Adult Fiction

Three generations of women struggle with a curse unfairly placed on their ancestor in this gothic story of magic, queer love, and mother-daughter relationships, perfect for fans of Spells for Forgetting and Practical Magic.

The Cole women are cursed. Each generation will birth a daughter, lose their love, and, as surely as the tide beats against the rocky shore, take her own life by giving herself to the sea. For generations, the Cole women have lived as outcasts, maintaining a lighthouse on a small island off the coast of New Hampshire. Ever since their ancestor was accused of witchcraft and cast into the sea hundreds of years prior, the islanders have ostracized the Coles, distrusting their rumored magic and their control of the lighthouse.

Despite their mistreatment, the Cole women are compelled to remain on the island because they know that if a Cole woman does not light the beacon on Juniper Island, anyone who is out at sea will be drowned. Out of guilt and obligation, the Cole women live out their solitary lives on the island, knowing someday their recompense for protecting the people from the sea will be to die in the sea themselves.

Told in three interwoven timelines in the late twentieth century, The Curse of the Cole Women unravels the lives of three women who struggle with their relationships with each other as they contend with the reality of their fates—is it truly a curse, or is it generational madness that drives Cole women to the sea?

Readers will be swept into this evocative and moving story about challenging misogyny, finding community, and struggling with fate.

A Good Morning America Buzz Pick

INSTANT NEW YORK TIMES BESTSELLER

"Electrifying." — O: The Oprah Magazine

Named a Best Book of 2020 by The New York Times, The Washington Post, NPR, USA TODAY, Vanity Fair, Elle, Harper's Bazaar, Marie Claire, Shondaland, Teen Vogue, Vulture, Lit Hub, Bustle, Electric Literature, and BookPage

What does it mean for a family to lose a child they never really knew?

One afternoon, in a town in southeastern Nigeria, a mother opens her front door to discover her son’s body, wrapped in colorful fabric, at her feet. What follows is the tumultuous, heart-wrenching story of one family’s struggle to understand a child whose spirit is both gentle and mysterious. Raised by a distant father and an understanding but overprotective mother, Vivek suffers disorienting blackouts, moments of disconnection between self and surroundings. As adolescence gives way to adulthood, Vivek finds solace in friendships with the warm, boisterous daughters of the Nigerwives, foreign-born women married to Nigerian men. But Vivek’s closest bond is with Osita, the worldly, high-spirited cousin whose teasing confidence masks a guarded private life. As their relationship deepens—and Osita struggles to understand Vivek’s escalating crisis—the mystery gives way to a heart-stopping act of violence in a moment of exhilarating freedom. 

Propulsively readable, teeming with unforgettable characters, The Death of Vivek Oji is a novel of family and friendship that challenges expectations—a dramatic story of loss and transcendence that will move every reader.

PULITZER PRIZE FINALIST
NATIONAL BOOK AWARD FINALIST
A NEW YORK TIMES TOP 10 BOOK OF 2018
LOS ANGELES TIMES BOOK PRIZE WINNER
ALA CARNEGIE MEDAL WINNER
THE STONEWALL BOOK AWARD WINNER

Soon to Be a Major Television Event, optioned by Amy Poehler • One of the New York Times’s 100 Best Books of the 21st Century

“A page turner . . . An absorbing and emotionally riveting story about what it’s like to live during times of crisis.” —The New York Times Book Review

A dazzling novel of friendship and redemption in the face of tragedy and loss set in 1980s Chicago and contemporary Paris

In 1985, Yale Tishman, the development director for an art gallery in Chicago, is about to pull off an amazing coup, bringing in an extraordinary collection of 1920s paintings as a gift to the gallery. Yet as his career begins to flourish, the carnage of the AIDS epidemic grows around him. One by one, his friends are dying and after his friend Nico’s funeral, the virus circles closer and closer to Yale himself. Soon the only person he has left is Fiona, Nico’s little sister.

Thirty years later, Fiona is in Paris tracking down her estranged daughter who disappeared into a cult. While staying with an old friend, a famous photographer who documented the Chicago crisis, she finds herself finally grappling with the devastating ways AIDS affected her life and her relationship with her daughter. The two intertwining stories take us through the heartbreak of the eighties and the chaos of the modern world, as both Yale and Fiona struggle to find goodness in the midst of disaster.

Named a Best Book of 2018 by The New York Times Book Review, The Washington Post, NPR, San Francisco Chronicle, The Boston Globe, Entertainment Weekly, Buzzfeed, The Seattle Times, Bustle, Newsday, AM New York, BookPage, St. Louis Post-Dispatch, Lit Hub, Publishers Weekly, Kirkus Reviews, New York Public Library and Chicago Public Library

Winner of the Thurber Prize for American Humor
National Bestseller • Wall Street Journal Bestseller • USA Today Bestseller
An NPR Book of the Year
Finalist for the 2021 Goodreads Choice Awards

From the bestselling author of Lily and the Octopus and The Editor comes a warm and deeply funny novel about a once-famous gay sitcom star whose unexpected family tragedy leaves him with his niece and nephew for the summer.

Patrick, or Gay Uncle Patrick (GUP, for short), has always loved his niece, Maisie, and nephew, Grant. That is, he loves spending time with them when they come out to Palm Springs for weeklong visits, or when he heads home to Connecticut for the holidays. But in terms of caretaking and relating to two children, no matter how adorable, Patrick is, honestly, overwhelmed.

So when tragedy strikes and Maisie and Grant lose their mother and Patrick's brother has a health crisis of his own, Patrick finds himself suddenly taking on the role of primary guardian. Despite having a set of "Guncle Rules" ready to go, Patrick has no idea what to expect, having spent years barely holding on after the loss of his great love, a somewhat-stalled acting career, and a lifestyle not-so-suited to a six- and a nine-year-old. Quickly realizing that parenting--even if temporary--isn't solved with treats and jokes, Patrick's eyes are opened to a new sense of responsibility, and the realization that, sometimes, even being larger than life means you're unfailingly human.

With the humor and heart we've come to expect from bestselling author Steven Rowley, The Guncle is a moving tribute to the power of love, patience, and family in even the most trying of times.

From the New York Times bestselling author of The Celebrants comes the much-anticipated sequel to the Thurber Prize-winning novel The Guncle, in which Patrick O’Hara is called back to his guncle duties… this time for a big family wedding in Italy.

Patrick O’Hara is back.

It’s been five years since his summer as his niece Maisie and nephew Grant’s caretaker after their mother’s passing. The kids are back in Connecticut with their dad, and Patrick has relocated to New York to remain close by and relaunch his dormant acting career. After the run of his second successful sitcom comes to a close, Patrick feels on top of the world . . . professionally. But some things have had to take a backseat. Looking down both barrels at fifty, Patrick is single again after breaking things off with Emory. But at least he has a family to lean on. Until that family needs to again lean on him.

When his brother, Greg, announces he’s getting remarried in Italy, Maisie and Grant are not thrilled. Patrick feels drawn to take the two back under his wing. As they travel through Europe on their way to the wedding, Patrick tries his best to help them understand love, much as he once helped them comprehend grief. But when they arrive in Italy, Patrick is overextended managing a groom with cold feet; his sister, Clara, flirting with guests left and right; a growing rivalry with the kids’ charming soon-to-be launt (lesbian aunt), and two moody young teens trying to adjust to a new normal, all culminating in a disastrous rehearsal dinner. Can Patrick save the day? Will teaching the kids about love help him repair his own love life? Can the change of scenery help Patrick come to terms with finally growing up?

Gracing the page with his signature blend of humor and heart, Steven Rowley charms with a beloved story about the complicated bonds of family, love, and what it takes to rediscover yourself, even at the ripe age of fifty.

A NEW YORKER "ESSENTIAL READ"

A NEW YORK TIMES BESTSELLER

NAMED A BEST BOOK OF THE YEAR BY THE NEW YORKER, VOGUE, AND NPR

"Perhaps Hamid's most remarkable work yet ... an extraordinary vision of human possibility." -Ayad Akhtar, author of Homeland Elegies

"Searing, exhilarating ... reimagines Kafka's iconic The Metamorphosis for our racially charged era." Hamilton Cain, Oprah Daily

From the New York Times-bestselling author of Exit West, a story of love, loss, and rediscovery in a time of unsettling change.

One morning, a man wakes up to find himself transformed. Overnight, Anders's skin has turned dark, and the reflection in the mirror seems a stranger to him. At first he shares his secret only with Oona, an old friend turned new lover. Soon, reports of similar events begin to surface. Across the land, people are awakening in new incarnations, uncertain how their neighbors, friends, and family will greet them.Some see the transformations as the long-dreaded overturning of the established order that must be resisted to a bitter end. In many, like Anders's father and Oona's mother, a sense of profound loss and unease wars with profound love. As the bond between Anders and Oona deepens, change takes on a different shading: a chance at a kind of rebirth--an opportunity to see ourselves, face to face, anew.

In Mohsin Hamid's "lyrical and urgent" prose (O Magazine), The Last White Man powerfully uplifts our capacity for empathy and the transcendence over bigotry, fear, and anger it can achieve.

INSTANT NATIONAL BESTSELLER

NAMED A MOST ANTICIPATED BOOK OF THE YEAR BY VOGUE, ELLE, OPRAH DAILY, THE WASHINGTON POST, BUZZFEED AND VULTURE

“Erudite, intimate, hilarious, poignant . . . A gorgeously written novel of youth’s promise, of the quest to find one’s tribe and one’s calling.” —Leigh Haber, Oprah Daily

The Booker Prize finalist and widely acclaimed author of Real Life and Filthy Animals returns with a deeply involving new novel of young men and women at a crossroads

In the shared and private spaces of Iowa City, a loose circle of lovers and friends encounter, confront, and provoke one another in a volatile year of self-discovery. Among them are Seamus, a frustrated young poet; Ivan, a dancer turned aspiring banker who dabbles in amateur pornography; Fatima, whose independence and work ethic complicate her relationships with friends and a trusted mentor; and Noah, who “didn’t seek sex out so much as it came up to him like an anxious dog in need of affection.” These four are buffeted by a cast of artists, landlords, meatpacking workers, and mathematicians who populate the cafes, classrooms, and food-service kitchens of the city, sometimes to violent and electrifying consequence. Finally, as each prepares for an uncertain future, the group heads to a cabin to bid goodbye to their former lives—a moment of reckoning that leaves each of them irrevocably altered.

A novel of friendship and chosen family, The Late Americans asks fresh questions about love and sex, ambition and precarity, and about how human beings can bruise one another while trying to find themselves. It is Brandon Taylor’s richest and most involving work of fiction to date, confirming his position as one of our most perceptive chroniclers of contemporary life.

INSTANT NEW YORK TIMES BESTSELLER - The Read With Jenna Today Show Book Club Pick!

"A story of love and hope as interweaving characters display: how all moments, big and small, can measure a life. If you want joy, love, romance, and hope—read with us." —Jenna Bush Hager

A luminous, spirit-lifting blockbuster that asks: would you choose to find out the length of your life?

Eight ordinary people. One extraordinary choice.

It seems like any other day. You wake up, drink a cup of coffee, and head out.

But today, when you open your front door, waiting for you is a small wooden box. The contents of this mysterious box tells you the exact number of years you will live.

From suburban doorsteps to desert tents, every person on every continent receives the same box. In an instant, the world is thrust into a collective frenzy. Where did these boxes come from? What do they mean? Is there truth to what they promise?

As society comes together and pulls apart, everyone faces the same shocking choice: Do they wish to know how long they’ll live? And, if so, what will they do with that knowledge?

The Measure charts the dawn of this new world through an unforgettable cast of characters whose decisions and fates interweave with one another: best friends whose dreams are forever entwined, pen pals finding refuge in the unknown, a couple who thought they didn’t have to rush, a doctor who cannot save himself, and a politician whose box becomes the powder keg that ultimately changes everything.

Enchanting and deeply uplifting, The Measure is an ambitious, invigorating story about family, friendship, hope, and destiny that encourages us to live life to the fullest.

“It’s a literary gift to see gender expansiveness depicted in an ancient myth with such grace and ease.” —Electric Literature

Fans of Circe and Black Sun, “prepare to be astonished” (R.O. Kwon, author of The Incendiaries) with this bold and subversive feminist and queer retelling of the Greek myth of Psyche and Eros.

Young, headstrong Psyche has captured the eyes of every suitor in town with her tempestuous beauty, which has made her irresistible as a woman yet undesirable as a wife. Secretly, she longs for a life away from the expectations of men. When her father realizes that the future of his family and town will be forever cursed unless he appeases an enraged Aphrodite, he follows the orders of the Oracle, tying Psyche to a rock to be ravaged by a monstrous husband. And yet a monster never arrives.

When Eros, nonbinary deity of desire, sees Psyche, she cannot fulfill her promise to her mother Aphrodite to destroy the mortal young woman. Instead, Eros devises a plan to sweep Psyche away to a palace, hidden from the prying eyes of the gods and outside world. There, Eros and Psyche fall in love. Each night, Eros visits Psyche under the cover of impenetrable darkness, where they both experience untold passion and love. But each morning, Eros flies away before light comes to break the spell of the palace that keeps them safe.

Before long, Psyche’s nights spent in pleasure turn to days filled with doubts, as she grapples with the cost of secrecy and the complexities of freedom and desire. Restless and spurred by her sisters to reveal Eros’s true nature, she breaks her trust and forces a reckoning that tests them both—and transforms the very heavens in this “brilliant and luminous” (Madeline Miller, New York Times bestselling author) epic.

The “volcanically sexy” (USA Today)   bestseller about a widow and her daughter who take a young couple into their home in 1920s London.
 
It is 1922, and London is tense. Ex-servicemen are disillusioned; the out-of-work and the hungry are demanding change. And in South London, in a genteel Camberwell villa—a large, silent house now bereft of brothers, husband, and even servants—life is about to be transformed, as impoverished widow Mrs. Wray and her spinster daughter, Frances, are obliged to take in lodgers.

With the arrival of Lilian and Leonard Barber, a modern young couple of the “clerk class,” the routines of the house will be shaken up in unexpected ways. Little do the Wrays know just how profoundly their new tenants will alter the course of Frances’s life—or, as passions mount and frustration gathers, how far-reaching, and how devastating, the disturbances will be.

Short-listed for the Man Booker Prize three times, Sarah Waters has earned a reputation as one of our greatest writers of historical fiction.

* SHORTLISTED FOR THE 2024 BOOKER PRIZE *
* WINNER OF THE NATIONAL JEWISH BOOK AWARD FOR DEBUT FICTION *

Shortlisted for the 2025 Women’s Prize, Dylan Thomas Prize, and Aspen Words Literary Prize • A Best Book of 2024: The New York Times, The Washington Post, Los Angeles Times, Time, The Economist, The Globe and Mail (Toronto), Kirkus Reviews, The Independent, BookPage, The Sunday Times (London)

“Remarkable…Compelling…Fine and taut…Indelible.” —The New York Times • “Moving, unnerving, and deeply sexy.” —Tracy Chevalier, author of Girl with the Pearl Earring • “A brilliant debut, as multi-faceted as a gem.” —Kirkus Reviews

A “razor-sharp, perfectly plotted” (The Sunday Times, London) tale of desire, suspicion, and obsession between two women staying in the same house in the Dutch countryside during the summer of 1961—a powerful exploration of the legacy of WWII and the darker parts of our collective past.

A house is a precious thing...

It is 1961 and the rural Dutch province of Overijssel is quiet. Bomb craters have been filled, buildings reconstructed, and the war is truly over. Living alone in her late mother’s country home, Isabel knows her life is as it should be—led by routine and discipline. But all is upended when her brother Louis brings his graceless new girlfriend Eva, leaving her at Isabel’s doorstep as a guest, to stay for the season.

Eva is Isabel’s antithesis: she sleeps late, walks loudly through the house, and touches things she shouldn’t. In response, Isabel develops a fury-fueled obsession, and when things start disappearing around the house—a spoon, a knife, a bowl—Isabel’s suspicions begin to spiral. In the sweltering peak of summer, Isabel’s paranoia gives way to infatuation, leading to a discovery that unravels all Isabel has ever known. The war might not be well and truly over after all, and neither Eva—nor the house in which they live—are what they seem.

Mysterious, sophisticated, sensual, and infused with intrigue, atmosphere, and sex, The Safekeep is “a brave and thrilling debut about facing up to the truth of history, and to one’s own desires” (The Guardian).

The James Alan McPherson Prize for the Novel, AWP Award Series Winner
The Lambda Literary Award for Gay Romance Winner
 

It's not easy for anyone to find love, let alone a middle-aged gay man in small-town America. Mike Breck works multiple part-time jobs and bickers constantly with his father, an angry conservative who moved in after Mike's mother died. When he's not working or avoiding his father, Mike burns time on hookup apps, not looking for anything more. Then he meets a local guy, Dave, just as lonely as he is, and starts to think that maybe he doesn't have to be alone. Mike falls hard, and in a moment of intimacy, his pent-up hopes for a relationship rush out, leading him to look more honestly at himself and his future.
 
Winner of the James Alan McPherson Prize for the Novel, Ben Grossberg's The Spring before Obergefellis about real guys who have real problems, yet still manage to find connection. Funny, serious, meditative, and hopeful, The Spring before Obergefell is a romance—but not a fairytale.

Winner of the Lambda Literary Award for Transgender Fiction
Winner of the ALA Stonewall Book Award—Barbara Gittings Literature Award
Named Best Book of the Year by Bustle
Named Most Anticipated Book of the Year by The Millions, Electric Literature, and HuffPost

From the award-winning author of The Map of Salt and Stars, a new novel about three generations of Syrian Americans haunted by a mysterious species of bird and the truths they carry close to their hearts—a “vivid exploration of loss, art, queer and trans communities, and the persistence of history. Often tender, always engrossing, The Thirty Names of Night is a feat” (R.O. Kwon, author of The Incendiaries).

Five years after a suspicious fire killed his ornithologist mother, a closeted Syrian American trans boy sheds his birth name and searches for a new one. As his grandmother’s sole caretaker, he spends his days cooped up in their apartment, avoiding his neighborhood masjid, his estranged sister, and even his best friend (who also happens to be his longtime crush). The only time he feels truly free is when he slips out at night to paint murals on buildings in the once-thriving Manhattan neighborhood known as Little Syria, but he’s been struggling ever since his mother’s ghost began visiting him each evening.

One night, he enters the abandoned community house and finds the tattered journal of a Syrian American artist named Laila Z, who dedicated her career to painting birds. She mysteriously disappeared more than sixty years before, but her journal contains proof that both his mother and Laila Z encountered the same rare bird before their deaths. In fact, Laila Z’s past is intimately tied to his mother’s in ways he never could have expected. Even more surprising, Laila Z’s story reveals the histories of queer and transgender people within his own community that he never knew. Realizing that he isn’t and has never been alone, he has the courage to claim a new name: Nadir, an Arabic name meaning rare.

As unprecedented numbers of birds are mysteriously drawn to the New York City skies, Nadir enlists the help of his family and friends to unravel what happened to Laila Z and the rare bird his mother died trying to save. Following his mother’s ghost, he uncovers the silences kept in the name of survival by his own community, his own family, and within himself, and discovers the family that was there all along.

Featuring Zeyn Joukhadar’s signature “folkloric, lyrical, and emotionally intense...gorgeous and alive” (Kirkus Reviews, starred review) storytelling, The Thirty Names of Night is a “stunning…vivid, visceral, and urgent” (Booklist, starred review) exploration of loss, memory, migration, and identity.

REESE’S BOOK CLUB PICK!

“This story swept me away with its big dreams, love, and unexpected twists.” —Reese Witherspoon
“[A] propulsive puzzle of a novel.” —Nina LaCour, New York Times Book Review

In this electric, voice-driven debut novel, an elusive bestselling author decides to finally confess her true identity after years of hiding from her past.

Cate Kay knows how to craft a story. As the creator of a bestselling book trilogy that struck box office gold as a film series, she’s one of the most successful authors of her generation. The thing is, Cate Kay doesn’t really exist. She’s never attended author events or granted any interviews. Her real identity had been a closely guarded secret, until now.

As a young adult, she and her best friend Amanda fantasized escaping their difficult homes and moving to California to become movie stars. But the day before their grand adventure, a tragedy shattered their dreams and Cate has been on the run ever since, taking on different names and charting a new future. But after a shocking revelation, Cate understands that returning home is the only way she’ll be a whole person again.

“An addictive page-turner infused with humor and heart, The Three Lives of Cate Kay balances the dishy allure of The Seven Husbands of Evelyn Hugo with the empathy of Slow Dance. A joy to read from first page to last” (Melissa Albert, New York Times bestselling author).

An edgy, bitingly funny debut about a queer, half-Nigerian college sophomore who, enraged and exhausted by the racism at her elite college, is determined to reveal the truth about The Unfortunates—the unlucky subset of Black undergrads who Just. Keep. Disappearing.

Sahara is Not Okay. Entering her sophomore year, she already feels like a failure: her body is too much, her love life is nonexistent, she’s not Nigerian enough for her family, her grades are subpar, and, well, the few Black classmates she has are vanishing—or dying. Sahara herself is close to giving up: depression has been her longtime “Life Partner." She believes that this narrative—taking the form of an irreverent, no-holds-barred “thesis” addressed to the powerful University Committee that will judge her—may be her last chance to document the Unfortunates' experience before she joins their ranks...But maybe, just maybe, she and her complex community of BIPOC women aren't ready to go out without a fight.