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Written 75 years ago, 1984 was George Orwell’s chilling prophecy about the future. And while 1984 has come and gone, his dystopian vision of a government that will do anything to control the narrative is timelier than ever...

This 75th Anniversary Edition includes:
• A New Introduction by Dolen Perkins-Valdez, author of Take My Hand, winner of the 2023 NAACP Image Award for Outstanding Literary Work—Fiction
• A New Afterword by Sandra Newman, author of Julia: A Retelling of George Orwell’s 1984

“The Party told you to reject the evidence of your eyes and ears. It was their final, most essential command.”

Winston Smith toes the Party line, rewriting history to satisfy the demands of the Ministry of Truth. With each lie he writes, Winston grows to hate the Party that seeks power for its own sake and persecutes those who dare to commit thoughtcrimes. But as he starts to think for himself, Winston can’t escape the fact that Big Brother is always watching...

A startling and haunting novel, 1984 creates an imaginary world that is completely convincing from start to finish. No one can deny the novel’s hold on the imaginations of whole generations, or the power of its admonitions—a power that seems to grow, not lessen, with the passage of time.

• Nominated as one of America’s best-loved novels by PBS’s The Great American Read •

By: George Orwell (Author), Matyas Namai (Illustrator), 2022, Paperback

“Who controls the past controls the future. Who controls the present controls the past.”

Winston Smith is a low-ranking member of the ruling Party in the nation of Oceania. Everywhere Winston goes, even his own home, the Party watches him through telescreens; everywhere he looks he sees the face of the Party’s seemingly omniscient leader, Big Brother. The Party controls everything in Oceania, even the people’s history and language.

Now, the Party is forcing the use of an invented language called Newspeak which will prevent political insurgency by eliminating all words related to it. Even thinking rebellious thoughts is illegal. Such thoughtcrime is, in fact, the worst of all crimes. But a seed of dissent grows in Winston – one that will bring him into direct conflict with the Party, and with devastating consequences.

Rarely has one book ever been so rich in political and social criticism as 1984. Originally published in 1949, this new graphic novel edition of the dystopian classic, powerfully illustrated by Matyáš Namai, reveals Winston’s fight against the Party in all its horror and futility.

Love can make even the most buttoned-up bluestocking come undone…

London, 1885

A lesbian in a lavender marriage, Jo Smith cuts a dashing figure in pin-striped trousers, working in her bookshop and keeping impolite company. But her hard-earned stability is about to be upended thanks to her husband’s pregnant paramour, who needs medical attention that no reputable doctor will provide.

Enter Dr. Emily Clarke, a tantalizing bluestocking working at a quaint village hospital outside the city. Emily has reservations about getting mixed up in Jo’s scandalous arrangement, but her flustered, heart-racing response to Jo has her agreeing to help despite herself.

There’s a world of difference between Jo’s community of underground clubs and sapphic societies and Emily’s respectable suburbs. Perhaps it’s a gap that even fervent desire can’t bridge.

But for those bold enough to take the risk, who knows what delicious adventures might be in store…

Lucky Lovers of London

Book 1: The Gentleman's Book of Vices
Book 2: A Rulebook for Restless Rogues
Book 3: A Bluestocking's Guide to Decadence

A memoir and mythography of a Black trans man’s journey from Baby Girl to Black Boi, through gender, race, and trans theory made personal

In a country built on the daily oppression and incarceration of Black people, on the rejection of queer and trans rights, how does a Black trans man become himself or find home? “Home is commonly understood as a place of bodily safety, a place where one can find themselves a resting place, but for me and for many Black queer folk, our bodies most often preclude any home-making with those kinds of securities.” It is this reality that spurred Kai Marshall Green's investigation into bodies—and the love between them—discounted by the mainstream as deviant, deficient, and defective.

In his powerful debut memoir, Green recounts his lifelong transition from “Baby Girl" to “Black Boi,” his current and future self. Laced through his accounts of traversing discrimination, misunderstanding, and abuse from family, society, and academia are experiments in letter writing and biomythography, continuing in the literary tradition of Audre Lorde. Through A Body Made Home, Green explores the long, stuttering arc of transition as a Black queer person in America, recasting visions of home, narratives of metamorphosis, and dreams of freedom.

An engaging illustrated history of feminism from antiquity through third-wave feminism, featuring Sappho, Mary Magdalene, Mary Wollstonecraft, Sojourner Truth, Simone de Beauvoir, and many others.

The history of feminism? The right to vote, Susan B. Anthony, Gloria Steinem, white pantsuits? Oh, but there's so much more. And we need to know about it, especially now. In pithy text and pithier comics, A Brief History of Feminism engages us, educates us, makes us laugh, and makes us angry. It begins with antiquity and the early days of Judeo-Christianity. (Mary Magdalene questions the maleness of Jesus's inner circle: “People will end up getting the notion you don't want women to be priests.” Jesus: “Really, Mary, do you always have to be so negative?”) It continues through the Middle Ages, the Early Modern period, and the Enlightenment (“Liberty, equality, fraternity!” “But fraternity means brotherhood!”). It covers the beginnings of an organized women's movement in the nineteenth century, second-wave Feminism, queer feminism, and third-wave Feminism.

Along the way, we learn about important figures: Olympe de Gouges, author of the “Declaration of the Rights of Woman and the Female Citizen” (guillotined by Robespierre); Flora Tristan, who linked the oppression of women and the oppression of the proletariat before Marx and Engels set pen to paper; and the poet Audre Lorde, who pointed to the racial obliviousness of mainstream feminism in the 1970s and 1980s. We learn about bourgeois and working-class issues, and the angry racism of some American feminists when black men got the vote before women did. We see God as a long-bearded old man emerging from a cloud (and once, as a woman with her hair in curlers). And we learn the story so far of a history that is still being written.

This sapphic historical romance brings "pride without prejudice" to Regency London. Although cavalier with love, the famously rakeish Miss Georgina Pace is deeply concerned for the well being of others. And so when she learns that dear innocent Mr. Coombes has been targeted by a corrupt gaming house, she will stop at nothing to protect him. Miss Pace’s quest for justice leads her to the enigmatic Lady Mortimer, who offers assistance while keeping her cards close to her chest. Will Miss Pace risk it all—including her heart? A Change of Pace reimagines a Regency London free of the entrenched systems of oppression we expect, putting a speculative and hopeful lens onto the past.

One of Esquire's 50 Best Sci-Fi Books of All Time
“A brilliant novel.… [A] savage satire on the distortions of the single and collective minds.”―New York Times

In Anthony Burgess’s influential nightmare vision of the future, where the criminals take over after dark, the story is told by the central character, Alex, a teen who talks in a fantastically inventive slang that evocatively renders his and his friends’ intense reaction against their society. Dazzling and transgressive, A Clockwork Orange is a frightening fable about good and evil and the meaning of human freedom. This edition includes the controversial last chapter not published in the first edition, and Burgess’s introduction, “A Clockwork Orange Resucked.”

6 illustrations

The wise words of science fiction icon Octavia E. Butler live on in this beautiful and giftable little volume.

“There’s no single answer that will solve all our future problems. There’s no magic bullet. Instead there are thousands of answers—at least. You can be one of them if you choose to be.”

Originally published in Essence magazine in the year 2000, Octavia E. Butler’s essay “A Few Rules for Predicting the Future” offers an honest look into the inspiration behind her science fiction novels and the importance of studying history and taking responsibility for our actions if we are to move forward. 

Organized into four main rules, this short essay reminds readers to learn from the past, respect the law of consequences, be aware of their perspectives, and count on the surprises. Citing the warning signs of fascism, the illusive effects of fear and wishful thinking, and the unpredictable nature of what is yet to come, Butler shares realistic but hopeful suggestions to shape our future into something good. An inspiring and motivational gift for students and recent graduates, fans of Butler's work, and anyone seeking a brighter day tomorrow, this exquisite gift book includes stunning Afrofuturist artwork by Manzel Bowman alongside the full text of the original essay.

LITERARY ICON: Octavia E. Butler was a pioneering science fiction writer whose novels, written decades ago, remain eerily relevant, reflecting on themes of racial injustice, women’s rights, environmental collapse, and political corruption. In 1995, she became the first science fiction author to win a MacArthur Genius grant, and her books are taught in over 200 colleges and universities nationwide. This book shares Butler's timely but lesser-known essay and is a must-read for fans of her classic sci-fi works.
 
CELEBRATE BLACK CREATORS: This book spotlights one of the greatest authors of Afrofuturism, a genre and philosophy that explores and reimagines Black culture, creativity, and liberation through fiction, art, music, film, and other media. Octavia E. Butler’s forward-thinking essay is paired with contemporary illustrations by Manzel Bowman, whose evocative images are also inspired by Afrofuturist visions.
 
INSPIRING GIFT: A unique gift for students, recent graduates, and anyone celebrating life milestones or looking forward in life, this beautifully designed hardcover book is sure to inspire. Octavia E. Butler’s essay is also an important, evergreen reminder for writers, creatives, dreamers, and activists who want to envision and work toward a brighter future.

Perfect for:
* Fans of Octavia Butler and her novels, including Kindred and Parable of the Sower
* People interested in nonfiction and essays by Black women writers
* Afrofuturism lovers and social justice-minded sci-fi readers
* Literary bibliophiles looking for a stunning new addition to their bookshelf
* Gift-giving to graduating high school and college students
* Activists and community leaders
* Inspirational essay readers
* Fans of Manzel Bowman and Afrofuturist art

"We have all the time in the world, my sweet beautiful man."

It was the ending that scared off even gay editors back in the day. The last chapter of playwright Richard Willett's controversial lost novel of the eighties is an intimate victory dance of overt gay male sexuality at a time when not just silence = death, but for many sex = death. Now, perhaps, readers will be more open to celebrating it.

It's 1986 in New York City and 27-year-old Eric Summerfield knows that "yuppies" are supposed to be obnoxious, easily dismissed, but he envies the clarity of their delusions, their seeming ability to keep mortality at bay. He yearns, in fact, to be one of them. The catch: He's no Wall Street insider, but instead the underpaid employee of a Canadian chain bookstore in Midtown Manhattan, a Canuck himself, and gay, and AIDS suddenly seems to be everywhere, including in the body of his flamboyant friend and coworker Dale, who inexplicably singles out a reluctant Eric to be his chief caregiver. It's an experience that will change both of them.

Moving back and forth across time and place from youth in the 1960s and '70s-Eric's in Vancouver, Dale's on a farm in Kansas-to the pressure cooker of New York in the gay eighties, A Friend of Dorothy's is also a timeless, universal coming of age novel, in which the crucible of illness compels one young man to reach for something greater.

PRAISE FOR A Friend of Dorothy's

"Nothing can have prepared you for the wit and insight, the eccentricity and inspiring optimism with which this consistently surprising young writer depicts a year at the heart of his generation's greatest calamity." -- Joseph Pintauro, author of Cold Hands and Raft of the Medusa

"There is a knowingness, a sense of timing, a compassion and forgiveness under all the action, character to character. What Richard Willett has-in abundance-is love for the people he is chronicling and, by recording, saving." -- Allan Gurganus, author of The Practical Heart, Plays Well with Others, and Oldest Living Confederate Widow Tells All

"The writing is poignant, realistic and fine; the reader is pierced and instantly seduced by the characters' appeal and immediacy." -- Harlan Greene, author of The German Officer's Boy, What the Dead Remember, and Why We Never Danced the Charleston

Richard Willett's short stories have been published in Christopher Street, Hawaii Review, American Writing, Karamu, and Oxalis, among others, as well as short-listed for New American Library's Men on Men: Best New Gay Fiction, edited by David Bergman. His short play about AIDS Boys Will Be Boys was included in the anthology Art & Understanding: Literature from the First Twenty Years of A&U, and he is also the author of the plays Triptych, Random Harvest, The Flid Show, Tiny Bubbles, 9/10, A Terminal Event, and Grief at High Tide, presented off-off-Broadway and at theaters across the country. Honors include an Edward F. Albee Foundation Fellowship and a Tennessee Williams Scholarship, designation as a finalist for the Dramatists Guild National Fellows Program and the Sundance Labs, and listing twice in the Academy of Motion Picture Arts and Sciences' Nicholl Top 50. He lives in West Hollywood, California.

Visit richardwillettwriter.com.

Euphoria meets Things Have Gotten Worse Since We Last Spoke in this latest novel by the Bram Stoker Award–winning author Hailey Piper, following a couple whose search to spice up their sex life leads them down a path of madness.

A kink-fixated couple, Carmen and Blanca, have been in a rut. That is until Blanca discovers the enigmatic Smoke in an under-street drug den, who holds pages to a strange play, The King in Yellow. Read too much, and you’ll fall into madness. But read just a little and pull back, and it gives you the adrenaline rush of survivor’s euphoria, leading Carmen to fall into a game of lust at a nightmare’s edge.

As the line blurs between the world Carmen knows and the one that she visits after reading from the play, she begins to desire more time in this other world no matter what horrors she brings back with her.

Bram Stoker Award–winning author Hailey Piper masterfully blends horror, erotica, and psychological thriller in this captivating and chilling story.

With intimate and harrowing portraits of the human consequences of oppression, occupation, and violence experienced in Palestine today, Pulitzer-prize-winning journalist Chris Hedges issues a call to action urging us to bear witness and engage with the ongoing humanitarian crisis.

Hedges wrote the first section of the book when he was in Ramallah in July 2024, and he draws from his experience doing extensive reporting from the Middle East, including Gaza, for the New York Times.

A Genocide Foretold confronts the stark realities of life under siege in Gaza and the heroic effort ordinary Palestinians are waging to resist and survive. Weaving together personal stories, historical context, and unflinching journalism, Chris Hedges provides an intimate portrait of systemic oppression, occupation, and violence. The book includes chapters on:

* What life is like in Gaza City and Ramallah in the midst of approaching bombs and gunfire.
* The history of the dispossession of Palestinians of their land in relation to the ideology of Zionism.
* A portrait of Amr, a 17-year-old highschool student who is forced to evacuate his village with his family.
* Psychoanalysis of the state of permanent war that has led to the destruction of hospitals, telecommunications centers, governmental buildings, roads, homes universities, schools, and libraries and archaeological and heritage sites in Gaza.
* The ways in which the collective retribution against innocents is a familiar tactic employed by colonial rulers.
* A heartbreaking final chapter called “Letter to the Children of Gaza.”

Hedges, the Pulitzer Prize–winning former Middle East Bureau Chief for The New York Times, is an Arabic speaker who spent seven years covering the conflict. He wrote the first section of the book when he was in Ramallah in July 2024. A Pulitzer-Prize winning journalist, he is also the author of two bestselling books, War is a Force that Gives us Meaning and The Greatest Evil is War. In A Genocide Foretold he writes with an emotional depth that can only be achieved from spending many years on the ground in Gaza and the West Bank. A Genocide Foretold is a call to action, urging us to bear witness and engage with the ongoing humanitarian crisis.

From the acclaimed author of Chef's Kiss, a groundbreaking trans Regency romance that's both delightfully witty and refreshingly iconoclastic.

“A Gentleman’s Gentleman is a thoroughly charming confection of a romance. If you’re looking for a tender, gentle slow burn, this is the book for you.” —Cat Sebastian, author of We Could Be So Good

The notoriously eccentric Lord Christopher Eden is a “man of unusual make” and even more unusual habits: he prefers to live far from the prying eyes and ears of the ton, and would rather have the comfortable company of his childhood cook and his aged butler than the swarm of servants and hangers-on befitting a man of his station. But Christopher’s pleasant, if occasionally lonely life is upended when he receives word from his lawyers that, according to his late father’s will, he must find a wife by the end of the Season if he intends to keep his family’s fortune and the Eden estate. Christopher cannot imagine a worse fate: as he isn’t attracted to women, his chances of making a wife happy are slim. Furthermore, if his quest to marry has any hope of succeeding, he must move to London posthaste and acquire some more suitable staff.

Enter James Harding, Christopher’s new, distractingly handsome—if rigidly traditional—valet. After a rocky start, the two strike up a fragile friendship amid the throes of the London Season . . . a friendship that threatens to shatter under the looming shadow of Christopher’s impending nuptials—and the secrets both men are keeping. With its heady combination of dry wit, slow-burn romance, and a nuanced portrait of trans identity, A Gentleman’s Gentleman stands to transform the historical romance genre as we know it.

In this slightly spooky paranormal romance, will two women finally break their curse and get the happily ever after they’ve fought for?

Each year, when no one is paying attention, The Dead of Night Halloween store appears in a new location with its giant sign and great low prices. No one sees them setting up or tearing down—one day it’s just there and then, two days after Halloween, it’s gone.

Pepper White knows exactly how this works. For five years, ever since the last Keeper of the Store tricked her, she has been cursed—appearing when the store does, and disappearing when it goes away. People will remember The Dead of Night, but they’ll completely forget Pepper. That is, until Christina Loring walks in the door. Their chemistry is instantaneous and, for the first time in five years, Pepper finds herself wishing for more time.

But how do you tell the girl you’re falling for that you’re cursed and that you only have ten weeks together before Christina forgets . . . everything? To have a chance at happily ever after, Pepper has to do the one thing she swore she wouldn’t—find the right treat to trick someone else into taking on the curse. But all’s fair in love and spells, and this spooky season, Pepper and Christina are ready to stir up trouble in the name of love.

From the bestselling author of Husband Material comes a lush, sweeping queer historical romance where sparks fly between childhood friends after a life-changing separation—perfect for fans of Bridgerton, Evie Dunmore, and Lisa Kleypas!

When Viola Carroll was presumed dead at Waterloo she took the opportunity to live, at last, as herself. But freedom does not come without a price, and Viola paid for hers with the loss of her wealth, her title, and her closest companion, Justin de Vere, the Duke of Gracewood.

Only when their families reconnect, years after the war, does Viola learn how deep that loss truly was. Shattered without her, Gracewood has retreated so far into grief that Viola barely recognises her old friend in the lonely, brooding man he has become.

As Viola strives to bring Gracewood back to himself, fresh desires give new names to old feelings. Feelings that would have been impossible once and may be impossible still, but which Viola cannot deny. Even if they cost her everything, all over again.

From the acclaimed author of Chef’s Kiss and A Gentleman’s Gentleman comes a riotous Regency romp, featuring a charming and unforgettable genderfluid lead.

It is a truth universally acknowledged that a woman who has lost her fortune must be in need (not want) of a husband. Beautiful, cunning Verbena Montrose must marry to save herself and her odious family from abject poverty. Fortunately, what she lacks in a dowry, she makes up for in the currency of gossip.

When she hears an alarming rumor about her very dear, very queer friend Étienne that could ruin him, she comes to his aid with a proposal—for a marriage of convenience, that is. But when Verbena discovers that a mysterious and celebrated poet by the name of Flora Witcombe has been publishing verses that hint she is onto their scheme, Verbena has no choice but to pretend to be a poet herself to confront her in a local salon. And—unexpectedly—be charmed by her.

Flora, in turn, is terrified by and smitten with Verbena in equal measure. But she holds a secret of her own: he is also William Forsyth, a struggling novelist and fifth son of a minor noble family. And if circumstances don’t allow Flora to woo Verbena, perhaps William can. Faced with two suitors and a fiancé, Verbena, who has always had to be clever to survive in society, starts to realize she may need to think outside of society’s constraints to find true happiness.