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NATIONAL BESTSELLER • A second American Civil War, a devastating plague, and one family caught deep in the middle—this gripping debut novel asks what might happen if America were to turn its most devastating policies and deadly weapons upon itself. From the author of What Strange Paradise

"Powerful ... as haunting a postapocalyptic universe as Cormac McCarthy [created] in The Road." —The New York Times

Sarat Chestnut, born in Louisiana, is only six when the Second American Civil War breaks out in 2074. But even she knows that oil is outlawed, that Louisiana is half underwater, and that unmanned drones fill the sky. When her father is killed and her family is forced into Camp Patience for displaced persons, she begins to grow up shaped by her particular time and place. But not everyone at Camp Patience is who they claim to be. Eventually Sarat is befriended by a mysterious functionary, under whose influence she is turned into a deadly instrument of war. The decisions that she makes will have tremendous consequences not just for Sarat but for her family and her country, rippling through generations of strangers and kin alike.

Revolutionary and visionary, these twenty-two speculative stories edited by Lambda, Nebula and Hugo finalist Lee Mandelo explore the vast potentialities of our queer and trans futures.

From self-styled knights fighting in dystopian city streets to conservationists finding love in the Appalachian forests; from social media posts about domestic “bliss” in a lottery-based, state-housing skyscraper to herding feral cats off of one’s scientific equipment; from street drugs that create doppelgangers to dance-club cruising at the edge of the galaxy—Amplitudes: Stories of Queer and Trans Futurity interrogates the farthest borders of the sci-fi landscape to imagine how queer life will look centuries in the future—or ten years from now.

Filled with brutal honesty, raw emotions, sexual escapades, and delightful whimsy, Amplitudes speaks to the longstanding tradition of queer fiction as protest. This essential collection serves as an evolving map of our celebrations, anxieties, wishes, pitfalls, and—most of all—our rallying cry that we're here, we're queer—and the future is ours!

Featuring stories by Esther Alter • Bendi Barrett • Ta-wei Chi, trans. Ariel Chu • Colin Dean • Maya Deane • Dominique Dickey • Katharine Duckett • Meg Elison • Paul Evanby • Aysha U. Farah • Sarah Gailey • Ash Huang • Margaret Killjoy • Wen-yi Lee • Ewen Ma • Jamie McGhee • Sam J. Miller • Aiki Mira, trans. CD Covington • Sunny Moraine • Nat X. Ray • Neon Yang • Ramez Yoakeim

An intersectional history of the shared struggle for African American and Latinx civil rights

Spanning more than two hundred years, An African American and Latinx History of the United States is a revolutionary, politically charged narrative history, arguing that the “Global South” was crucial to the development of America as we know it. Scholar and activist Paul Ortiz challenges the notion of westward progress as exalted by widely taught formulations like “manifest destiny” and “Jacksonian democracy,” and shows how placing African American, Latinx, and Indigenous voices unapologetically front and center transforms US history into one of the working class organizing against imperialism.

Drawing on rich narratives and primary source documents, Ortiz links racial segregation in the Southwest and the rise and violent fall of a powerful tradition of Mexican labor organizing in the twentieth century, to May 1, 2006, known as International Workers’ Day, when migrant laborers—Chicana/os, Afrocubanos, and immigrants from every continent on earth—united in resistance on the first “Day Without Immigrants.” As African American civil rights activists fought Jim Crow laws and Mexican labor organizers warred against the suffocating grip of capitalism, Black and Spanish-language newspapers, abolitionists, and Latin American revolutionaries coalesced around movements built between people from the United States and people from Central America and the Caribbean. In stark contrast to the resurgence of “America First” rhetoric, Black and Latinx intellectuals and organizers today have historically urged the United States to build bridges of solidarity with the nations of the Americas.

Incisive and timely, this bottom-up history, told from the interconnected vantage points of Latinx and African Americans, reveals the radically different ways that people of the diaspora have addressed issues still plaguing the United States today, and it offers a way forward in the continued struggle for universal civil rights.

2018 Winner of the PEN Oakland/Josephine Miles Literary Award

The first intersectional history of the Black and Native American struggle for freedom in our country that also reframes our understanding of who was Indigenous in early America

Beginning with pre-Revolutionary America and moving into the movement for Black lives and contemporary Indigenous activism, Afro-Indigenous historian Kyle T. Mays argues that the foundations of the US are rooted in antiblackness and settler colonialism, and that these parallel oppressions continue into the present. He explores how Black and Indigenous peoples have always resisted and struggled for freedom, sometimes together, and sometimes apart. Whether to end African enslavement and Indigenous removal or eradicate capitalism and colonialism, Mays show how the fervor of Black and Indigenous peoples calls for justice have consistently sought to uproot white supremacy.

Mays uses a wide-array of historical activists and pop culture icons, “sacred” texts, and foundational texts like the Declaration of Independence and Democracy in America. He covers the civil rights movement and freedom struggles of the 1960s and 1970s, and explores current debates around the use of Native American imagery and the cultural appropriation of Black culture. Mays compels us to rethink both our history as well as contemporary debates and to imagine the powerful possibilities of Afro-Indigenous solidarity.

Includes an 8-page photo insert featuring Kwame Ture with Dennis Banks and Russell Means at the Wounded Knee Trials; Angela Davis walking with Oren Lyons after he leaves Wounded Knee, SD; former South African president Nelson Mandela with Clyde Bellecourt; and more.

New York Times Bestseller

Now part of the HBO docuseries "Exterminate All the Brutes," written and directed by Raoul Peck

Recipient of the American Book Award

The first history of the United States told from the perspective of indigenous peoples
 
Today in the United States, there are more than five hundred federally recognized Indigenous nations comprising nearly three million people, descendants of the fifteen million Native people who once inhabited this land. The centuries-long genocidal program of the US settler-colonial regimen has largely been omitted from history. Now, for the first time, acclaimed historian and activist Roxanne Dunbar-Ortizoffers a history of the United States told from the perspective of Indigenous peoples and reveals how Native Americans, for centuries, actively resisted expansion of the US empire.

With growing support for movements such as the campaign to abolish Columbus Day and replace it with Indigenous Peoples’ Day and the Dakota Access Pipeline protest led by the Standing Rock Sioux Tribe, An Indigenous Peoples’ History of the United States is an essential resource providing historical threads that are crucial for understanding the present. In An Indigenous Peoples’ History of the United States, Dunbar-Ortiz adroitly challenges the founding myth of the United States and shows how policy against the Indigenous peoples was colonialist and designed to seize the territories of the original inhabitants, displacing or eliminating them. And as Dunbar-Ortiz reveals, this policy was praised in popular culture, through writers like James Fenimore Cooper and Walt Whitman, and in the highest offices of government and the military. Shockingly, as the genocidal policy reached its zenith under President Andrew Jackson, its ruthlessness was best articulated by US Army general Thomas S. Jesup, who, in 1836, wrote of the Seminoles: “The country can be rid of them only by exterminating them.”
 
Spanning more than four hundred years, this classic bottom-up peoples’ history radically reframes US history and explodes the silences that have haunted our national narrative.

An Indigenous Peoples' History of the United States is a 2015 PEN Oakland-Josephine Miles Award for Excellence in Literature.

(An Uncommon Partnership)

Alexos Fox, an introverted academic and polio survivor, is naturally quite sad when the long-time butler of his household, the man who all but raised him, retires. He is not at all prepared for the old man's replacement: his exceedingly attractive and painfully tempting nephew.

Unbeknownst to Alexos, his old butler chose Henry Sutton hoping the two of them might marry their interests together, and the gentleman is as suspicious as he is entranced when the new butler comes to him with talks of a secret marriage between them.

M/M erotic romance, rated E, 100k. Set 1927, primarily in West Sussex, England.

Featuring themes of disability, chronic pain, piercings and tattoos, loneliness and isolation, bodily autonomy, class dynamics, a butler/gentleman relationship, joyful non-monogamy and casual sex.

Kink-wise, enjoy size difference, switching roles, burgeoning D/s dynamics and mild sadomasochism, the aforementioned piercings and tattoos, and a lot of bathing and massage.

(Grievers Trilogy, Book 3) (Black Dawn, 6)

Community ideals and magic clash in this follow-up to Grievers and Maroons by adrienne maree brown.

Ancestors is the powerful conclusion to adrienne maree brown's Grievers trilogy—a story of how life blooms amid tragedy and hate. In the wake of a mysterious pandemic known as Syndrome H-8, the survivors of a ravaged and isolated Detroit are building a future inside the network of deserted skyscrapers that define the city’s skyline. Dune’s magic keeps a lush green wall encircling the community, and while some settle inside its safety, others grow desperate to get out, fueling the tension between shelter and confinement. As Dune’s power blossoms and her connection to the spirits of the departed deepens, she must learn how to balance the needs of her people, both living and dead.

In 2014, eight years after the finale of “Favored Son,” Gill Yarborough settles into middle age and life seems calmer. Until his mother is arrested at a marriage equality rally. Until he learns she’s engaged in a controversial romance. Until his son is suspended from school. And until the cracks in his relationship with Johnny Ray Scott lead him to fear their time together may be at an end. Enter former circuit solicitor Marc Weldon, who prosecuted the man who tried to murder Gill and Johnny Ray nine years earlier. Can older, wiser Weldon help Gill transition into a happier phase of life as he and his friends await the US Supreme Court’s ruling on marriage equality?

A 2023 Lambda Literary Award Finalist in Nonfiction

An Electric Literature “Most Anticipated LGBTQ+ Book of 2022” Selection

A love letter to the legendary Black and Latinx LGBTQ underground subculture, uncovering its abundant legacy and influence in popular culture.

What is Ballroom? Not a song, a documentary, a catchphrase, a TV show, or an individual pop star. It is an underground subculture founded over a century ago by LGBTQ African American and Latino men and women of Harlem. Arts-based and intersectional, it transcends identity, acting as a fearless response to the systemic marginalization of minority populations.

Ricky Tucker pulls from his years as a close friend of the community to reveal the complex cultural makeup and ongoing relevance of house and Ballroom, a space where trans lives are respected and applauded, and queer youth are able to find family and acceptance. With each chapter framed as a “category” (Vogue, Realness, Body, et al.), And the Category Is . . . offers an impressionistic point of entry into this subculture, its deeply integrated history, and how it’s been appropriated for mainstream audiences. Each category features an exclusive interview with fierce LGBTQ/POC Ballroom members—Lee Soulja, Benjamin Ninja, Twiggy Pucci Garçon, and more—whose lives, work, and activism drive home that very category.

At the height of public intrigue and awareness about Ballroom, thanks to TV shows like FX’s Pose, Tucker’s compelling narratives help us understand its relevance in pop culture, dance, public policy with regard to queer communities, and so much more. Welcome to the norm-defying realness of Ballroom.

A gripping account of one family’s battle to protect their daughter against transphobia and hate in contemporary America

Our country stands at a critical cultural crossroads, with a wave of anti-trans legislation emerging at unprecedented levels, targeting trans children, in particular, who face increasing stigmatization and erasure. Sim Butler’s And the Dragons Do Come is a poignant account of one family’s experience of parenting and supporting a trans child against this nightmarish backdrop.

In recent years, the Butler family faced an impossible reality in their home state of Alabama, where trans rights are increasingly under attack. Butler recounts their family’s struggles and sacrifices to protect their trans child against the barrage of state-sanctioned intolerance in the legal, educational, and health arenas.

Around the time she turned twelve, his daughter’s personal struggles became political fodder. Along with other trans kids, she was outlawed from playing sports and forbidden to use the girls’ bathroom. Another law made Butler and his wife felons for seeking trans-affirming health care for her. When her charter school was featured in several gubernatorial campaign ads, local community members began driving through the parking lot to yell at the trans kids.

Serving both as a compassionate story of one family’s struggle for acceptance and as a window onto a fraught issue that parents, grandparents, other family members, and friends are confronting across the nation, And the Dragons Do Come provides a firsthand perspective on the human cost of anti-trans sentiment.

From the author of Love at First Set, a hilariously sexy enemies-to-lovers, second-chance rom-com about a reclusive former child star turned florist whose quiet life is turned upside down when her annoyingly hot ex (and former costar) shows up in town, with plans to write a tell-all memoir.

Former child star Anderson “Andy” Ducharme is hiding—has been for a long time, if she’s honest with herself, which she isn’t.

When she suddenly cut off all ties and left LA six years earlier to work in a flower shop in coastal New England, she wasn’t just running away from toxic relationships, embezzling agents, and all the rest of her Hollywood life; she was running to something… sort of, if you squinted, and if you accepted that what she was running toward was little more than a vacation daydream she had made up with her (in)famous ex, and former costar, Nicole “Nikki” Price. 

Then Nikki announces her plan to write a tell-all book about growing up in Hollywood and their tumultuous time on the Nik and Andy show, and Andy’s feelings of hurt and betrayal come rushing back. Emboldened by anger (and maybe one too many drinks), Andy does something very stupid: she texts her ex for the first time in years. No one’s more shocked than Andy when Nikki actually shows up to her small florist shop, looking for answers.

Andy is fully prepared to send Nikki away, but it seems Nikki has some unfinished business as well. Now that she finally knows where Andy’s been hiding, she’s not letting her go so easy. And with each passing encounter, Andy can’t deny the simmering physical attraction that threatens to boil over every time they get close.

But can the two of them really reunite without wrecking Andy’s carefully rebuilt life? Or is she setting herself up for a fresh heartbreak? 

TROPES

* second-chance
* celebrity
* small town
* fwb
* former exes

The 75th Anniversary Edition with a new introduction by Téa Obreht

George Orwell's timeless and timely allegorical novel—a scathing satire on a downtrodden society’s blind march towards totalitarianism.

“All animals are equal, but some animals are more equal than others.”

A farm is taken over by its overworked, mistreated animals. With flaming idealism and stirring slogans, they set out to create a paradise of progress, justice, and equality. Thus the stage is set for one of the most telling satiric fables ever penned—a razor-edged fairy tale for grown-ups that records the evolution from revolution against tyranny to a totalitarianism just as terrible.

When Animal Farm was first published, Stalinist Russia was seen as its target. Today it is devastatingly clear that wherever and whenever freedom is attacked, under whatever banner, the cutting clarity and savage comedy of George Orwell’s masterpiece have a meaning and message still ferociously fresh.

The world has stopped. But Rachel is just getting started…

It’s spring of 2020 and Rachel Bloomstein—mother of three, recent divorcée, and Brooklynite—is stuck inside. But her newly awakened sexual desire and lust for a new life refuse to be contained. Leaning on her best friend Lulu to show her the ropes, Rachel dips a toe in the online dating world, leading to park dates with younger men, flirtations with beautiful women, and actual, in-person sex. None of them, individually, are perfect . . . hence her rotation.

But what if one person could perfectly cater to all her emotional needs?
Driven by this possibility, Rachel creates Frankie, the AI chatbot she programs with all the good parts of dating in middle age . . . and some of the bad. But as Rachel plays with her fantasy to her heart’s content, she begins to realize she can’t reprogram her ex-husband, her children, her friends, or the roster of paramours that’s grown unwieldy. Perhaps real life has more in store for Rachel than she could ever program for herself.

2023 Lambda Literary Award Finalist, Lesbian Memoir/Biography
Named the BEST LGBTQ+ MEMOIR of 2022 by Book Riot
Named a New York Public Library Best Book of 2022
Weatherford Award finalist, nonfiction

“Commands your attention from the first page to the last word.” —Morgan Jerkins
“I’m glad this memoir exists . . . and I’m especially glad it’s so good.” —Vauhini Vara, New York Magazine

When Neema Avashia tells people where she’s from, their response is nearly always a disbelieving “There are Indian people in West Virginia?” A queer Asian American teacher and writer, Avashia fits few Appalachian stereotypes. But the lessons she learned in childhood about race and class, gender and sexuality continue to inform the way she moves through the world today: how she loves, how she teaches, how she advocates, how she struggles.

Another Appalachia examines both the roots and the resonance of Avashia’s identity as a queer desi Appalachian woman, while encouraging readers to envision more complex versions of both Appalachia and the nation as a whole. With lyric and narrative explorations of foodways, religion, sports, standards of beauty, social media, gun culture, and more, Another Appalachia mixes nostalgia and humor, sadness and sweetness, personal reflection and universal questions.

Antediluvian engages with themes of the ecstatic, desire, mental illness, and spirituality. Written in part during the COVID-19 pandemic, the book’s speaker calls on an intertextual constellation of artists as they attempt to wade through agoraphobia, parse out their relationship with God, and navigate falling in love. Overall, the landscape of the collection is a deep dive into the speaker’s psyche, and what it means to push past the confines of one’s oppressive interior.