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“The Emperor of Gladness is a poetic, dramatic and vivid story. Epic in its sweep, the novel also handles intimacy and love with delicacy and deep originality. Hai and Grazina are taken from the margins of American life by Ocean Vuong and, by dint of great sympathy and imaginative genius, placed at the very center of our world.” —Colm Tóibín, author of Long Island and Brooklyn
“A masterwork.” —Bryan Washington, author of Palaver and Family Meal
Ocean Vuong returns with a bighearted novel about chosen family, unexpected friendship, and the stories we tell ourselves in order to survive
One late summer evening in the post-industrial town of East Gladness, Connecticut, nineteen-year-old Hai stands on the edge of a bridge in pelting rain, ready to jump, when he hears someone shout across the river. The voice belongs to Grazina, an elderly widow succumbing to dementia, who convinces him to take another path. Bereft and out of options, he quickly becomes her caretaker. Over the course of the year, the unlikely pair develops a life-altering bond, one built on empathy, spiritual reckoning, and heartbreak, with the power to transform Hai’s relationship to himself, his family, and a community on the brink.
Following the cycles of history, memory, and time, The Emperor of Gladness shows the profound ways in which love, labor, and loneliness form the bedrock of American life. At its heart is a brave epic about what it means to exist on the fringes of society and to reckon with the wounds that haunt our collective soul. Hallmarks of Ocean Vuong’s writing—formal innovation, syntactic dexterity, and the ability to twin grit with grace through tenderness—are on full display in this story of loss, hope, and how far we would go to possess one of life’s most fleeting mercies: a second chance.
By: Alison Bechdel (Author), 2020, Paperback, Illustrated
Part of: The Essential Dykes to Watch Out For
Settle in to this wittily illustrated soap opera (Bechdel calls it “half op-ed column and half endless serialized Victorian novel”) of the lives, loves, and politics of Mo, Lois, Sydney, Sparrow, Ginger, Stuart, Clarice, and the rest of the cast of cult-fav characters. Most of them are lesbians, living in a midsize American city that may or may not be Minneapolis. Bechdel’s brilliantly imagined countercultural band of friends—academics, social workers, bookstore clerks—fall in and out of love, negotiate friendships, raise children, switch careers, and cope with aging parents. Bechdel fuses high and low culture—from foreign policy to domestic routine, hot sex to postmodern theory—in a serial graphic narrative “suitable for humanists of all persuasions.”
A mysterious figure. A dead televangelist. A series of bizarre rituals.
Margo has spent most of her life without a family, and with a telekinetic gift she can't quite explain. Since losing her mother less than a year ago, she's felt more alone than ever. When her fiancé Sam takes her to his remote Iowa hometown to meet his family and begin planning their wedding, Margo finally begins to feel like she's home. But the feeling doesn't last long, and Margo soon feels out of place among her future in-laws. Sam's family is different from what she'd expected. Not only is their obsession with a deceased televangelist unsettling, but Margo has begun seeing a strange, mysterious figure from her past—a figure that she thought was put to rest with her mother's passing.
As Sam's family begins to take over the wedding plans, Margo tries to regain some control by turning to the town's sole wedding planner, who soon becomes her only confidant, perhaps because she reminds Margo of her former love. But the more Margo tries to distance her past from her future with Sam, the deeper his family pulls her in, forcing upon her generationally archaic traditions that border on ritualistic. As Margo unearths the family's dark web of secrets, she begins to suspect that she may have been brought here for a reason, and it may cost her her life.
In the psychologically unsettling vein of I'm Thinking of Ending Things and The Women in the Dark, combined with the socially aware suspense of Get Out, The Ever End takes elevated horror to a new level with a queer, twisted, feminist story that will keep readers guessing until the end, and stay with them long after that.
The Faggots and Their Friends Between Revolutions is a beloved queer utopian text written by Larry Mitchell with lush illustrations by Ned Asta, published by Calamus Press in 1977. Part-fable, part-manifesto, the book takes place in Ramrod, an empire in decline, and introduces us to the communities of the faggots, the women, the queens, the queer men, and the women who love women who are surviving the ways and world of men. Cherished by many over the four decades since its publication, The Faggots and Their Friends Between Revolutions offers a trenchant critique of capitalism, assimilation, and patriarchy that is deeply relevant today. This new edition will feature essays from performance artist Morgan Bassichis, who adapted the book to music with TM Davy in 2017 for a performance at the New Museum, and activist filmmaker Tourmaline.
In the second installment of C.L. Clark's Magic of the Lost trilogy, soldier Touraine and princess Luca must return to Balladaire to reclaim Luca's throne and to face the consequences of dismantling an empire.
The rebels have won, and the empire is withdrawing from Qazal. But undoing the tangled web that binds the two nations will not be easy, and Touraine and Luca will face their greatest challenge yet.
Luca needs to oust her uncle from the Balladairan throne once and for all and take her rightful place as Queen. But he won't let go of power so easily. When he calls for a "Trial of Competence" and Luca's allies start disappearing from her side, she will need to find a way to prove her might. And she knows someone who can help...
Touraine has found a home in the newly free country of Qazal. But she soon realizes that leading a country and leading a revolution are two very different tasks. And, even more importantly, if Luca's uncle doesn't ratify the treaty, the Qazali could end up right back where they started.
Together, the two women will have to come overcome their enemies, their history, and their heartbreak in order to find a way to secure Luca's power and Touraine's freedom.
At the end of the world, a woman must hide her secret power and find her kidnapped daughter in this "intricate and extraordinary" Hugo Award winning novel of power, oppression, and revolution. (The New York Times)
This is the way the world ends. . .for the last time.
It starts with the great red rift across the heart of the world's sole continent, spewing ash that blots out the sun. It starts with death, with a murdered son and a missing daughter. It starts with betrayal, and long dormant wounds rising up to fester.
This is the Stillness, a land long familiar with catastrophe, where the power of the earth is wielded as a weapon. And where there is no mercy.
Read the first book in the critically acclaimed, three-time Hugo award-winning trilogy by NYT bestselling author N. K. Jemisin.
By: Linden A. Lewis (Author), 2021, Paperback
Combining the social commentary of The Handmaid’s Tale with the white-knuckled thrills of Red Rising, this epic space opera filled with “lush prose” (Publishers Weekly) follows a comfort woman as she claims her agency, a soldier questioning his allegiances, and a non-binary hero out to save the solar system.
First Sister has no name and no voice. As a priestess of the Sisterhood, she travels the stars alongside the soldiers of Earth and Mars—the same ones who own the rights to her body and soul. When her former captain abandons her, First Sister’s hopes for freedom are dashed when she is forced to stay on her ship with no friends, no power, and a new captain—Saito Ren—whom she knows nothing about. She is commanded to spy on Captain Ren by the Sisterhood, but soon discovers that working for the war effort is much harder when you’re falling in love.
Lito val Lucius climbed his way out of the slums to become an elite soldier of Venus but was defeated in combat by none other than Saito Ren, resulting in the disappearance of his partner, Hiro. When Lito learns that Hiro is both alive and a traitor to the cause, he now has a shot at redemption: track down and kill his former partner. But when he discovers recordings that Hiro secretly made, Lito’s own allegiances are put to the test. Ultimately, he must decide between following orders and following his heart.
With “a layered, action-filled plot and diverse characters” (Library Journal), The First Sister explores the power of technology, colonization, race, and gender andis perfect for fans of James S.A. Corey, Chuck Wendig, and Jay Posey.
By: Jay Dell (Author), 2025, Paperback
Driven by the fear of losing those she loves, Kaelara Bladesworn, a fierce warrior, embarks on a perilous journey to find a legendary power said to change fate itself. Along the way, she rescues Red, a mischievous foxkin shapeshifter with no memory of her past. But as they follow a mysterious map to the source of this immense power, dark forces close in, and Kaelara and Red must navigate treacherous enemies, hidden truths, and the ultimate question: What price will they pay for power?
"The Fox and the Bladesworn" is a sapphic romantasy novella that weaves a tale of adventure, love, and the courage to face the shadows.
By: Sim Kern (Author), 2023, paperback
USA TODAY BESTSELLER
Official IndieNext Selection
"Incisive and insightful." — Texas Monthly
From environmental journalist and founder of the #TransRightsReadathon Sim Kern, comes the eat-the-rich climate fiction you won't want to put down:
In an alternate 2020 timeline, Al Gore won the 2000 election and declared a War on Climate Change rather than a War on Terror. For twenty years, Democrats have controlled all three branches of government, enacting carbon-cutting schemes that never made it to a vote in our world. Green infrastructure projects have transformed U.S. cities into lush paradises (for the wealthy, white neighborhoods, at least), and the Bureau of Carbon Regulation levies carbon taxes on every financial transaction.
English teacher by day, Maddie Ryan spends her nights and weekends as the rhythm guitarist of Bunny Bloodlust, a queer punk band living in a warehouse-turned-venue called “The Lab” in Houston’s Eighth Ward. When Maddie learns that the Eighth Ward is to be sacrificed for a new electromagnetic hyperway out to the wealthy, white suburbs, she joins “Save the Eighth,” a Black-led organizing movement fighting for the neighborhood. At first, she’s only focused on keeping her band together and getting closer to Red, their reckless and enigmatic lead guitarist. But working with Save the Eighth forces Maddie to reckon with the harm she has already done to the neighborhood—both as a resident of the gentrifying Lab and as a white teacher in a predominantly Black school.
When police respond to Save the Eighth protests with violence, the Lab becomes the epicenter of “The Free People’s Village”—an occupation that promises to be the birthplace of an anti-capitalist revolution. As the movement spreads across the U.S., Maddie dreams of a queer, liberated future with Red. But the Village is beset on all sides—by infighting, police brutality, corporate-owned media, and rising ecofascism. Maddie’s found family is increasingly at risk from state violence, and she must decide if she’s willing to sacrifice everything in pursuit of justice.

The Gentleman's Book of Vices: A Gay Victorian Historical Romance (Lucky Lovers of London, 1)
$15.99
Unit price perThe Gentleman's Book of Vices: A Gay Victorian Historical Romance (Lucky Lovers of London, 1)
$15.99
Unit price perBy: Jess Heverlee (Author), 2022, Paperback
s their real-life love story doomed to be a tragedy, or can they rewrite the ending?
London, 1883
Finely dressed and finely drunk, Charlie Price is a man dedicated to his vices. Chief among them is his explicit novel collection, though his impending marriage to a woman he can’t love will force his carefully curated collection into hiding.
Before it does, Charlie is determined to have one last hurrah: meeting his favorite author in person.
Miles Montague is more gifted as a smut writer than a shopkeep and uses his royalties to keep his flagging bookstore afloat. So when a cheerful dandy appears out of the mist with Miles's highly secret pen name on his pretty lips, Miles assumes the worst. But Charlie Price is no blackmailer; he’s Miles's biggest fan.
A scribbled signature on a worn book page sets off an affair as scorching as anything Miles has ever written. But Miles is clinging to a troubled past, while Charlie’s future has spun entirely out of his control…
Carina Adores is home to romantic love stories where LGBTQ+ characters find their happily-ever-afters.
Lucky Lovers of London
Book 1: The Gentleman's Book of Vices
A masterpiece of 20th century literature from F. Scott Fitzgerald, the preeminent chronicler of the Jazz Age—a term he coined.
One of The Atlantic’s Great American Novels of the Past 100 Years
This classic work encapsulating the decadence and excess of the 1920s “Jazz Age” follows the unassuming Nick Carraway on his search for the American Dream, which leads him to the doorstep of Jay Gatsby, an enigmatic millionaire known for both his lavish parties and his undying love for Nick's cousin, the married Daisy Buchanan. With a mixture of envy and dismay, Nick observes Gatsby and his flamboyant life in the Long Island town of West Egg, while Gatsby yearns for Daisy and all that shimmers across the Sound in East Egg. The result is a chronicle of the drama and deceit that swirl around the lives of the wealthy, which cemented Fitzgerals's reputation as the voice of his generation.
Winner of the Thurber Prize for American Humor
National Bestseller • Wall Street Journal Bestseller • USA Today Bestseller
An NPR Book of the Year
Finalist for the 2021 Goodreads Choice Awards
From the bestselling author of Lily and the Octopus and The Editor comes a warm and deeply funny novel about a once-famous gay sitcom star whose unexpected family tragedy leaves him with his niece and nephew for the summer.
Patrick, or Gay Uncle Patrick (GUP, for short), has always loved his niece, Maisie, and nephew, Grant. That is, he loves spending time with them when they come out to Palm Springs for weeklong visits, or when he heads home to Connecticut for the holidays. But in terms of caretaking and relating to two children, no matter how adorable, Patrick is, honestly, overwhelmed.
So when tragedy strikes and Maisie and Grant lose their mother and Patrick's brother has a health crisis of his own, Patrick finds himself suddenly taking on the role of primary guardian. Despite having a set of "Guncle Rules" ready to go, Patrick has no idea what to expect, having spent years barely holding on after the loss of his great love, a somewhat-stalled acting career, and a lifestyle not-so-suited to a six- and a nine-year-old. Quickly realizing that parenting--even if temporary--isn't solved with treats and jokes, Patrick's eyes are opened to a new sense of responsibility, and the realization that, sometimes, even being larger than life means you're unfailingly human.
With the humor and heart we've come to expect from bestselling author Steven Rowley, The Guncle is a moving tribute to the power of love, patience, and family in even the most trying of times.
From the New York Times bestselling author of The Celebrants comes the much-anticipated sequel to the Thurber Prize-winning novel The Guncle, in which Patrick O’Hara is called back to his guncle duties… this time for a big family wedding in Italy.
Patrick O’Hara is back.
It’s been five years since his summer as his niece Maisie and nephew Grant’s caretaker after their mother’s passing. The kids are back in Connecticut with their dad, and Patrick has relocated to New York to remain close by and relaunch his dormant acting career. After the run of his second successful sitcom comes to a close, Patrick feels on top of the world . . . professionally. But some things have had to take a backseat. Looking down both barrels at fifty, Patrick is single again after breaking things off with Emory. But at least he has a family to lean on. Until that family needs to again lean on him.
When his brother, Greg, announces he’s getting remarried in Italy, Maisie and Grant are not thrilled. Patrick feels drawn to take the two back under his wing. As they travel through Europe on their way to the wedding, Patrick tries his best to help them understand love, much as he once helped them comprehend grief. But when they arrive in Italy, Patrick is overextended managing a groom with cold feet; his sister, Clara, flirting with guests left and right; a growing rivalry with the kids’ charming soon-to-be launt (lesbian aunt), and two moody young teens trying to adjust to a new normal, all culminating in a disastrous rehearsal dinner. Can Patrick save the day? Will teaching the kids about love help him repair his own love life? Can the change of scenery help Patrick come to terms with finally growing up?
Gracing the page with his signature blend of humor and heart, Steven Rowley charms with a beloved story about the complicated bonds of family, love, and what it takes to rediscover yourself, even at the ripe age of fifty.
#1 NEW YORK TIMES BESTSELLER • An instant classic and eerily prescient cultural phenomenon, from “the patron saint of feminist dystopian fiction” (The New York Times). Now an award-winning Hulu series starring Elizabeth Moss.
Look for The Testaments, the bestselling, award-winning the sequel to The Handmaid’s Tale
In Margaret Atwood’s dystopian future, environmental disasters and declining birthrates have led to a Second American Civil War. The result is the rise of the Republic of Gilead, a totalitarian regime that enforces rigid social roles and enslaves the few remaining fertile women. Offred is one of these, a Handmaid bound to produce children for one of Gilead’s commanders. Deprived of her husband, her child, her freedom, and even her own name, Offred clings to her memories and her will to survive. At once a scathing satire, an ominous warning, and a tour de force of narrative suspense, The Handmaid’s Tale is a modern classic.
Includes an introduction by Margaret Atwood