Adult Fiction
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51 of 445 products
RECOMMENDED BY GILLIAN FLYNN ON THE TODAY SHOW • “A lush, seductive Southern Gothic that’s deliciously queer . . . K. L. Cerra’s gift for gorgeous, gruesome atmosphere had me spellbound.”—Layne Fargo, author of They Never Learn
A woman investigating her brother’s apparent suicide finds herself falling for her prime suspect—his darkly mysterious girlfriend—in this “creepy, compelling, and utterly original” (Karen Dionne) thriller.
“Get it out of me.”
It was the last message Holly received from her brother, Dane, before he was found cleaved open in the lavish Savannah townhouse of his girlfriend, Maura. Police ruled his death a suicide sparked by psychosis, but Holly can’t shake the idea that something else must have happened—something involving another message he sent earlier that night about a “game” Maura wanted to play.
Determined to discover the truth, Holly begins to stalk Maura, a magnetic, black-eyed florist with a penchant for carnivorous plants. But what begins as an investigation quickly veers into a fixation that lures Holly into the depths of Maura’s world: Savannah high society, eerie black roses, and a whisper of something more sinister. Soon Holly is feeling a dark attraction to the one woman she shouldn’t trust. As Holly falls deeper for Maura and her secrets, she’s left with only one choice: find out what happened to Dane or meet the same fate.
Lee Mandelo's debut Summer Sons is a sweltering, queer Southern Gothic that crosses Appalachian street racing with academic intrigue, all haunted by a hungry ghost.
Andrew and Eddie did everything together, best friends bonded more deeply than brothers, until Eddie left Andrew behind to start his graduate program at Vanderbilt. Six months later, only days before Andrew was to join him in Nashville, Eddie dies of an apparent suicide. He leaves Andrew a horrible inheritance: a roommate he doesn’t know, friends he never asked for, and a gruesome phantom that hungers for him.
As Andrew searches for the truth of Eddie’s death, he uncovers the lies and secrets left behind by the person he trusted most, discovering a family history soaked in blood and death. Whirling between the backstabbing academic world where Eddie spent his days and the circle of hot boys, fast cars, and hard drugs that ruled Eddie’s nights, the walls Andrew has built against the world begin to crumble.
And there is something awful lurking, waiting for those walls to fall.
Alison Rumfitt’s Tell Me I’m Worthless is a dark, unflinching haunted house story that confronts both supernatural and real-world horrors through the lens of the modern-day trans experience.
“Alison is like the twisted daughter of Clive Barker and Shirley Jackson. Tell Me I’m Worthless is an intense read full of shocks and buckets of gore. It’s brilliant.” ―Joe Hill, New York Times bestselling author
A Best Horror Book of the Year (Esquire, Book Riot, ) • A Most Anticipated Book of the Year (CrimeReads, Vulture, Goodreads, Paste)
“A triumph of transgressive queer horror.” ―Publishers Weekly, STARRED review
Three years ago, Alice spent one night in an abandoned house with her friends, Ila and Hannah. Since then, Alice’s life has spiraled. She lives a haunted existence, selling videos of herself for money, going to parties she hates, drinking herself to sleep.
Memories of that night torment Alice, but when Ila asks her to return to the House, to go past the KEEP OUT sign and over the sick earth where teenagers dare each other to venture, Alice knows she must go.
Together, Alice and Ila must face the horrors that happened there, must pull themselves apart from the inside out, put their differences aside, and try to rescue Hannah, whom the House has chosen to make its own.
Cutting, disruptive, and darkly funny, Tell Me I’m Worthless is a vital work of trans fiction that examines the devastating effects of trauma and how fascism makes us destroy ourselves and each other.
“Easily one of the strongest horror debuts in recent memory.” ―Booklist, STARRED review
Also by Alison Rumfitt:
Brainwyrms
By: Micah House (Author), 2024, Paperback
The Blanchard family were left devastated by the events they faced in THE HOUSE OF DUQUESNE. The losses the family suffered have taken months to come to terms with, but now they are settling into their new normal.
In this fifth novel of THE BLANCHARD WITCHES series...the Blanchard family may be absent a few faces, but their indomitable family love is carrying them through. Unfortunately, stretches of peace never last too long for these valiant witches. A new (and somewhat inexperienced) enemy has plans to wipe out the entire Blanchard clan. And as if that is not trouble enough, one surviving foe from Duquesne House is still out there, biding his time to seek his revenge.
While Demitra holds down the home front, guiding her grieving family into brighter days, Artemis travels the country on the hunt for Seth and Yasmine, once beloved Blanchards, now turned fiendish vampires. Their daughter Hera has been changed forever by their abandonment, but her stepmother Miranda will do whatever she can to give Hera the stability and love she needs.
And the Blanchards have lived through too many inexplicable events to continue under the public radar. A reporter from a major news network is digging into the events of The House of Duquesne, and the mysteries of the Blanchard family. The walls between the natural and supernatural world is crumbling, and perhaps it is about time, for some of the Blanchard witches are HALF SICK of SHADOWS.
By: Micah House (Author), 2021, Paperback
Welcome back to Daihmler County, Alabama. Come sit on Blanchard House porch and visit a spell, but don't get too cozy. The Autumn leaves aren't the only things changing as more problems emerge for the Blanchard witches.
As the second novel in The Blanchard Witches series opens…Olympia's youngest daughter Nacaria (who has been cursed to the shadows for two decades) has been freed from her sentence, but she has not come home. As the family tries to figure out why, a rescue mission seems necessary. Olympia’s middle daughter, Demitra, has mourned her late husband for years. Now she has a new beau, but her sister Artemis is suspicious of him. Is he who he says he is or is he up to something? And Fable is continuing to conceal her secret pregnancy not knowing what the family will do if they discover her baby was fathered by the werewolf they recently destroyed.
While the love that fills Blanchard House may be magical, that love will be tested as secrets are revealed and a deadly enemy must be faced down. Not everyone will make it out alive as the prodigal daughters come home.
By: Micah House, 2021, Paperback
Things are not always easy for the Blanchard family of Daihmler, Alabama. Over the last few years they've experienced more than their share of tribulations, even for a family of witches. Through the many ups and downs they have always had each other, but that was threatened at the end of Book Two as one of their own suddenly disappeared from a family cookout.
In the third novel of The Blanchard Witches series, the story picks up where PRODIGAL DAUGHTERS left off. The family is shocked to have just witnessed one of their own disappear right before their eyes, but there is little time to react as more Blanchard vanish from existence. Those who remain must search the past to find their loved ones. They will encounter relatives they have only heard about through family lore while facing delicate challenges in unfamiliar worlds. And someone will make a mistake which will alter the future of the Blanchard family forever.
You don’t want to miss this one! It’s when everything changes. Join the Blanchard as they face one of the greatest foes they've come up against...time.
By Stephen Graham Jones: Hardcover; 448 pages / English
[Saga Press] Selected as One of The New York Times’s 100 Notable Books of 2025 A Barack Obama Summer Read A Time, The Washington Post, NPR, Shelf Awareness, Toronto Star, and Publishers Weekly Best of the Year Kirkus Reviews Best Historical Fiction The New York Times bestseller and “horror masterpiece” (NPR) from Stephen Graham Jones—the master of modern horror—is a chilling historical horror novel tracing the life of a vampire who haunts the fields of the Blackfeet reservation looking for justice. “Jones has written his Interview with the Indigenous Vampire. A landmark of horror and historical fiction alike, perhaps the closest thing we have to horror’s Moby-Dick.” —Vulture “Inventive and spine-tingling…a master class in voice. Queasy, uneasy, The Buffalo Hunter Hunter plays with the interplay between religion and historical guilt, identity and appetite.” —The Washington Post A diary, written in 1912 by a Lutheran pastor is discovered within a wall.
A mysterious figure. A dead televangelist. A series of bizarre rituals.
Margo has spent most of her life without a family, and with a telekinetic gift she can't quite explain. Since losing her mother less than a year ago, she's felt more alone than ever. When her fiancé Sam takes her to his remote Iowa hometown to meet his family and begin planning their wedding, Margo finally begins to feel like she's home. But the feeling doesn't last long, and Margo soon feels out of place among her future in-laws. Sam's family is different from what she'd expected. Not only is their obsession with a deceased televangelist unsettling, but Margo has begun seeing a strange, mysterious figure from her past—a figure that she thought was put to rest with her mother's passing.
As Sam's family begins to take over the wedding plans, Margo tries to regain some control by turning to the town's sole wedding planner, who soon becomes her only confidant, perhaps because she reminds Margo of her former love. But the more Margo tries to distance her past from her future with Sam, the deeper his family pulls her in, forcing upon her generationally archaic traditions that border on ritualistic. As Margo unearths the family's dark web of secrets, she begins to suspect that she may have been brought here for a reason, and it may cost her her life.
In the psychologically unsettling vein of I'm Thinking of Ending Things and The Women in the Dark, combined with the socially aware suspense of Get Out, The Ever End takes elevated horror to a new level with a queer, twisted, feminist story that will keep readers guessing until the end, and stay with them long after that.
DELUXE LIMITED EDITION features red sprayed edges, a reversible jacket that readers can color in and make their own, and endpapers featuring two more paintings from the book! Available for a limited time while supplies last.
From award-winning and USA Today bestselling author Kosoko Jackson comes his adult fantasy debut, a stand-alone novel blending of art history, time- and globe-hopping adventure, and dark horror and fantasy about ten cursed paintings and the lengths people will go to collect them, destroy them…or be destroyed.
A picture is worth a thousand nightmares.
A struggling painter, Lewis Dixon is shocked when the British Museum shows an unusual interest in his art. While he’s always felt there’s something powerful about what he puts on canvas, he also felt there was something disturbing just under the surface—especially as he was compelled to make a painting of a painting—one that he has a connection to: the object of his art is one of the ten paintings his great-grandfather created over a hundred years ago. Only Lewis’s version is surreal…and maybe just a touch horrific.
Still, he accepts the invitation, only to find not a curated show, but a test: to see if he not only has the magic necessary to enter the paintings, but also the strength to escape them. Because unbeknownst to Lewis, there is power in his art, just as the ten paintings carry with them both immense eldritch abilities and a terrible curse—making them, perhaps, the most valuable works of art in the world.
And Lewis has been asked to destroy them all.
With orders from a mysterious museum official, Evangeline, and partnered with an alluring agent in her employ, Noah Rao, Lewis must plunge into a world of black markets, gothic magic, ancient history, and unspeakable terror to save those unlucky enough to call any of the paintings their own, and to hopefully locate the tenth painting in the series, long missing, the powers of which are suspected to be most devastating of all…
DELUXE EDITION―the hardcover edition of The Red Winter features beautiful red sprayed edges!
A devastating love story. A bewitching twist on history. A blood-drenched hunt for purpose, power, and redemption.
In 1785, Professor Sebastian Grave receives the news he fears most: the terrible Beast of Gévaudan has returned, and the French countryside runs red in its wake.
Sebastian knows the Beast. A monster-slayer with centuries of experience, he joined the hunt for the creature twenty years ago and watched it slaughter its way through a long and bloody winter. Even with the help of his indwelling demon, Sarmodel – who takes payment in living hearts – it nearly cost him his life to bring the monster down.
Now, two decades later, Sebastian has been recalled to the hunt by Antoine Avenel d’Ocerne, an estranged lover who shares a dark history with the Beast and a terrible secret with Sebastian. Drawn by both the chance to finish the Beast for good and the promise of a reconciliation with Antoine, Sebastian cannot refuse.
But Gévaudan is not as he remembers it, and Sebastian’s unfinished business is everywhere he looks. Years of misery have driven the people to desperation, and France teeters on the edge of revolution. Sebastian’s arcane activities – not to mention his demonic counterpart – have also attracted the inquisitorial eye of the French clergy. And the Beast is poised to close his jaws around them all and plunge the continent into war.
Debut author Cameron Sullivan tears the heart out of history with this darkly entertaining retelling of the hunt for the Beast of Gévaudan. Lifting the veil on the hidden world behind our own, it reimagines the story of Europe, from Imperial Rome to Saint Jehanne d’Arc, the madness of Gilles de Rais and the first flickers of the French Revolution.
“An absolute feast of a book: rich, red, sinfully delicious. I've rarely been this satisfied―or this hungry for more.” ―Alix E. Harrow, New York Times bestselling author of Starling House
“So bloody good. The Red Winter is absolute ripper entertainment―miss it at your peril!” ―Shelley Parker-Chan, bestselling author of She Who Became the Sun
“A gorgeous tangle of history and fresh-made myth. You'll eat this one up.” ―Cassandra Khaw, bestselling author of Nothing But Blackened Teeth
“Charming, haunting, ambitious, and a great deal of fun.” ―T. Kingfisher, New York Times bestselling author of A Sorceress Comes to Call
A thrilling race against the clock to save the world from fantasy creatures from a cult 80s film. Perfect for fans of Henson Company puppet classics such as Labyrinth, Dark Crystal and The Never-Ending Story.
Jack Corman is failing at life.
Jobless, jaded and on the “wrong” side of thirty, he’s facing the threat of eviction from his London flat while reeling from the sudden death of his father, one-time film director Bob Corman. Back in the eighties, Bob poured his heart and soul into the creation of his 1986 puppet fantasy The Shadow Glass, a film Jack loved as a child, idolising its fox-like hero Dune.
But The Shadow Glass flopped on release, deemed too scary for kids and too weird for adults, and Bob became a laughing stock, losing himself to booze and self-pity. Now, the film represents everything Jack hated about his father, and he lives with the fear that he’ll end up a failure just like him.
In the wake of Bob’s death, Jack returns to his decaying home, a place creaking with movie memorabilia and painful memories. Then, during a freak thunderstorm, the puppets in the attic start talking. Tipped into a desperate real-world quest to save London from the more nefarious of his father’s creations, Jack teams up with excitable fanboy Toby and spiky studio executive Amelia to navigate the labyrinth of his father’s legacy while conjuring the hero within––and igniting a Shadow Glass resurgence that could, finally, do his father proud.
13 SCARY STORIES. 13 AUTHORS OF COLOR. 13 TIMES WE SURVIVED... THE FIRST KILL.
The White Guy Dies First includes thirteen scary stories by all-star contributors and this time, the white guy dies first.
Killer clowns, a hungry hedge maze, and rich kids who got bored. Friendly cannibals, impossible slashers, and the dead who don’t stay dead....
A museum curator who despises “diasporic inaccuracies.” A sweet girl and her diary of happy thoughts. An old house that just wants friends forever....
These stories are filled with ancient terrors and modern villains, but go ahead, go into the basement, step onto the old plantation, and open the magician’s mystery box because this time, the white guy dies first.
Edited by Terry J. Benton-Walker, including stories from bestselling, award-winning, and up-and-coming contributors: Adiba Jaigirdar, Alexis Henderson, Chloe Gong, Faridah Àbíké-Íyímídé, H. E. Edgmon, Kalynn Bayron, Karen Strong, Kendare Blake, Lamar Giles, Mark Oshiro, Naseem Jamnia, Tiffany D. Jackson, and Terry J. Benton-Walker.
A collection you’ll be dying to talk about… if you survive it.
The Woods All Black is equal parts historical horror, trans romance, and blood-soaked revenge, all set in 1920s Appalachia
Leslie Bruin is assigned to the backwoods township of Spar Creek by the Frontier Nursing Service, under its usual mandate: vaccinate the flock, birth babies, and weather the judgements of churchy locals who look at him and see a failed woman. Forged in the fires of the Western Front and reborn in the cafes of Paris, Leslie believes he can handle whatever is thrown at him―but Spar Creek holds a darkness beyond his nightmares.
Something ugly festers within the local congregation, and its malice has focused on a young person they insist is an unruly tomboy who must be brought to heel. Violence is bubbling when Leslie arrives, ready to spill over, and he'll have to act fast if he intends to be of use. But the hills enfolding Spar Creek have a mind of their own, and the woods are haunted in ways Leslie does not understand.
The Woods All Black is a story of passion, prejudice, and power ― an Appalachian period piece that explores reproductive justice and bodily autonomy, the terrors of small-town religiosity, and the necessity of fighting tooth and claw to live as who you truly are.
Michael McDowell’s Blackwater meets Clive Barker’s The Great and Secret Show in the disturbing first installment of a new trilogy of intense, visceral, beautifully written queer horror set in a small New England town.
A chilling supernatural tale of transgressive literary horror from the Bram Stoker Award® finalist and Splatterpunk Award-winning author of Things Have Gotten Worse Since We Last Spoke.
The lives of those residing in the isolated town of Burnt Sparrow, New Hampshire, are forever altered after three faceless entities arrive on Christmas morning to perform a brutal act of violence—a senseless tragedy that can never be undone. While the townspeople grieve their losses and grapple with the aftermath of the attack, a young teenage boy named Rupert Cromwell is forced to confront the painful realities of his family situation. Once relationships become intertwined and more carnage ensues as a result of the massacre, the town residents quickly learn that true retribution is futile, cruelty is earned, and certain thresholds must never be crossed no matter what.
Engrossing, atmospheric, and unsettling, this is a devastating story of a small New England community rocked by an unforgivable act of violence. Writing with visceral intensity and profound eloquence, LaRocca journeys deep into the dark heart of Burnt Sparrow, leaving you chilled to the bone and wanting more.
From an author “destined to become a titan of the macabre and unsettling” (Erin A. Craig, #1 New York Times bestselling author), a haunting debut—soon to be a Netflix original movie—about two homeowners whose lives are turned upside down when the house’s previous residents unexpectedly visit.
As a young, queer couple who flip houses, Charlie and Eve can’t believe the killer deal they’ve just gotten on an old house in a picturesque neighborhood. As they’re working in the house one day, there’s a knock on the door. A man stands there with his family, claiming to have lived there years before and asking if it would be alright if he showed his kids around. People pleaser to a fault, Eve lets them in.
As soon as the strangers enter their home, inexplicable things start happening, including the family’s youngest child going missing and a ghostly presence materializing in the basement. Even more weird, the family can’t seem to take the hint that their visit should be over. And when Charlie suddenly vanishes, Eve slowly loses her grip on reality. Something is terribly wrong with the house and with the visiting family—or is Eve just imagining things?
This unputdownable and spine-tingling novel “is like quicksand: the further you delve into its pages, the more immobilized you become by a spiral of terror. We Used to Live Here will haunt you even after you have finished it” (Agustina Bazterrica, author of Tender Is the Flesh).