Adult Nonfiction

An engaging exploration of what it means to be asexual in a world that’s obsessed with sexual attraction, and what the ace perspective can teach all of us about desire and identity.

What exactly is sexual attraction and what is it like to go through life not experiencing it? What does asexuality reveal about gender roles, about romance and consent, and the pressures of society? This accessible examination of asexuality shows that the issues that aces face—confusion around sexual activity, the intersection of sexuality and identity, navigating different needs in relationships—are the same conflicts that nearly all of us will experience. Through a blend of reporting, cultural criticism, and memoir, Ace addresses the misconceptions around the “A” of LGBTQIA and invites everyone to rethink pleasure and intimacy.

Journalist Angela Chen creates her path to understanding her own asexuality with the perspectives of a diverse group of asexual people. Vulnerable and honest, these stories include a woman who had blood tests done because she was convinced that “not wanting sex” was a sign of serious illness, and a man who grew up in a religious household and did everything “right,” only to realize after marriage that his experience of sexuality had never been the same as that of others. Disabled aces, aces of color, gender-nonconforming aces, and aces who both do and don’t want romantic relationships all share their experiences navigating a society in which a lack of sexual attraction is considered abnormal. Chen’s careful cultural analysis explores how societal norms limit understanding of sex and relationships and celebrates the breadth of sexuality and queerness.

***This book will ship on or after the release date of April 7, 2026***

Christopher Merlin Vyvyan Holland is a British biographer and editor. He is the only grandchild of  Oscar Wilde, whose life he has researched and written about extensively.

A powerful manifesto for a world without borders from two immigration policy experts and activists

Borders harm all of us: they must be abolished.

Borders divide workers and families, fuel racial division, and reinforce global disparities. They encourage the expansion of technologies of surveillance and control, which impact migrants and citizens both.

Bradley and de Noronha tell what should by now be a simple truth: borders are not only at the edges of national territory, in airports, or at border walls. Borders are everyday and everywhere; they follow people around and get between us, and disrupt our collective safety, freedom and flourishing.

Against Borders is a passionate manifesto for border abolition, arguing that we must transform society and our relationships to one another, and build a world in which everyone has the freedom to move and to stay.

A book about those that cannot wait any longer for the world to change.

Young revolutionaries in Myanmar and Rojava, colloquially referred to by journalist James Stout as “anarchists” for their nonhierarchical forms of organization based on mutual aid and solidarity, face incredible danger to pursue their expression of freedom. Against the State seeks to understand these anarchists, to honor their struggles, and ask tough questions about confronting the state. Stout contrasts these contemporary movements with the Spanish Civil War and Revolution where workers in 1936 fought capitalism and fascism. Crucially, the book presents these movements as evolving and innovative, and centers the voices of those too often overlooked in conflict studies and misunderstood by Western radical movements.

A New York Times bestseller and enduring classic, All About Love is the acclaimed first volume in feminist icon bell hooks' "Love Song to the Nation" trilogy.  All About Love reveals what causes a polarized society, and how to heal the divisions that cause suffering. Here is the truth about love, and inspiration to help us instill caring, compassion, and strength in our homes, schools, and workplaces.

“The word ‘love’ is most often defined as a noun, yet we would all love better if we used it as a verb,” writes bell hooks as she comes out fighting and on fire in All About Love. Here, at her most provocative and intensely personal, renowned scholar, cultural critic and feminist bell hooks offers a proactive new ethic for a society bereft with lovelessness--not the lack of romance, but the lack of care, compassion, and unity. People are divided, she declares, by society’s failure to provide a model for learning to love. 

As bell hooks uses her incisive mind to explore the question “What is love?” her answers strike at both the mind and heart. Razing the cultural paradigm that the ideal love is infused with sex and desire, she provides a new path to love that is sacred, redemptive, and healing for individuals and for a nation. The Utne Reader declared bell hooks one of the “100 Visionaries Who Can Change Your Life.” All About Love is a powerful, timely affirmation of just how profoundly her revelations can change hearts and minds for the better.

By: EbonyJanice Moore (Author), 2023, Paperback

“Who would black women get to be if we did not have to create from a place of resistance?”

Hip Hop Womanist writer and theologian EbonyJanice’s book of essays center a fourth wave of Womanism, dreaming, the pursuit of softness, ancestral reverence, and radical wholeness as tools of liberation.

All The Black Girls Are Activists is a love letter to Black girls and Black women, asking and attempting to offer some answers to “Who would black women get to be if we did not have to create from a place of resistance?” by naming Black women’s wellness, wholeness, and survival as the radical revolution we have been waiting for.

In her first nonfiction book in a decade, the #1 bestselling writer who taught millions of readers to live authentically (Eat Pray Love) and creatively (Big Magic) shows how to break free.

In 2000, Elizabeth Gilbert met Rayya. They became friends, then best friends, then inseparable. When tragedy entered their lives, the truth was finally laid bare: The two were in love. They were also a pair of addicts, on a collision course toward catastrophe.

What if your most beautiful love story turned into your biggest nightmare? What if the dear friend who taught you so much about your self-destructive tendencies became the unstable partner with whom you disastrously reenacted every one of them? And what if your most devastating heartbreak opened a pathway to your greatest awakening?

All the Way to the River is a landmark memoir that will resonate with anyone who has ever been captive to love—or to any other passion, substance, or craving – and who yearns, at long last, for liberation.

A multi-discipline, multimedia guide to abolition through the lens of healthcare and medicine – featuring writings and artwork from 10+ incarcerated and post-detention activists

Exposing how marginalized communities are vilified by “carceral safety” systems, educators and health justice advocates Carlos Martinez and Ronica Mukerjee call for a radical break with reformist strategies in favor of ones grounded in grassroots organizing and abolition

Prisons, border security, and police forces are meant to protect. Yet for the most vulnerable, they more often cause harm. Funded in response to a never ending “crime wave,” people with disabilities, Black and brown people, trans and queer people, people with mental health diagnoses, and survivors of trauma and abuse are targeted by punitive carceral policies. These policies perpetuate physical, psychological, and intergenerational harm. And they don’t keep anyone safe.

All This Safety is Killing Us reflects this view, combining political strategy with evidence-based medical and social science research to envision a post-carceral society.

With contributions from scholars, activists and artists, All This Safety is Killing Us marks a radical break from punitive frameworks. Special features  

Contributions from nurses, doctors, doulas, public health workers, physical therapists, acupuncturists, and disability justice workers.Woodcuts, comics, mini-zines, infographics, and drawings by community activists, queer and trans/gender expansive-focused writers, current prisoners, deportees, and survivors of state-sanctioned violence.Interviews with leading abolition and health justice scholars.
Bringing scholarly research into public conversation, this book shows that those working within public health and medical fields have a critical role to play in creating a truly safe and flourishing society.

A mesmerizing firsthand account of the warping of American reality over the past decade as Donald Trump has risen to dominance—from a participatory witness who got so far inside the distortion field that it swallowed her whole.

Olivia Nuzzi spent a third of her life observing those in power. She became a reporter in 2014, when the political landscape began to recon­figure itself around a singular personality whom she was uniquely primed to understand. Over the next ten years, she used her access and eye for detail to chronicle his campaigns, trials, and government in blockbuster feature stories that drove the national conversation and propelled her to the heights of her profession.

Then, in 2024, her personal life collided with the public interest in a scandal that cost Nuzzi her job and reputation. Amid a full-blown tabloid frenzy, Nuzzi went quiet, drove west, and spent the next year in self-imposed exile at the edge of the country, where she wrote this searing and astonishingly clear-eyed account of what she—and we—have experienced over the last decade.

Nuzzi walked through hell and she took notes. The result is a brilliant and bracing reckoning with recent history from one of our sharpest political observers. Beginning in the present in California, and then turning her gaze back east and back in time, she crafts a dazzling mosaic of the Trump era: her many behind-the-scenes encounters with Trump himself, from their first meeting in Trump Tower to a wealth of revelatory conversations about his Hollywood aspirations, his dreams, his fears about being assassinated, and more; the life she led uneasily that skidded to a halt; the rise of digital surveillance and the decline of privacy; the normalization of political violence; and the collision of polarization with the democratization of information to sow doubt about every aspect of our reality.

American Canto is also a powerful personal history. Nuzzi’s account of growing up in working-class New Jersey as the child of alcoholics in the shadow of New York City and 9/11 is raw and moving. Her mother was angry, beautiful, and unpredictable. Her father, a loving man who supported his family as a sanitation worker, removed debris from Ground Zero. They both died young. A version of Nuzzi did, too. She approached this “kind of death” with the critical distance of a reporter. When interrogating her own mistakes, Nuzzi confesses, “I had trained my whole life in the battlefield of crisis.”

Despite her profession, Olivia Nuzzi has never been interested in breaking news. American Canto is not a memoir, nor a tell-all, nor a book about the president. Instead, it is something more artful and more interest­ing—a character study of a nation undergoing radical transformation in real time. It seeks to reframe our under­standing of the history we are living through from the perspective of someone who observed it from within the kaleidoscope and now sees it clearly from the other side.

An intersectional history of the shared struggle for African American and Latinx civil rights

Spanning more than two hundred years, An African American and Latinx History of the United States is a revolutionary, politically charged narrative history, arguing that the “Global South” was crucial to the development of America as we know it. Scholar and activist Paul Ortiz challenges the notion of westward progress as exalted by widely taught formulations like “manifest destiny” and “Jacksonian democracy,” and shows how placing African American, Latinx, and Indigenous voices unapologetically front and center transforms US history into one of the working class organizing against imperialism.

Drawing on rich narratives and primary source documents, Ortiz links racial segregation in the Southwest and the rise and violent fall of a powerful tradition of Mexican labor organizing in the twentieth century, to May 1, 2006, known as International Workers’ Day, when migrant laborers—Chicana/os, Afrocubanos, and immigrants from every continent on earth—united in resistance on the first “Day Without Immigrants.” As African American civil rights activists fought Jim Crow laws and Mexican labor organizers warred against the suffocating grip of capitalism, Black and Spanish-language newspapers, abolitionists, and Latin American revolutionaries coalesced around movements built between people from the United States and people from Central America and the Caribbean. In stark contrast to the resurgence of “America First” rhetoric, Black and Latinx intellectuals and organizers today have historically urged the United States to build bridges of solidarity with the nations of the Americas.

Incisive and timely, this bottom-up history, told from the interconnected vantage points of Latinx and African Americans, reveals the radically different ways that people of the diaspora have addressed issues still plaguing the United States today, and it offers a way forward in the continued struggle for universal civil rights.

2018 Winner of the PEN Oakland/Josephine Miles Literary Award

The first intersectional history of the Black and Native American struggle for freedom in our country that also reframes our understanding of who was Indigenous in early America

Beginning with pre-Revolutionary America and moving into the movement for Black lives and contemporary Indigenous activism, Afro-Indigenous historian Kyle T. Mays argues that the foundations of the US are rooted in antiblackness and settler colonialism, and that these parallel oppressions continue into the present. He explores how Black and Indigenous peoples have always resisted and struggled for freedom, sometimes together, and sometimes apart. Whether to end African enslavement and Indigenous removal or eradicate capitalism and colonialism, Mays show how the fervor of Black and Indigenous peoples calls for justice have consistently sought to uproot white supremacy.

Mays uses a wide-array of historical activists and pop culture icons, “sacred” texts, and foundational texts like the Declaration of Independence and Democracy in America. He covers the civil rights movement and freedom struggles of the 1960s and 1970s, and explores current debates around the use of Native American imagery and the cultural appropriation of Black culture. Mays compels us to rethink both our history as well as contemporary debates and to imagine the powerful possibilities of Afro-Indigenous solidarity.

Includes an 8-page photo insert featuring Kwame Ture with Dennis Banks and Russell Means at the Wounded Knee Trials; Angela Davis walking with Oren Lyons after he leaves Wounded Knee, SD; former South African president Nelson Mandela with Clyde Bellecourt; and more.

New York Times Bestseller

Now part of the HBO docuseries "Exterminate All the Brutes," written and directed by Raoul Peck

Recipient of the American Book Award

The first history of the United States told from the perspective of indigenous peoples
 
Today in the United States, there are more than five hundred federally recognized Indigenous nations comprising nearly three million people, descendants of the fifteen million Native people who once inhabited this land. The centuries-long genocidal program of the US settler-colonial regimen has largely been omitted from history. Now, for the first time, acclaimed historian and activist Roxanne Dunbar-Ortizoffers a history of the United States told from the perspective of Indigenous peoples and reveals how Native Americans, for centuries, actively resisted expansion of the US empire.

With growing support for movements such as the campaign to abolish Columbus Day and replace it with Indigenous Peoples’ Day and the Dakota Access Pipeline protest led by the Standing Rock Sioux Tribe, An Indigenous Peoples’ History of the United States is an essential resource providing historical threads that are crucial for understanding the present. In An Indigenous Peoples’ History of the United States, Dunbar-Ortiz adroitly challenges the founding myth of the United States and shows how policy against the Indigenous peoples was colonialist and designed to seize the territories of the original inhabitants, displacing or eliminating them. And as Dunbar-Ortiz reveals, this policy was praised in popular culture, through writers like James Fenimore Cooper and Walt Whitman, and in the highest offices of government and the military. Shockingly, as the genocidal policy reached its zenith under President Andrew Jackson, its ruthlessness was best articulated by US Army general Thomas S. Jesup, who, in 1836, wrote of the Seminoles: “The country can be rid of them only by exterminating them.”
 
Spanning more than four hundred years, this classic bottom-up peoples’ history radically reframes US history and explodes the silences that have haunted our national narrative.

An Indigenous Peoples' History of the United States is a 2015 PEN Oakland-Josephine Miles Award for Excellence in Literature.

Upon its first publication more than twenty years ago, And the Band Played on was quickly recognized as a masterpiece of investigative reporting.

An international bestseller, a nominee for the National Book Critics Circle Award, and made into a critically acclaimed movie, Shilts' expose revealed why AIDS was allowed to spread unchecked during the early 80's while the most trusted institutions ignored or denied the threat. One of the few true modern classics, it changed and framed how AIDS was discussed in the following years. Now republished in a special 20th Anniversary edition, And the Band Played On remains one of the essential books of our time.

By: Ricky Tucker (Author), 2022, Paperback

A 2023 Lambda Literary Award Finalist in Nonfiction

An Electric Literature “Most Anticipated LGBTQ+ Book of 2022” Selection

A love letter to the legendary Black and Latinx LGBTQ underground subculture, uncovering its abundant legacy and influence in popular culture.

What is Ballroom? Not a song, a documentary, a catchphrase, a TV show, or an individual pop star. It is an underground subculture founded over a century ago by LGBTQ African American and Latino men and women of Harlem. Arts-based and intersectional, it transcends identity, acting as a fearless response to the systemic marginalization of minority populations.

Ricky Tucker pulls from his years as a close friend of the community to reveal the complex cultural makeup and ongoing relevance of house and Ballroom, a space where trans lives are respected and applauded, and queer youth are able to find family and acceptance. With each chapter framed as a “category” (Vogue, Realness, Body, et al.), And the Category Is . . . offers an impressionistic point of entry into this subculture, its deeply integrated history, and how it’s been appropriated for mainstream audiences. Each category features an exclusive interview with fierce LGBTQ/POC Ballroom members—Lee Soulja, Benjamin Ninja, Twiggy Pucci Garçon, and more—whose lives, work, and activism drive home that very category.

At the height of public intrigue and awareness about Ballroom, thanks to TV shows like FX’s Pose, Tucker’s compelling narratives help us understand its relevance in pop culture, dance, public policy with regard to queer communities, and so much more. Welcome to the norm-defying realness of Ballroom.

A gripping account of one family’s battle to protect their daughter against transphobia and hate in contemporary America

Our country stands at a critical cultural crossroads, with a wave of anti-trans legislation emerging at unprecedented levels, targeting trans children, in particular, who face increasing stigmatization and erasure. Sim Butler’s And the Dragons Do Come is a poignant account of one family’s experience of parenting and supporting a trans child against this nightmarish backdrop.

In recent years, the Butler family faced an impossible reality in their home state of Alabama, where trans rights are increasingly under attack. Butler recounts their family’s struggles and sacrifices to protect their trans child against the barrage of state-sanctioned intolerance in the legal, educational, and health arenas.

Around the time she turned twelve, his daughter’s personal struggles became political fodder. Along with other trans kids, she was outlawed from playing sports and forbidden to use the girls’ bathroom. Another law made Butler and his wife felons for seeking trans-affirming health care for her. When her charter school was featured in several gubernatorial campaign ads, local community members began driving through the parking lot to yell at the trans kids.

Serving both as a compassionate story of one family’s struggle for acceptance and as a window onto a fraught issue that parents, grandparents, other family members, and friends are confronting across the nation, And the Dragons Do Come provides a firsthand perspective on the human cost of anti-trans sentiment.