas and identities canonically feared in monster lit. Throughout history, monsters have appeared in popular culture as stand-ins for the non-conforming, the marginalized of society. Pushed into the shadows as objects of fear, revulsion, and hostility, these characters have long conjured fascination and self-identification in the LGBTQ+ community, and over time, monsters have become queer icons.

 In Queer Little Nightmares, creatures of myth and folklore seek belonging and intimate connection, cryptids challenge their outcast status, and classic movie monsters explore the experience of coming into queerness. The characters in these stories and poems—the Minotaur camouflaged in a crowd of cosplayers, a pubescent werewolf, a Hindu revenant waiting to reunite with her lover, a tender-hearted kaiju, a lagoon creature aching for the swimmers above him, a ghost of Pride past—relish their new sparkle in the spotlight. Pushing against tropes that have historically been used to demonize, the queer creators of this collection instead ask: What does it mean to be (and to love) a monster?

Contributors include Amber Dawn, David Demchuk, Hiromi Goto, jaye simpson, Eddy Boudel Tan, and Kai Cheng Thom.

By: Erin Marie Lynch (Author), 2023, Paperback

* FINALIST FOR THE 2023 CALIBA GOLDEN POPPY BOOK AWARD FOR POETRY *

Drawing its title from the 1863 Federal Act that banished the Dakota people from their homelands, this remarkable debut collection reckons with the present-day repercussions of historical violence. Through an array of brief lyrics, visual forms, chronologies, and sequences, these virtuosic poems trace a path through the labyrinth of distances and absences haunting the American colonial experiment.

Removal Acts takes its speaker’s fraught methods of accessing the past as both subject and material: family photos, the fragile artifacts of primary documents, and the digital abyss of web browsers and word processors. Alongside studies of two of her Dakota ancestors, Lynch has assembled an intimate record of recovery from bulimia, insisting that self-erasure cannot be separated from the erasures of genocide. In these rigorous, scrutinizing examinations of “removal” in its many forms―as physical displacement, archival absence, Whiteness, and vomit―Lynch has crafted a harrowing portrait of the entwined relationship between the personal and historical. The result is a powerful affirmation of resilience and resolute presence in the face of eradication.

"Whether he is writing poems about growing up gay and Southern Baptist, about playing dress up or with Barbies, about heartache or house cleaning (in this case, they are the same thing), or about what straight people think, Brookshire’s poems are clever, sharp, honest, and deeply felt. Reading his work is like having a heart-to-heart with a friend. The pleasures offered by his wry and witty poetry is nothing short of irresistible."

—Nin Andrews, author of Son of a Bird (Etruscan Press)

By: Quinton Li (Author), 2025, Paperback

Featuring work by Solar Hoàng, Tea Campbell, Enoli Lee, Aidan Sparks, Perla Zul, C.J. Ellison, Olive J. Kelley, H.S. Wolfe, Alice Scott, Ivy L. James, Riley Daemon, Kate Duarte, Andromeda Ruins, Helen Z. Dong, Engel M. Williams, Miranda Jensen, Tien Lee, Alex Harvey-Rivas, Ares Macabre, DC Guevara, Harvey Oliver Baxter, Elise Georgeson, Shepard DiStasio, Bucky A. Wolfe, Jeanea Blair, A.R Zeitler, K.T. Angelo, Casper E. Falls, and Viktor E. Grace Lang.

A collection of stories, poetry and non-fiction dedicated to the divine.

Divinity exists in everything. Divinity exists everywhere.

In the past, present and future. In the miniscule and the grand. From fantastical realms and worlds of depth to what lives and suffers in our very own reality. From the gods above, to the girl sitting by your side. Divine.

It's all divine. And this anthology is but a capsule of what divinity means in the interpretations and eyes of these authors.

This anthology is for mature audiences due to themes and explicit content.

By:  Audre Lorde, Foreword by Cheryl Clarke, 2007, Paperback

In this charged collection of fifteen essays and speeches, Lorde takes on sexism, racism, ageism, homophobia, and class, and propounds social difference as a vehicle for action and change. Her prose is incisive, unflinching, and lyrical, reflecting struggle but ultimately offering messages of hope. This commemorative edition includes a new foreword by Lorde-scholar and poet Cheryl Clarke, who celebrates the ways in which Lorde's philosophies resonate more than twenty years after they were first published.

These landmark writings are, in Lorde's own words, a call to “never close our eyes to the terror, to the chaos which is Black which is creative which is female which is dark which is rejected which is messy which is . . . ”

By: Padraig Regan (Author), 2022, Paperback

Winner of the Clarissa Luard Prize 2021 In 'Minty,' one of the typically charged and capacious poems in this eagerly-awaited debut collection, a mojito glass reflects: whatever grid of bricks & wood makes up the room we happen to be sitting in is dilated & wrapped around a single focal-point; whatever portion of the sky that happens to be visible through the window becomes a convex bowl. The weather also happens, as it always does, & passes on, & brings those other places where it falls into the orbit of the glass. 'To look up from Padraig Regan's words is to find oneself gently re-fitted into the world,' writes Vahni Capideo, praising Padraig Regan's 'awesome originality and honesty.' The poems of Some Integrity bring something new to the Irish lyric tradition. Queerness is a way of looking, a perspective, grounded in an awareness of the porous and provisional nature of our bodies. The book's social encounters and exchanges, its responses to the work of artists, its figures in a landscape, and its considerations of food and desire work as capsule narratives and as an exhilarating extension of that lyric tradition.

Edited by: Tom Mack and Andrew Geyer, 2024, Paperback

In his introduction to this Southern poetry anthology, Tom Mack says, "There is no exact English equivalent for the Spanish word querencia, but some translate the term to mean 'the place where a person is their most authentic self.' For the fifty contemporary poets in this unique volume, that place is the American South, from the East Coast to the Ozarks." Andrew Geyer adds that the poet-contributors to this volume "have each put their own unique spin on what makes the South to be what it is at this moment, in the year 2024, almost a quarter of the way through the new century unfolding around us...in a variety of forms and on an amazing array of subjects--all the corners of this continually evolving region including its flora, fauna, cultural idiosyncrasies, dark history, and distinctive cuisines."

By: K.G. Strayer (Author), 2024, Paperback

Stellar Nursery follows trans/nonbinary poet and artist K.G. Strayer's struggle for bodily autonomy. From abortion to top surgery, colliding galaxies to cellular division, Strayer's lyric prose explores what it means to move through the modern world in a contentious body.

The state-mandated "counseling" packet Strayer receives a week before their abortion in 2014 describes the embryo in relation to coins-the height of a nickel, the diameter of a dime. Meant to make them picture holding it in their hands. Instead, Strayer's imagination conjures a whole galaxy in its place-a star being born.

Years later in 2022, Roe V. Wade is overturned. The decision is a catalyst that sets in motion explosive consequences in Strayer's personal life, and their access to life-saving top surgery hangs in the balance.

Strayer's memoir is a heartfelt account of the layered ways our struggles against fascism converge in the context of lived experience.

To meet the world fully embodied-is that a choice we can all make equally?

A major poet and literary critic leads an aesthetic adventure through poems about queer experience, by writers who identify as lesbian, gay, bisexual, queer, trans, nonbinary, gender fluid, and more.

A groundbreaking anthology edited by acclaimed poet, critic, and scholar Stephanie Burt, Super Gay Poems brings together fifty-one works encompassing the wide range of queer and trans verse after the Stonewall uprising of 1969. Since that galvanizing moment, poetry has served as both a vehicle for queer liberation and a witness to its sometimes fragile, sometimes ebullient flourishing, across the world.

The poems in this anthology represent the great variety of queer and trans life itself. They include near-sonnets, iambic couplets, and rhymed quatrains; skinny dimeters and shaped poems; chatty free verse and intentionally inaccurate translations; the demotic and the rococo. Arranged in chronological order, the selections trace queer culture’s recent evolutions. Frank O’Hara, Audre Lorde, Judy Grahn, James Merrill, Thom Gunn, Jackie Kay, Adrienne Rich, Chen Chen, essa ranapiri, and The Cyborg Jillian Weise―poets widely known and poets who deserve to be―share their alienation, their euphoria, and their encounters with a protean community as it discovers new solidarities and new selves.

Each piece is paired with a concise, eye-opening essay in Burt’s trademark style, with verve and an inimitable literary ear. A treasury of aesthetic experience and insight, Super Gay Poems points protestors, political organizers, poetry lovers, and LGBTQIA+ readers toward many beautiful tomorrows.