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By Ed Madden, 2023, paperback
Ed Madden's newest collection explores growing up queer in the fundamentalist South.
Selected by Timothy Liu for the Hilary Tham Capital Collection. Madden's mastery of the American lyric combines intellect, heart, and courage as he explores growing up queer in the rural fundamentalist South. The poems anatomize a society of shaming and shunning under the guise of love, fighting free to the theme of finding where we belong. The poems work deep into the linguistic textures of his subjects, from queer love to the loss of a parent. The figure of the pooka (or puca) haunts the pages, embodying both good and bad luck, sorrow and hope.
By Ed Madden, 2023, paperback
A Story of the City: Poems Occasional and Otherwise
When Ed Madden was named poet laureate for the City of Columbia, South Carolina, in 2015, he became the first city laureate in the state of South Carolina. During his two terms as city laureate, Madden documented the life and history of the city. He engaged the community by making poetry a public art, posting poems on city buses, sidewalks, movie screens, coffee sleeves, restaurant menus, and faux parking tickets distributed in downtown Columbia one bright and sunny April Fool's Day. While these poems are about a specific city, they ring true for almost any Southern city-maybe any city in America-with its ceremonial occasions and its natural disasters, its misleading public monuments and its protest marches, and its inevitably complex histories. His post officially began with a commemoration of the historic burning of Columbia during the American Civil War and ended with the selection of a new city flag. This collection spans either years of ceremony and controversy, an eclipse and a pandemic, welcomes and elegies, history and hope.
By: Roxane Gay (Author), 2014, Paperback
“Roxane Gay is so great at weaving the intimate and personal with what is most bewildering and upsetting at this moment in culture. She is always looking, always thinking, always passionate, always careful, always right there.” — Sheila Heti, author of How Should a Person Be?
A New York Times Bestseller
Best Book of the Year: NPR • Boston Globe • Newsweek • Time Out New York • Oprah.com • Miami Herald • Book Riot • Buzz Feed • Globe and Mail (Toronto) • The Root • Shelf Awareness
A collection of essays spanning politics, criticism, and feminism from one of the most-watched cultural observers of her generation
In these funny and insightful essays, Gay takes us through the journey of her evolution as a woman (Sweet Valley High) of color (The Help) while also taking readers on a ride through culture of the last few years (Girls, Django in Chains) and commenting on the state of feminism today (abortion, Chris Brown). The portrait that emerges is not only one of an incredibly insightful woman continually growing to understand herself and our society, but also one of our culture.
Bad Feminist is a sharp, funny, and spot-on look at the ways in which the culture we consume becomes who we are, and an inspiring call-to-arms of all the ways we still need to do better, coming from one of our most interesting and important cultural critics.
By: Brittany Black Rose Capri (Author), Danez Smith (Foreword), 2018, Paperback
Black Queer Hoe is a refreshing, unapologetic intervention into ongoing conversations about the line between sexual freedom and sexual exploitation.
Women’s sexuality is often used as a weapon against them. In this powerful debut, Britteney Black Rose Kapri lends her unmistakable voice to fraught questions of identity, sexuality, reclamation, and power, in a world that refuses Black Queer women permission to define their own lives and boundaries.
Britteney Black Rose Kapri is a Chicago performance poet and playwright. Currently she is an alumna turned Teaching Artist Fellow at Young Chicago Authors. Her work has been featured in Poetry Magazine, Button Poetry, Seven Scribes, and many other outlets, and anthologized in The BreakBeat Poets and The BreakBeat Poets Vol. 2: Black Girl Magic. She is a contributor to Black Nerd Problems, a Pink Door Retreat Fellow, and a 2015 Rona Jaffe Writers Award Recipient.
By: Danez Smith (Author), 2017, Paperback
Finalist for the National Book Award for Poetry
Winner of the Forward Prize for Best Collection
“[Smith's] poems are enriched to the point of volatility, but they pay out, often, in sudden joy.”―The New Yorker
Award-winning poet Danez Smith is a groundbreaking force, celebrated for deft lyrics, urgent subjects, and performative power. Don’t Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love, and longevity they deserved here on earth. Smith turns then to desire, mortality―the dangers experienced in skin and body and blood―and a diagnosis of HIV positive. “Some of us are killed / in pieces,” Smith writes, “some of us all at once.” Don’t Call Us Dead is an astonishing and ambitious collection, one that confronts, praises, and rebukes America―“Dear White America”―where every day is too often a funeral and not often enough a miracle.
By: Kai Chen Thom, 2023, Paperback
A national bestseller in Canada, hailed by The New York Times as an “intimate expression of self-acceptance and forgiveness, tenderly written to fellow trans women and others.”
“Required reading.”—Glennon Doyle, #1 bestselling author of Untamed
A THEM AND AUTOSTRADDLE BEST BOOK OF THE YEAR • FINALIST FOR THE PAT LOWTHER MEMORIAL AWARD
What happens when we imagine loving the people—and the parts of ourselves—that we do not believe are worthy of love?
Kai Cheng Thom grew up a Chinese Canadian transgender girl in a hostile world. As an activist, psychotherapist, conflict mediator, and spiritual healer, she’s always pursued the same deeply personal mission: to embrace the revolutionary belief that every human being, no matter how hateful or horrible, is intrinsically sacred.
But then Kai Cheng found herself in a crisis of faith, overwhelmed by the viciousness with which people treated one another, and barely clinging to the values and ideals she’d built her life around: justice, hope, love, and healing. Rather than succumb to despair and cynicism, she gathered all her rage and grief and took one last leap of faith: she wrote. Whether prayers or spells or poems—and whether there’s a difference—she wrote to affirm the outcasts and runaways she calls her kin. She wrote to flawed but nonetheless lovable men, to people with good intentions who harm their own, to racists and transphobes seemingly beyond saving. What emerged was a blueprint for falling back in love with being human.
A collection of poetry reclaiming Catholic prayers and biblical passages to empower girls, women, and members of the LGBTQIA+ community.
The extreme level of sass in Emily Austin's Gay Girl Prayers does not mean that this collection is irreverent. On the contrary, in rewriting Bible verses to affirm and uplift queer, feminist, and trans realities, Austin invites readers into a giddy celebration of difference and a tender appreciation for the lives and perspectives of "strange women."
Packed with zingy one liners, sexual innuendo, self-respect, U-Hauling, and painfully earnest declarations of love, this is gayness at its best, harnessed to a higher purpose and ready to fight the powers that be.
By: Jill Gutowitz (Author), 2022, Paperback
“Wickedly funny and heartstoppingly vulnerable…every page twinkles with brilliance.” —Refinery29
Perfect for fans of Samantha Irby and Trick Mirror, a hilarious, whip-smart collection of personal essays exploring the intersection of queerness, pop culture, the internet, and identity, introducing one of the most undeniably original new voices today.
Jill Gutowitz’s life—for better and worse—has always been on a collision course with pop culture. There’s the time the FBI showed up at her door because of something she tweeted about Game of Thrones. The pop songs that have been the soundtrack to the worst moments of her life. And of course, the pivotal day when Orange Is the New Black hit the airwaves and broke down the door to Jill’s own sexuality. In these honest examinations of identity, desire, and self-worth, Jill explores perhaps the most monumental cultural shift of our lifetimes: the mainstreaming of lesbian culture. Dusting off her own personal traumas and artifacts of her not-so-distant youth she examines how pop culture acts as a fun house mirror reflecting and refracting our values—always teaching, distracting, disappointing, and revealing us.
Girls Can Kiss Now is a fresh and intoxicating blend of personal stories, sharp observations, and laugh-out-loud humor. This timely collection of essays helps us make sense of our collective pop-culture past even as it points the way toward a joyous, uproarious, near—and very queer—future.
By: Evelyn Berry (Author), 2023, Paperback
Evelyn Berry's debut poetry collection, Grief Slut, is an examination of the queer lineage of pleasure, grief, and resilience in the American South. Berry offers a portrait of a girl living through boyhood and grappling with the violence of nostalgia in poems that blend high art, archival slivers, and Taco Bell. This collection invites us into a landscape home to sloppy kissers, swamp suitors, scrappy "limbwrecked boys," and drag queens drenched in glitter sweat, where "each day is trespass" and queer youth fight to "hear one another breathe just a little while longer."
By: Simon Avery (Editor), 2023, Hardcover
Hand in Hand with Love is a celebration of queer voices throughout the ages, featuring an electrifying range of poems from Walt Whitman, Emily Dickinson, Oscar Wilde, Christina Rossetti, Wilfred Owen and many more.
Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is edited by Dr Simon Avery, a specialist in queer history and culture at the University of Westminster.
From Sappho and the Ancient Greeks to Edna St. Vincent Millay and the modernists, this luminous anthology champions and redefines the spectrum of queer poetry – from visionary writers whose only safe space to express their intimate thoughts was on the page, to the pioneering poets who paved the way for decades to come. Together, these dynamic voices offer a vivid archive of queer identity to be celebrated, discovered and treasured.
By: Kai Cheng Thom (Author), 2019, Paperback
Winner, Publishing Triangle Award for Trans and Gender Variant Literature; American Library Association Stonewall Honor Book
What can we hope for at the end of the world? What can we trust in when community has broken our hearts? What would it mean to pursue justice without violence? How can we love in the absence of faith?
In a heartbreaking yet hopeful collection of personal essays and prose poems, blending the confessional, political, and literary, Kai Cheng Thom dives deep into the questions that haunt social movements today. With the author’s characteristic eloquence and honesty, I Hope We Choose Love proposes heartfelt solutions on the topics of violence, complicity, family, vengeance, and forgiveness. Taking its cues from contemporary thought leaders in the transformative justice movement such as adrienne maree brown and Leah Lakshmi Piepzna-Samarasinha, this provocative book is a call for nuance in a time of political polarization, for healing in a time of justice, and for love in an apocalypse.
By: Fatimah Asghar (Author), 2018, Paperback
“A debut poetry collection showcasing both a fierce and tender new voice.”—Booklist
“Elegant and playful . . . The poet invents new forms and updates classic ones.”—Elle
“[Fatimah] Asghar interrogates divisions along lines of nationality, age, and gender, illuminating the forces by which identity is fixed or flexible.”—The New Yorker
NAMED ONE OF THE TOP TEN BOOKS OF THE YEAR BY THE NEW YORK PUBLIC LIBRARY • FINALIST FOR THE LAMBDA LITERARY AWARD
an aunt teaches me how to tell
an edible flower
from a poisonous one.
just in case, I hear her say, just in case.
From a co-creator of the Emmy-nominated web series Brown Girls comes an imaginative, soulful debut poetry that collection captures the experiences of being a young Pakistani Muslim woman in contemporary America. Orphaned as a child, Fatimah Asghar grapples with coming of age and navigating questions of sexuality and race without the guidance of a mother or father. These poems at once bear anguish, joy, vulnerability, and compassion, while also exploring the many facets of violence: how it persists within us, how it is inherited across generations, and how it manifests itself in our relationships. In experimental forms and language both lyrical and raw, Asghar seamlessly braids together marginalized people’s histories with her own understanding of identity, place, and belonging.
Praise for If They Come for Us
“In forms both traditional . . . and unorthodox . . . Asghar interrogates divisions along lines of nationality, age, and gender, illuminating the forces by which identity is fixed or flexible. Most vivid and revelatory are pieces such as ‘Boy,’ whose perspicacious turns and irreverent idiom conjure the rich, jagged textures of a childhood shadowed by loss.”—The New Yorker
“[Asghar’s] debut poetry collection cemented her status as one of the city’s greatest present-day poets. . . . A stunning work of art that tackles place, race, sexuality and violence. These poems—both personal and historical, both celebratory and aggrieved—are unquestionably powerful in a way that would doubtless make both Gwendolyn Brooks and Harriet Monroe proud.”—Chicago Review of Books
“Taut lines, vivid language, and searing images range cover to cover. . . . Inventive, sad, gripping, and beautiful.”—Library Journal (starred review)
By: Joe Vallese (Editor), Carmen Maria Machado (Contributor), Bruce Owens Grimm (Contributor), Richard Scott Larson (Contributor), Sarah Fonseca (Contributor), Zefyr Lisowski (Contributor), 2022, Paperback
Through the lens of horror—from Halloween to Hereditary—queer and trans writers consider the films that deepened, amplified, and illuminated their own experiences.
Horror movies hold a complicated space in the hearts of the queer community: historically misogynist, and often homo- and transphobic, the genre has also been inadvertently feminist and open to subversive readings. Common tropes—such as the circumspect and resilient “final girl,” body possession, costumed villains, secret identities, and things that lurk in the closet—spark moments of eerie familiarity and affective connection. Still, viewers often remain tasked with reading themselves into beloved films, seeking out characters and set pieces that speak to, mirror, and parallel the unique ways queerness encounters the world.
It Came from the Closet features twenty-five essays by writers speaking to this relationship, through connections both empowering and oppressive. From Carmen Maria Machado on Jennifer’s Body, Jude Ellison S. Doyle on In My Skin, Addie Tsai on Dead Ringers, and many more, these conversations convey the rich reciprocity between queerness and horror.
$18.95
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Unit price perBy Marla Taviano, 2022 Paperback, Poetry
For those of us who are picking up pieces of life and faith and figuring out how to heal and move forward, jaded: a poetic reckoning with white evangelical christian indoctrination is a collection of poems—short, thoughtful, brave, and spicy—about getting stuff off our chests. Covering topics like evangelical scare tactics, sex and purity, patriarchy, white supremacy, and how the church treats the queer community, these poems say more in fewer words and with zero sugar-coating. With an appendix jam-packed with books to read on your journey, this is a book that will open you up and take you forward. Warning: you might not be able to put it down.
After author Marla Taviano wrote unbelieve, a book of poems chronicling her faith deconstruction, her plan was to move on from white evangelical Christianity to bigger, lovelier, more all-embracing thoughts. But she couldn’t do it. Why? Because she was still jaded—and knew there was work left to do.
Jaded is this former good Christian girl’s offering—a labor of anger and love. We might not need to stay here forever, but we need this now.
