Books

By: Cassie Premo Steele (Author), Amy Alley (Illustrator), 2018, Paperback

Sanna Pennbrook, a fifteen-year-old Native American, decides to kill the president when her mother, a dual citizen of the U.S. and the Cherokee Nation, is arrested at the airport under the administration's new ONE (One Nation Education) policy and is taken to a detention center. Sanna turns to her mother's friends to figure out how she can help. After deciphering her mother's mysterious book and learning lessons in intersectional feminism, Sanna decides she wants to undo the many injustices of the past - and this means resorting to violence.

By: Sarah Macklin (Author), 2020, Paperback

Bakari is the netkoleh, ruler of the Ega empire and the living embodiment of the gods. When his eldest son and heir falls ill and dies, Bakari drowns in despair. He decides that the gods are nonexistent and bans the empire's religion. He expects the people to rejoice at being "liberated" but talk of rebellion soon begins instead.

In the north, in a long ago conquered kingdom, the second queen of the empire is sent to deliver the news. Her father, the king, wants to bargain with the netkoleh but she and her siblings know the man can't be reasoned with. Their religion was the last bit of dignity th Ega had left their people. To defy this decree will bring the wrath of the netkoleh down on their lands and hopefully the path to freedom.

Meanwhile, the south is grappling with their recent occupation. The untried leader must balance the needs of her people with the demands of the Ega. The increasing pressures may not only break her but her land as well. In the end, a rash decree by a distant ruler may be the least of her worries.

The bonds of family and fealty will be tested. The strength of nations' faith will be strained. And the fate of the entire empire will rest in the hands of a few.

Ronan at nineteen has lived by himself for ten years, ever since the night his mother disappeared. He has taken up her trade as a tailor and included the Irish/Druid blessings in the clothing he stitches. But his life is afflicted with isolation--he and his mother were outsiders never accepted in the community--and he has no friends in the small Louisiana bayou town of Bridewater Bay. Without friends or parents his new feelings of attraction to a charismatic young man who works at the docks confuse and distress him. When he is visited by the ghost of the Bride for whom Bridewater Bay is named, he assumes she comes because of his shameful feelings for Abel.

This gripping story of a lonely young man's coming of age in a southern town in the late nineteenth century is moving, romantic, and scary. Readers experience the two young men making their way down a road that is totally unfamiliar to them and facing grave danger. A terrifying and beautiful love story.

Purses and bags have always been much more than a fashion accessory.

For generations of Americans, the purse has been an essential and highly adaptable object, used to achieve a host of social, cultural, and political objectives. In the early 1800s, when the slim fit of neoclassical dresses made interior pockets impractical, upper-class women began to carry small purses called reticules, which provided them with a private place in a world where they did not have equal access to public space. Although many items of apparel have long expressed their wearer's aspirations, only the purse has offered carriers privacy, pride, and pleasure. This privacy has been particularly important for those who have faced discrimination because of their gender, class, race, citizenship, or sexuality.

The Things She Carried reveals how bags, sacks, and purses provided the methods and materials for Americans' activism, allowing carriers to transgress critical boundaries at key moments. It explores how enslaved people used purses and bags when attempting to escape and immigrant factory workers fought to protect their purses in the workplace. It also probes the purse's nuanced functions for Black women in the civil rights movement and explores how LGBTQ people used purses to defend their bodies and make declarations about their sexuality.

Kathleen Casey closely examines a variety of sources―from vintage purses found in abandoned buildings and museum collections to advertisements, photograph albums, trade journals, newspaper columns, and trial transcripts. She finds purses in use at fraught historical moments, where they served strategic and symbolic functions for their users. The result is a thorough and surprising examination of an object that both ordinary and extraordinary Americans used to influence social, cultural, economic, and political change.

By Baker A. Rogers, 2020, Paperback 

Through the voices of 51 trans men, Baker A. Rogers analyzes what it means to be a trans man in the southeastern United States. Rogers argues that the common themes that pervade trans men’s experiences in the South are complicated by other intersecting identities, such as sexuality, religion, race, class, and place. This study explores the intersectionalities of a group of people who are often invisible, by choice or necessity, in broader culture. Rogers engages with debates about trans experiences of masculinity, ‘passing,’ and discrimination within LGTBQ spaces in order to provide a comprehensive study of trans men’s experiences.

By Marla Taviano, 2021 Paperback, Poetry

unbelieve (verb): to disbelieve or distrust something;
to abandon a particular belief

there once was a
very good Christian girl
who had all the answers
it was so very simple
quite quite clear
the Bible made it so
it all went according to plan
for well over three decades
and then something happened

By: Marla Taviono, 2024, Paperback

What makes this such a stellar read is not only is Marla aware of who she is, but she's finally got to the point where she's unabashedly ready to tell us as well!" —Tyler Merritt, author of I Take My Coffee Black and Creator of The Tyler Merritt Project

When you've spent your entire life defined by your faith, who are you when that faith shatters, leaving you to pick up broken pieces, wondering if anything can be saved? Marla Taviano—author, single mom, and former Christian—set out on a journey to find out.

What she uncovered was that, after deconstructing a toxic belief system and working to dismantle systems of injustice, some things hadn't changed. She still loved people and wanted them to be free and whole—and she wanted that for herself too. It just looked different now. So whole: poems on reclaiming the pieces of ourselves and creating something new talks about looking back to move forward, new thoughts on god, our inner lives, embodied living, and books, books, books.

If you long for the freedom to be your true self, if you ache for healing and wholeness for yourself and a broken world, if you need some lighthearted fun amid all the hard, Marla's got you. This book is a collection of mini-love letter poems to herself and all of us.