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822 of 1774 products
Named one of Shondaland and Town & Country's Best Books of May • Named one of Lambda Literary's Most Anticipated LGBTQIA+ Books • Named one of Cosmopolitan's Best Books of 2023 (So Far)
An unashamedly proud, loud, and hilarious novel about a small town that’s forever changed by a big gay wedding, perfect for fans of Red, White & Royal Blue and The Guncle
Two grooms. One mother of a problem.
Barnett Durang has a secret. No, not THAT secret. His widowed mother has long known he’s gay. The secret is Barnett is getting married. At his mother’s farm. In their small Louisiana town. She just doesn’t know it yet.
It’ll be an intimate affair. Just two hundred or so of the most fabulous folks Barnett is shipping in from the “heathen coasts,” as Mom likes to call them, turning her quiet rescue farm for misfit animals into a most unlikely wedding venue.
But there are forces, both within this modern new family and in the town itself, that really don’t want to see this handsome couple march down the aisle. It’ll be the biggest, gayest event in the town’s history if they can pull it off, and after a glitter-filled week, nothing will ever be the same. Big Gay Wedding is an uplifting book about the power of family and the unconditional love of a mother for her son.
My partner doesn't believe I'm bisexual, what should I do?
How should I approach sex with someone of a different gender for the first time?
Can I reconcile being bisexual with wanting a biological child?
Identifying as bisexual can be a pretty confusing experience - navigating experimentation versus orientation, at times presenting as a straight-passing member of a queer community, at other times having people discredit your attraction to multiple genders. Lewis Oakley, creator of the Ask A Bi Dad column, knows every trick in the book - and he's here to answer your most burning questions...
Warm, chatty, wise and startlingly honest - this is your new bi bible.
Bob Jones University is a Christian, fundamentalist, nondenominational liberal arts school in Greenville, South Carolina. BJU was founded in 1927 by Christian evangelist Bob Jones Sr., who was against the secularization of higher education and the influence of religious liberalism in denominational colleges. For most of the twentieth century, BJU branded itself as the “World’s Most Unusual University” because of its separatist culture. Many BJU students come from fundamentalist communities and are aware of BJU’s strict rules and conservative lifestyle. So why would queer students enroll at BJU?
A former queer student of BJU himself, Lance Weldy has come to terms with his own involvement with the institution and has reached out to other queer students to help represent the range of queer experience in this restrictive atmosphere. BJU and Me: Queer Voices from the World’s Most Christian University provides behind-the-scenes explanations from nineteen former BJU students from the past few decades who now identify as LGBT+. They write about their experiences, reflect on their relationships with a religious institution, and describe their vulnerability under a controlling regime.
Some students hid their sexuality and graduated under the radar; others transferred to other schools but faced reparative therapy elsewhere; some endured mandatory counseling sessions on campus; while still others faced incredible obstacles after being outed by or to the BJU administration. These students give voices to their queer experiences at BJU and share their unique stories, including encounters with internal and/or external trauma and their paths to self-validation and recovery. Often their journeys led them out of fundamentalism and the BJU network entirely.
NEW YORK TIMES BESTSELLER * NAACP IMAGE AWARD NOMINEE * AMAZON'S TOP 20 HISTORY BOOKS OF 2023 * B&N BEST OF EDUCATIONAL HISTORY * THE ROOT'S BEST BOOKS OF 2023 * CHICAGO PUBLIC LIBRARY FAVORITE BOOKS OF 2023
From acclaimed columnist and political commentator Michael Harriot, a searingly smart and bitingly hilarious retelling of American history that corrects the record and showcases the perspectives and experiences of Black Americans.
America’s backstory is a whitewashed mythology implanted in our collective memory. It is the story of the pilgrims on the Mayflower building a new nation. It is George Washington’s cherry tree and Abraham Lincoln’s log cabin. It is the fantastic tale of slaves that spontaneously teleported themselves here with nothing but strong backs and negro spirituals. It is a sugarcoated legend based on an almost true story.
It should come as no surprise that the dominant narrative of American history is blighted with errors and oversights—after all, history books were written by white men with their perspectives at the forefront. It could even be said that the devaluation and erasure of the Black experience is as American as apple pie.
In Black AF History, Michael Harriot presents a more accurate version of American history. Combining unapologetically provocative storytelling with meticulous research based on primary sources as well as the work of pioneering Black historians, scholars, and journalists, Harriot removes the white sugarcoating from the American story, placing Black people squarely at the center. With incisive wit, Harriot speaks hilarious truth to oppressive power, subverting conventional historical narratives with little-known stories about the experiences of Black Americans. From the African Americans who arrived before 1619 to the unenslavable bandit who inspired America’s first police force, this long overdue corrective provides a revealing look into our past that is as urgent as it is necessary. For too long, we have refused to acknowledge that Americanhistory is white history. Not this one. This history is Black AF.
One woman's deadly obsession with a haunted archival film precipitates her undoing in Black Flame, from the USA Today bestselling author of Manhunt, Gretchen Felker-Martin.
A cursed film. A haunted past. A deadly secret.
The Baroness, an infamous exploitation film long thought destroyed by Nazi fire, is discovered fifty years later. When lonely archivist Ellen Kramer―deeply closeted and pathologically repressed―begins restoring the hedonistic movie, it unspools dark desires from deep within her.
As Ellen is consumed by visions and voices, she becomes convinced the movie is real, and is happening to her―and that frame by frame, she is unleashing its occult horrors on the world. Her life quickly begins to spiral out of control.
Until it all fades to black, and all that remains is a voice asking a question Ellen can’t answer but can’t get out of her mind.
Do you want it?
More than anything?
Also by Gretchen Felker-Martin:
Manhunt
Cuckoo
A longtime educator explores how the study of Black history challenges our understanding of race, nation, and the stories we tell about who we are.
Black history is under attack from powerful forces that seek to excise it from classrooms, libraries, and the popular imagination. Yet its opponents fail to understand a simple truth: the best education challenges our assumptions, helps us see larger forces at work, and gives us glimpses of alternate futures.
In Black History Is for Everyone, Brian Jones offers a meditation on the power of Black history, using his own experiences as a lifelong learner and classroom teacher to question everything—from the radicalism of the American Revolution to the meaning of “race” and “nation.”
With warmth and immersive storytelling, Jones encourages us to delve deeper into our collective history, explores how curiosity about our world is essential—and reminds us that with stakes so high, the effort is worth it.
Tayler Simon is an activist and organizer who has been working in different social movements since she was 18. After obtaining her Master's in Social Work and working within the violence prevention and outreach world for five years, she decided to take those skills outside of institutions and back to organic community.
Reflecting on the roles of power, joy, despair, anger, and hope within the liberation movement, Black Madonna invites readers into an experience that sparks action from feelings-even in such trying times. Tayler's poems inspire readers to find hope when it feels impossible. This is an urgent, heartfelt, and eclectic collection of poetry. Haunting and beautiful, it will leave us curious about our role in community.
Black Queer Hoe is a refreshing, unapologetic intervention into ongoing conversations about the line between sexual freedom and sexual exploitation.
Women's sexuality is often used as a weapon against them. In this powerful debut, Britteney Black Rose Kapri lends her unmistakable voice to fraught questions of identity, sexuality, reclamation, and power, in a world that refuses Black Queer women permission to define their own lives and boundaries.
Britteney Black Rose Kapri is a Chicago performance poet and playwright. Currently she is an alumna turned Teaching Artist Fellow at Young Chicago Authors. Her work has been featured in Poetry Magazine, Button Poetry, Seven Scribes, and many other outlets, and anthologized in The BreakBeat Poets and The BreakBeat Poets Vol. 2: Black Girl Magic. She is a contributor to Black Nerd Problems, a Pink Door Retreat Fellow, and a 2015 Rona Jaffe Writers Award Recipient.
From the New York Times bestselling author of Star Wars: Resistance Reborn comes the “engrossing and vibrant” (Tochi Onyebuchi, author of Riot Baby) first book in the Between Earth and Sky trilogy inspired by the civilizations of the Pre-Columbian Americas and woven into a tale of celestial prophecies, political intrigue, and forbidden magic.
A god will return
When the earth and sky converge
Under the black sun
In the holy city of Tova, the winter solstice is usually a time for celebration and renewal, but this year it coincides with a solar eclipse, a rare celestial even proscribed by the Sun Priest as an unbalancing of the world.
Meanwhile, a ship launches from a distant city bound for Tova and set to arrive on the solstice. The captain of the ship, Xiala, is a disgraced Teek whose song can calm the waters around her as easily as it can warp a man’s mind. Her ship carries one passenger. Described as harmless, the passenger, Serapio is a young man, blind, scarred, and cloaked in destiny. As Xiala well knows, when a man is described as harmless, he usually ends up being a villain.
Crafted with unforgettable characters, Rebecca Roanhorse has created a “brilliant world that shows the full panoply of human grace and depravity” (Ken Liu, award-winning author of The Grace of Kings). This epic adventure explores the decadence of power amidst the weight of history and the struggle of individuals swimming against the confines of society and their broken pasts in this “absolutely tremendous” (S.A. Chakraborty, nationally bestselling author of The City of Brass) and most original series debut of the decade.
Longtime NBC News reporter Char Adams writes a deeply compelling and rigorously reported history of Black political movements told through the lens of Black-owned bookstores, which have been centers for organizing from abolition to the Civil Rights Movement to Black Lives Matter.
In Black-Owned, Char Adams celebrates the living history of Black bookstores. Packed with stories of activism, espionage, violence, community, and perseverance, Black-Owned starts with the first Black-owned bookstore, which an abolitionist opened in New York in 1834, and after the bookshop’s violent demise, Black book-lovers carried on its cause. In the twentieth century, civil rights and Black Power activists started a Black bookstore boom nationwide. Malcolm X gave speeches in front of the National Memorial African Book Store in Harlem—a place dubbed “Speakers’ Corner”—and later, Black bookstores became targets of FBI agents, police, and racist vigilantes. Still, stores continued to fuel Black political movements.
Amid these struggles, bookshops were also places of celebration: Eartha Kitt and Langston Hughes held autograph parties at their local Black-owned bookstores. Maya Angelou became the face of National Black Bookstore Week. And today a new generation of Black activists is joining the radical bookstore tradition, with rapper Noname opening her Radical Hood Library in Los Angeles and several stores making national headlines when they were overwhelmed with demand in the Black Lives Matter era. As Adams makes clear, in an time of increasing repression, Black bookstores are needed now more than ever.
Full of vibrant characters and written with cinematic flair, Black-Owned is an enlightening story of community, resistance, and joy.
Winner of the National Book Award
Winner of the California Book Award
Winner of Tournament of Books
Out in the desert in a place called the Palace, a young man tends to a dying soul, someone he once knew briefly but who has haunted the edges of his life: Juan Gay. Playful raconteur, child lost and found and lost, guardian of the institutionalized, Juan has a project to pass along, one built around a true artifact of a book―Sex Variants: A Study of Homosexual Patterns―and its devastating history. This book contains accounts collected in the early twentieth century from queer subjects by a queer researcher, Jan Gay, whose groundbreaking work was then co-opted by a committee, her name buried. The voices of these subjects have been filtered, muted, but it is possible to hear them from within and beyond the text, which, in Juan’s tattered volumes, has been redacted with black marker on nearly every page. As Juan waits for his end, he and the narrator recount for each other moments of joy and oblivion; they resurrect loves, lives, mothers, fathers, minor heroes. In telling their own stories and the story of the book, they resist the ravages of memory and time. The past is with us, beside us, ahead of us; what are we to create from its gaps and erasures?
A book about storytelling―its legacies, dangers, delights, and potential for change―and a bold exploration of form, art, and love, Justin Torres’s Blackouts uses fiction to see through the inventions of history and narrative. A marvel of creative imagination, it draws on testimony, photographs, illustrations, and a range of influences as it insists that we look long and steadily at what we have inherited and what we have made―a world full of ghostly shadows and flashing moments of truth. A reclamation of ransacked history, a celebration of defiance, and a transformative encounter, Blackouts mines the stories that have been kept from us and brings them into the light.
"Blood Orange" is a highly emotional, important and timely poetry collection by Mx. Yaffa (They/She), a trans Muslim displaced Indigenous Palestinian. Their writings probe the yearning for home, belonging, mental health, queerness, transness, and other dimensions of marginalization while nurturing dreams of utopia against the background of ongoing displacement and genocide of indigenous Palestinians.
The collection came quickly and relentlessly, drawn from the depths of the author's soul during a movement for a free Palestine and aligned with a solar eclipse. It beckons readers to re-evaluate what is perceived as immutable and to imagine pathways toward Utopia.
"Blood Orange"- the title an homage to the Yaffa Oranges (which were appropriated first by the British and subsequently by Israel) refers to the author themselves, their homeland and blood spilled in the name of settler colonialism.
This highly charged and cathartic body of work confronts the anguish and loss inflicted by genocide but also embraces a vision of a world free of it. The poems within "Blood Orange" were a means of working through and processing the grief caused by recent events and serve as an act of protest and defiance against settler colonialism as a whole.
An unexpected love quadrangle with a dash of unrequited love as two classmates, a boy and a girl, begin to fall for each other when each of their best friends have already fallen for them.
Love is already hard enough, but it becomes an unnavigable maze for unassuming high school student Taichi Ichinose and his shy classmate Futaba Kuze when they begin to fall for each other after their same-sex best friends have already fallen for them.
For some reason, Taichi Ichinose just can’t stand Futaba Kuze. But at the start of his third year in high school, he finds himself in the same homeroom as her, along with his childhood friend Toma Mita, a star athlete. But one day, Futaba opens up to Taichi and admits she has a crush on Toma. She then asks for his help in confessing to him! There’s just one problem—Toma seems to already have a secret crush on someone else.
An unexpected love quadrangle with a dash of unrequited love as two classmates, a boy and a girl, begin to fall for each other when each of their best friends have already fallen for them.
Love is already hard enough, but it becomes an unnavigable maze for unassuming high school student Taichi Ichinose and his shy classmate Futaba Kuze when they begin to fall for each other after their same-sex best friends have already fallen for them.
The school sports festival is coming up, and Toma accepts the position of class 3-A’s cheer squad captain on the condition that Futaba and Taichi serve as his vice-captains. Hoping to live up to Toma’s faith in them, Taichi and Futaba diligently practice their squad’s routine. But when the time comes to perform, Futaba hits a wall that threatens her very participation!
An unexpected love quadrangle with a dash of unrequited love as two classmates, a boy and a girl, begin to fall for each other when each of their best friends have already fallen for them.
Love is already hard enough, but it becomes an unnavigable maze for unassuming high school student Taichi Ichinose and his shy classmate Futaba Kuze when they begin to fall for each other after their same-sex best friends have already fallen for them.
Toma’s older brother, Seiya, asks Taichi to find out why Toma doesn’t want to go to college. On the day of Toma’s release from the hospital, Taichi still hasn’t found a way to broach the subject with Toma. Meanwhile, Futaba discovers Taichi’s birthday is coming up, and she decides to invite the group to a fireworks festival so they can all celebrate.