Adult Fiction

A compulsive feminist reworking of Carmilla, the queer novella that inspired Dracula.

"A dark, sensuous, gothic story of female appetite, ravenous desire and insatiable rage. A blood-drenched, glittering jewel of a novel that I absolutely devoured.” ―Jennifer Saint, author of Ariadne and Atalanta

It’s the height of the industrial revolution and ten years into Lenore’s marriage to steel magnate Henry, their relationship has soured. When Henry’s ambitions take them from London to the remote British moorlands to host a hunting party, a shocking carriage accident brings the mysterious Carmilla into their lives. Carmilla, who is weak and pale during the day but vibrant at night. Carmilla, who stirs up something deep within Lenore. And before long, girls from the local villages fall sick, consumed by a terrible hunger . . .

As the day of the hunt draws closer, Lenore begins to unravel, questioning the role she has been playing all these years. Torn between regaining her husband’s affection and the cravings Carmilla has awakened, soon Lenore will uncover a darkness in her household that will place her at terrible risk.

Because of a hearing disability, Kohei is often misunderstood and has trouble integrating into life on campus, so he learns to keep his distance. That is until he meets the outspoken and cheerful Taichi. He tells Kohei that his hearing loss is not his fault. Taichi's words cut through Kohei's usual defense mechanisms and open his heart. More than friends, less than lovers, their relationship changes Kohei forever.

Kohei Sugihara, college student with hearing loss, and Taichi Sagawa, his ever-optimistic former classmate, met in a chance encounter that ignited an undeniable spark that would eventually blossom into love.

Now it’s spring and as Kohei nears graduation, his search for a job begins. Meanwhile, Taichi finds himself in charge of someone new at work. Life is busier than ever, but all in all, things seem to be looking up for the pair. That is, until the sudden appearance of Ena, one of Kohei’s old flames.

Kohei Sugihara, a college student with hearing loss, and Taichi Sagawa, his ever-optimistic former classmate, met in a chance encounter that ignited an undeniable spark that would eventually blossom into love.

Summer has at last arrived, but Kohei’s job search is sapping all his free time. Taichi, now a working professional, is struggling with his role as a mentor to the office’s new hire. And life only grows more complicated when Taichi receives a sudden phone call from his estranged father.

Kohei is a college student who, because of his hearing loss, tends to distance himself from others. His attitude starts to change after he crosses paths with an ever-optimistic classmate named Taichi. And over time, the two begin to develop feelings for each other. As the story continues, the pair tries to balance their budding relationship alongside Taichi's inspiring new career and Kohei's continued studies at school. But the harder they try to make things work, the more misunderstandings they seem to encounter.

* A major motion picture based on this manga was released in 2017 in Japan
* This title has been translated into 6 languages

Stunningly handsome Kohei Sugihara was outgoing and popular with the girls at school. But when a sudden illness left him with partial hearing loss, he grew quiet and reluctant to engage with others. At college, a chance encounter with an ever-optimistic classmate named Taichi Sagawa helped Kohei open up once more. And over time, the two began to develop feelings for each other. As the story continues, the pair tries to balance their budding relationship alongside Taichi's inspiring new career and Kohei's continued studies. But things don't always go as planned. One day, seemingly out of nowhere, Kohei announces that maybe they should spend some time apart.

Due to the overwhelming success of I Hear the Sunspot, the sequel has finally arrived, I Hear the Sunspot: Theory of Happiness! How will this "more than friends, less than lovers" relationship evolve?

--he can't hear . . . ?

Because of a hearing disability Kohei is often alone. Taichi is outspoken and cheerful. At first, Kohei keeps himself well guarded, but after he meets Taichi he slowly learns to open up.

Dept. of Speculation meets Black Mirror in this lyrical, speculative debut about a queer mother raising her daughter in an unjust surveillance state

In a United States not so unlike our own, the Department of Balance has adopted a radical new form of law enforcement: rather than incarceration, wrongdoers are given a second (and sometimes, third, fourth, and fifth) shadow as a reminder of their crime—and a warning to those they encounter. Within the Department, corruption and prejudice run rampant, giving rise to an underclass of so-called Shadesters who are disenfranchised, publicly shamed, and deprived of civil rights protections.

Kris is a Shadester and a new mother to a baby born with a second shadow of her own. Grieving the loss of her wife and thoroughly unprepared for the reality of raising a child alone, Kris teeters on the edge of collapse, fumbling in a daze of alcohol, shame, and self-loathing. Yet as the kid grows, Kris finds her footing, raising a child whose irrepressible spark cannot be dampened by the harsh realities of the world. She can’t forget her wife, but with time, she can make a new life for herself and the kid, supported by a community of fellow misfits who defy the Department to lift one another up in solidarity and hope.

With a first-person register reminiscent of the fierce self-disclosure of Sheila Heti and the poetic precision of Ocean Vuong, I Keep My Exoskeletons to Myself is a bold debut novel that examines the long shadow of grief, the hard work of parenting, and the power of queer resistance.

Any love story aficionado will say that the key to a successful couple is intense desire for one another-but what if the characters in question are an asexual woman with a passion for Boys Love stories and a gay man whose heart forever belongs to his oblivious childhood friend? Although romance will never be in the cards for newlyweds Yuriko and Gakurouta, the bond blossoming between them promises to be a wonderful relationship-the likes of which neither has ever experienced before…

Any good love story starts at the beginning: Where and how did the lovebirds meet? Was it love at first sight? And most importantly, was there a spark? For Yuriko and Gakurouta, their initial meeting was nothing to write home about―after all, matchmaking services aren’t unheard of. But a chance second encounter on the street revealed that as an asexual woman and gay man, they might have much more in common than they initially assumed. And in that moment, they felt not a spark but something better: the seed of a friendship, ready to take root and bloom.

Any exciting love story has its fair share of misunderstandings and drama―but what is a person to do when they’re unable to tell the truth? As an asexual woman and gay man, Yuriko and Gakurouta are keenly aware that their relationship is rather different from what is considered “normal.” So when confronted with their families’, friends’, and society’s expectations, they struggle to convey the nature of their marriage. Will the newlyweds be able to hold their ground and find their own version of happily ever after?

Ursula K. LeGuin meets The Road in a post-apocalyptic modern classic of female friendship and intimacy.

Deep underground, thirty-nine women live imprisoned in a cage. Watched over by guards, the women have no memory of how they got there, no notion of time, and only a vague recollection of their lives before.

As the burn of electric light merges day into night and numberless years pass, a young girl—the fortieth prisoner—sits alone and outcast in the corner. Soon she will show herself to be the key to the others' escape and survival in the strange world that awaits them above ground.

Jacqueline Harpman was born in Etterbeek, Belgium, in 1929, and fled to Casablanca with her family during WWII. Informed by her background as a psychoanalyst and her youth in exile, I Who Have Never Known Men is a haunting, heartbreaking post-apocalyptic novel of female friendship and intimacy, and the lengths people will go to maintain their humanity in the face of devastation. Back in print for the first time since 1997, Harpman’s modern classic is an important addition to the growing canon of feminist speculative literature.

An epic, intimate novel about an unconventional and irresistible family—from the New York Times bestselling author of In Love, White Houses, and Away

Immigrating alone from Paris to New York after the crucible of World War II, young Gazala becomes friends with two spirited sisters, Anne and Alma. When Gazala’s lost, beloved brother, Samir, joins her in Manhattan, this contentious, inseparable foursome makes their way into the twenty-first century, becoming the beating heart of a multigenerational found family.

The passing years are marked by the business of everyday existence and the inevitable surprises of erupting passions, of great and small waves of joy and despair, from the beginning of life to its end. Gazala and Samir make a home together, Anne leaves her husband for his sister, and Anne’s restless daughter grows up to raise a child on her own and to join a throuple, becoming who she wants to be. Through it all, amid the tumult of these decades, the four friends and their best beloveds stand by one another, protecting, annoying, and celebrating themselves, steadfastly unapologetic about their desires and the unorthodox family they have created. As the next generation falls in and out of love, experiencing triumphs, mistakes and disappointments, the central pillars of their lives are the four indomitable elders they call the “Greats.”

In I’ll Be Right Here, Amy Bloom embraces the complexity and richness of humanity and the lawlessness of love, bringing her trademark voice, wry humor, and compassionate eye to the many, often mysterious ways we live as we love, and hope to be loved in return.

By: William E. Jones (Author), 2019, Paperback

A perverse and explicit new take on the coming of age novel, William E. Jones's I'm Open to Anything explores bohemian Southern California of the late 1980s and early 90s, before gentrification ruined everything. The book's narrator flees a crumbling industrial wasteland in the Midwest and finds himself in sunny Los Angeles without a car, working in a neighborhood video store and spending many hours watching films. He explores his adopted city and befriends a number of men, most of them immigrants, who teach him the finer points of sex. He acquires the skill of fisting, giving his partners intense pleasure, and at the same time hearing the stories of their lives. They too have fled their hometowns: one to escape torture at the hands of a Salvadoran death squad; another to study anthropology after years of wandering and religious questioning. Alternating between explicit scenes of kinky sex and intimate conversations about matters of life and death, I'm Open to Anything is a porno novel of rare ambition and humor. The book recalls Olympia Press's heyday, when authors made quick money churning out dirty books, but couldn't hide the intellectual obsessions that made them writers in the first place.
William E. Jones's previous book, True Homosexual Experiences (also published by We Heard You Like Books), a biography of Straight to Hell's iconoclastic editor Boyd McDonald, celebrates the frank, raunchy language of the first queer 'zine. Jones brings the same unsparing and profane attitude to I'm Open to Anything, his debut novel.

By:  Kosoko Jackson, 2022, Paperback

It’s been months since aspiring journalist Kian Andrews has heard from his ex-boyfriend, Hudson Rivers, but an urgent text has them meeting at a café. Maybe Hudson wants to profusely apologize for the breakup. Or confess his undying love. . . But no, Hudson has a favor to ask—he wants Kian to pretend to be his boyfriend while his parents are in town, and Kian reluctantly agrees.

The dinner doesn’t go exactly as planned, and suddenly Kian is Hudson’s plus one to Georgia’s wedding of the season. Hudson comes from a wealthy family where reputation is everything, and he really can’t afford another mistake. If Kian goes, he’ll help Hudson preserve appearances and get the opportunity to rub shoulders with some of the biggest names in media. This could be the big career break Kian needs.

But their fake relationship is starting to feel like it might be more than a means to an end, and it’s time for both men to fact-check their feelings.