Products

Speaking In Italics, the fifth book of Gregg Shapiro's Talking Heads-inspired pentagony, is here!

“If you’re lucky enough to have heard Gregg Shapiro read his poems aloud, then you know he’s always speaking in italics: bold, clear, emphatic. This new chapbook hones the boldness and deepens the clarity. There are “moon-bright clouds,” women drinking coffee till “their lips are blue as tar.” It’s cinematic, with cameos by Joni, Marilyn, Madonna, Cinderella, too, and don’t forget those librarians of the 1970s, my favorite! “They married the library, like a nun/ married the church.” Above all, Speaking in Italics delivers on its lyric promise to probe “what if, what not, what else.”

-Julie Marie Wade

“In this new chapbook, Gregg Shapiro alchemically blends quotidian and fraught experiences into a life-giving elixir. Like in "Librarians in the 1970s," where a close look reveals those "girdles, garter belts and bras that resembled / suits of armor. They married the library, like a nun / married the church." In "Situation," something darker encroaches: "Out of the snake pit, into the spider’s web. This must be / the way dinosaurs felt, feet heavy as planets ..." I am holding my breath as I climb his wonderfully warped stairs, following shimmering angles of light and shade.”

-Sharon Mesmer

“Gregg Shapiro's Speaking in Italics is a lively, unflinching collection where humor and heartbreak sit side by side. Moving from Boston's North End stairwells to late-night insomnia, from love affairs to cockroach-infested apartments, these poems capture the eccentricities of queer life with wit, candor, and tenderness. Shapiro has a gift for the memorable image — a lover's "blood, black as the ink on your fingertips and lips" — that makes the ordinary shimmer with strangeness and desire. This is a book that speaks in many registers - playful, aching, sharp - but always in italics, always with emphasis.”

-Aaron Smith

“Gregg Shapiro’s Speaking in Italics lights up the night with animal eyes with electrifying poems where two people find harmony in discord (“We are us”), where even the “end-of-the-world tango” is performed with defiant grace. This is a declaration of fortitude for a world where authenticity and “sanity returns for a fleeting instant.” This is a life lived without apology proving passion is the ultimate defense against the darkness.”

-Ruben Quesada

A major poet and literary critic leads an aesthetic adventure through poems about queer experience, by writers who identify as lesbian, gay, bisexual, queer, trans, nonbinary, gender fluid, and more.

A groundbreaking anthology edited by acclaimed poet, critic, and scholar Stephanie Burt, Super Gay Poems brings together fifty-one works encompassing the wide range of queer and trans verse after the Stonewall uprising of 1969. Since that galvanizing moment, poetry has served as both a vehicle for queer liberation and a witness to its sometimes fragile, sometimes ebullient flourishing, across the world.

The poems in this anthology represent the great variety of queer and trans life itself. They include near-sonnets, iambic couplets, and rhymed quatrains; skinny dimeters and shaped poems; chatty free verse and intentionally inaccurate translations; the demotic and the rococo. Arranged in chronological order, the selections trace queer culture’s recent evolutions. Frank O’Hara, Audre Lorde, Judy Grahn, James Merrill, Thom Gunn, Jackie Kay, Adrienne Rich, Chen Chen, essa ranapiri, and The Cyborg Jillian Weise―poets widely known and poets who deserve to be―share their alienation, their euphoria, and their encounters with a protean community as it discovers new solidarities and new selves.

Each piece is paired with a concise, eye-opening essay in Burt’s trademark style, with verve and an inimitable literary ear. A treasury of aesthetic experience and insight, Super Gay Poems points protestors, political organizers, poetry lovers, and LGBTQIA+ readers toward many beautiful tomorrows.

Through essays, short stories, and poems, Swagger documents the butch experience by highlighting butch stories and butch voices, which often go unheard or are misunderstood. Books can be mirrors and windows-reflecting our lives back to us or opening them up to others.

The writers featured in the pages inside have bravely shared their stories and their hearts with the intent that this anthology be both.

Lest one forget pleasure is a human right, Evelyn Berry edges the reader toward that realization—again, and again, and again—in T4T. Of course, pleasure is sexual, the way that lovers “pretend our freckles honeysuckle.” But it’s not just sexual; it’s beyond sexual. It is the pleasure of life, of embodiment, of safety, and of care and attention. (The latter of which are two descriptors I could easily also apply to Berry’s craft. Those line breaks, like a switchblade surprise!) And the title says who the pleasure is for, and with whom the pleasure is shared: trans for trans, that delectable “erotic symmetry.” But pleasure, unlike some romantic notions of it, isn’t best when it is fleeting. Pleasure is best enjoyed, transmutated and ever evolving, over long lives. In “stay here,” the chapbook’s arietta for transfemmes, Berry writes, “love you here, / love you safe, love you more than everything.” The speaker here can’t tune out the background noise of American fascism, eviction notices, egg price hikes, hashtags to memorialize yet another trans woman who has been murdered, but the knowledge of what’s at risk and the vision of what can be in a trans-utopic alternate reality, leaves Berry with a choice: What is the best proof of her “glittering / luminescent” life? It’s not the wound—“no, i won’t flaunt the wound to prove i’m alive,” she insists. It’s physical connection, feral desire: “kiss me,” she writes, “remind me i’m still here.” -Emilia Phillips, author of Nonbinary Bird of Paradise, Embouchure, & Empty Clip

For readers of Rupi Kaur (Milk and Honey) and Cheryl Strayed, a book small enough to carry with you, with messages big enough to stay with you, from one of the most quotable and influential poets of our time.

Andrea Gibson explores themes of love, gender, politics, sexuality, family, and forgiveness with stunning imagery and a fierce willingness to delve into the exploration of what it means to heal and to be different in this strange age. Take Me With You, illustrated throughout with evocative line drawings by Sarah J. Coleman, is small enough to fit in your bag, with messages that are big enough to wake even the sleepiest heart. Divided into three sections (love, the world, and becoming) of one liners, couplets, greatest hits phrases, and longer form poems, it has something for everyone, and will be placed in stockings, lockers, and the hands of anyone who could use its wisdom.

Rebecca Solnit offers a thrilling account of the sheer breadth and scale of social, political, scientific, and cultural change over the past three quarters of a century.

In this sequel to her enduring bestseller Hope in the Dark, Solnit surveys a world that has changed dramatically since the year 1960. Despite the forces seeking to turn back the clock on history, change is not a possibility; it is an inevitability.

The changes amount to nothing less than dismantling an old civilization and building a new one, whose newness is often the return of the old ways and wisdoms. In this rising worldview, interconnection is a core idea and value. But because the transformation is obscured within a longer arc of history, its scale is seldom recognized.

While the white nationalist and authoritarian backlash drives individualism and isolation, this new world embraces antiracism, feminism, a more expansive understanding of gender, environmental thinking, scientific breakthroughs, and Indigenous and non-Western ideas, pointing toward a more interconnected, relational world.

A collection of poetry that delves into the mind of someone who has survived domestic violence: how they felt during and how they moved forward afterwards in their life and current relationships.

A complete collection―over 300 poems―from one of this country's most influential poets.

"These are poems which blaze and pulse on the page."―Adrienne Rich "The first declaration of a black, lesbian feminist identity took place in these poems, and set the terms―beautifully, forcefully―for contemporary multicultural and pluralist debate."―Publishers Weekly "This is an amazing collection of poetry by . . . one of our best contemporary poets. . . . Her poems are powerful, often political, always lyrical and profoundly moving."―Chuckanut Reader Magazine "What a deep pleasure to encounter Audre Lorde's most potent genius . . . you will welcome the sheer accessibility and the force and beauty of this volume."―Out Magazine

Rescuing biblical language from misuse by those who would persecute queerness and subjugate the natural world, The Drag Gospel of Queer Jesus contemporizes and enlivens Biblical mysteries, exploring queer/trans identities and Florida ecologies through poetic forms (both received and invented) as often as through free verse. Simultaneously playful and serious, like the best drag performances, these poems nod equally and as often to the work of RuPaul or Marsha P. Johnson as to William Shakespeare or the author(s) of Genesis. Meanwhile, as the poems point to the artificial constructions of gender, they also embrace the (queer) natural world.

NATIONAL BESTSELLER • The book that galvanized the nation, gave voice to the emerging civil rights movementin the 1960s—and still lights the way to understanding race in America today. • "The finest essay I’ve ever read.” —Ta-Nehisi Coates

At once a powerful evocation of James Baldwin's early life in Harlem and a disturbing examination of the consequences of racial injustice, the book is an intensely personal and provocative document from the iconic author of If Beale Street Could Talk and Go Tell It on the Mountain. It consists of two "letters," written on the occasion of the centennial of the Emancipation Proclamation, that exhort Americans, both black and white, to attack the terrible legacy of racism. 

Described by The New York Times Book Review as "sermon, ultimatum, confession, deposition, testament, and chronicle … all presented in searing, brilliant prose," The Fire Next Time stands as a classic of literature.

The New York Times bestseller, these groundbreaking essays and poems about race—collected by National Book Award winner Jesmyn Ward and written by the most important voices of her generation—are “thoughtful, searing, and at times, hopeful. The Fire This Time is vivid proof that words are important, because of their power to both cleanse and to clarify” (USA TODAY).

In this bestselling, widely lauded collection, Jesmyn Ward gathers our most original thinkers and writers to speak on contemporary racism and race, including Carol Anderson, Jericho Brown, Edwidge Danticat, Kevin Young, Claudia Rankine, and Honoree Jeffers. “An absolutely indispensable anthology” (Booklist, starred review), The Fire This Time shines a light on the darkest corners of our history, wrestles with our current predicament, and imagines a better future.

Envisioned as a response to The Fire Next Time, James Baldwin’s groundbreaking 1963 essay collection, these contemporary writers reflect on the past, present, and future of race in America. We’ve made significant progress in the fifty-odd years since Baldwin’s essays were published, but America is a long and painful distance away from a “post-racial society”—a truth we must confront if we are to continue to work towards change. Baldwin’s “fire next time” is now upon us, and it needs to be talked about; The Fire This Time “seeks to place the shock of our own times into historical context and, most importantly, to move these times forward” (Vogue).

By: W. E. B. Du Bois (Author), 1996, Paperback

The landmark book about being black in America, now in an expanded edition commemorating the 150th anniversary of W. E. B. Du Bois’s birth and featuring a new introduction by Ibram X. Kendi, the #1 New York Times bestselling author of How to Be an Antiracist, and cover art by Kadir Nelson
 
“The problem of the Twentieth Century is the problem of the color-line.”
 
When The Souls of Black Folk was first published in 1903, it had a galvanizing effect on the conversation about race in America—and it remains both a touchstone in the literature of African America and a beacon in the fight for civil rights. Believing that one can know the “soul” of a race by knowing the souls of individuals, W. E. B. Du Bois combines history and stirring autobiography to reflect on the magnitude of American racism and to chart a path forward against oppression, and introduces the now-famous concepts of the color line, the veil, and double-consciousness.
 
This edition of Du Bois’s visionary masterpiece includes two additional essays that have become essential reading: “The Souls of White Folk,” from his 1920 book Darkwater, and “The Talented Tenth.”

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,800 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

The Tale of the Panther and the Dove is a one of a kind compilation of Assata Shakur and Leila Khaled's most important and echoing statements, quotes and axioms. Two of the greatest revolutionaries in the history of the world are both featured here in easily digestible words and writings.

In Arab culture, tradition often dictates an individual's role in a family, with personal desires subsumed in favour of unity. So, what happens when Queer Arabs challenge and re-imagine these expectations?

This Queer Arab Family celebrates the beauty of chosen kin and the everyday acts of care and survival that bind Queer Arabs to each other. Here, ten LGBTQ+ writers from across the Arab world and diaspora redefine what family looks like. From raising children with mum and mum, to becoming an OnlyFans star and building a non-binary belly dancing robot, these writers illuminate, through their own lived experiences, how queer joy and community can be found in the most unexpected places.

Fierce, vibrant and unapologetic, This Queer Arab Family honours the spirit of those who, despite challenges, build community and family on their own terms.